Soundtrack Choices are Important
Hello out there internet people. Slick Dungeon here to tell you about why a made for television movie is not worth watching. Bet you never would have guessed that right?
Lizzie Borden took an ax and gave her mother forty whacks. When she saw what she had done she gave her father forty-one.
We’ve all probably heard that rhyme a few times in our lives. Likely while someone was skipping rope. And if the film version starring Christina Ricci had its way, that would pretty much sum up the whole story. Except for the fact that there were eleven axe wounds inflicted on the father and around 17 on the mother. Pretty much the rest of the film just wants to scream guilty at Lizzie.
Ricci’s portrayal is almost downright maniacal and I don’t see how any jury would have found her not guilty acting the way she was in the film. In reality I am sure it was a lot more of a gray area.
The film goes into gory detail pretty quickly but doesn’t cast much doubt as to who murdered Lizzie’s parents. Lizzie has an older sister who in the movie lies to protect her, even though that made no sense at all. The acting is not good in this and the story is so black and white it feels like it is cut out of a newspaper from the time period. But all of that said, you know what freaking kills this movie to death? THE SOUNDTRACK!!
They stupidly decided to go with modern popish music with depressing and disorienting undertones that in no way work. As annoyed as I was by forcing my eyes to view this, it’s my ears that were truly offended.
There is no way to concentrate on the images and drama happening in this movie while listening to the soundtrack.
This is a story that has been told over and over in a variety of formats. I don’t know if Lizzie is guilty or not and I doubt anyone will ever know for sure but this movie doesn’t add anything to the story in any way.
So what were the film makers thinking? I think I have their thought process below.
- Hey what’s that song my kid is singing, is that real?
- It is, I should look it up on wikepedia.
- Holy moly, it’s a real murder.
- I bet I can make a movie about a famous murder.
- I’m gonna write it right now, but you know pretty much as the papers had it.
- Now I am going to cast it. I bet I can get a big star, Christina Ricci is available right?
- Okay, watching the dailies.
- Wait, will the audience understand that this murder-y acting character is a murderer? Not sure, let me add some more obvious information. And let’s make sure to show her holding an ax. A lot.
- Hey I wonder if there are any other possible explanations for this murder? Possibly, according to the papers of the time. I am going to make sure to just gloss over those. Wouldn’t want to make it not obvious because the audience would be too dumb to grasp it.
- You know, I don’t think Lizzie looks guilty enough, let’s have her look like a crazy evil person at the camera. Maybe they will get it now?
- Okay, almost done, time to add a soundtrack that will give the proper mood, make some mystery and turn this into a great film. Wait, let’s just add pop music.
- This is gonna be huge, We’re going to release this to theaters and take our bags of money based on the gory details of this famous murder!
- Oh, made for TV movie instead? Sure, why not.
The moral of the story here is, if you want to make a movie about a rhyme that relates to a murder, you still need to make a good movie. The rhyme can’t do it all.
My next film reviews will be in Christmas mode, so get ready for some festive joy when I count down the 12 days of terrible Christmas movies.