Scream (1996) – Movie Review

The Ghost face killer wields a knife in the original Scream

Hello horror fans and slasher stans, it’s Slick Dungeon here! I’m gearing up to go see the sixth installment of the Scream franchise soon but before I do that, I wanted to review all of the previous movies here. For these reviews I plan on going in-depth so if you have not seen the movie, I advise you not to read this review yet. Scream is a great slasher franchise but the best parts of it are surprising events and reveals so definitely have a watch first because reviewing without spoilers is never easy with these movies.

When I do review Scream VI, I will have a first reaction spoiler free review followed by a spoiler heavy review. For the rest of these, watch first or risk the fun of the movies being taken away by reading. I’m going to be talking about individual scenes, characters, and themes so it’s all fair game in these reviews. I will only spoil things from the first movie in this review so you don’t need to have seen all the Scream films to keep yourself spoiler free, just the first one.

Scream in Historical Context

In order to understand Scream, it’s important to put it into historical film context. In the 1980’s and 1990’s there had been a glut of horror films. Friday the 13th had already put nine films in the can, A Nightmare on Elm Street was up to seven films, and both franchises were waiting for the crossover of the two killers. Halloween was up to its sixth film and The Texas Chainsaw Massacre had three films out as well. And these are just slasher films. Probably the most innovative horror film in the decade before Scream came out was Silence of the Lambs and an argument can be made that film is more of a psychological thriller than out and out horror. And all of this doesn’t even take into account the huge number of other knock off and imitation films, some with merit, but mostly derivative and boring. This is all to say, the slasher film was about as dead as can be imagined in 1995. No one wanted to see one because no one thought they could be surprised by them anymore. But, like a good slasher film, this type of horror had one last gasp before it was gone for good. Enter one of the masters of horror, Wes Kraven, who was matched up with an aspiring screenwriter named Kevin Williamson.

Scream came out on December 20th of 1996. It was the kind of film where there wasn’t much buzz around it, other than who directed it and was starring in it. While horror fans certainly knew Wes Craven, and Drew Barrymore has enough star power to draw anyone to theaters, most of the rest of the cast were less well known. All of the main cast had been in other films but they were not necessarily the icons of the 90’s they would go on to be. The film stars David Arquette, Neve Campbell, Courtney Cox, Mathew Lillard, Rose McGowan, Skeet Ulrich, and, of course, Drew Barrymore.

The film had enough going for it that there would be some fans in the seats no matter what. What it really had going for it was a smart story making a statement about horror, and slasher films in specific, with completely unexpected twists guaranteed to get word of mouth going.

The first weekend box office only earned the film $6 million but the next weekend it started to outperform expectations and ended up making over $100 million total. By any horror film standards, that’s a huge success.

So, why did Scream do so well? What’s the big deal with this movie? Let’s dig into it by breaking it down.

Spoilers Follow below!

The beginning of the twist in horror

One of the original “slasher” films was a little film made by Alfred Hitchcock called Psycho. I’m about to drop a spoiler for that movie here so if you haven’t seen that one, go watch it! (You really should have seen it by now anyway). Psycho had a neat little trick where we follow Janet Leigh around for about a quarter of the movie. She was a major film star at the time and she was why people came to see the film. But, in a shock to audiences, she is killed in the famous shower scene at around the 20 minute mark. It changes the tone of the film entirely, not just because the main character we had been following died, but also because the major star in the film was suddenly gone from the story. It then becomes the Norman Bates show.

If Wes Craven films know anything, they know film history. Kevin Williamson took notes from Psycho. This attention to what worked in slasher films of old paid off immensely.

Scream starts with the sound of a scream and the ringing of a phone. It sets the tone for a horror slasher film with perfection. We know something horrible is coming and whatever it is, will come from one end of that phone call. There are enough urban legends, and scary stories involving phone calls, we know this can’t be good.

The first conversation is with Casey Becker (Barrymore) answering the phone and having the kind of conversation we all used to have before the days of cell phones. Seems like an honest mistake, no hard feelings, wrong number. Casey hangs up. The phone rings again. The audience is already getting uncomfortable by this point. Casey picks up again and again politely but a bit more annoyed, hangs up. She goes to make popcorn and yet again the phone rings. The caller gets a bit more creepy but Casey keeps talking to him, telling him she’s about to watch a scary movie. This is where we get the famous line, “Do you like scary movies?” Seems like an innocent enough question, except we’re watching a scary movie where someone is bringing up scary movies so we know it’s not at all innocent.

This phone call is where we start getting some references to a whole bunch of slasher films, including Halloween, Friday the 13th and A Nightmare on Elm Street. Scream is self aware about horror films and as a horror fan, you’re probably already hooked. The phone call seems like it might get a bit flirtatious until the caller asks who he is looking at.

At this point Casey is on her guard. And as an audience, we all know, with certainty, they would not kill Drew Barrymore in the first few minutes. She must be the final girl because she is all over the marketing campaign and is a major Hollywood star. Casey goes into panic mode but keeps answering the phone because there isn’t much else she can do. The caller asks to play a game and things get serious.

Casey, already off kilter hangs the phone up a few times, but then the doorbell rings. She says, “Who’s there?” and the phone rings again. The caller tells her saying, “Who’s there?” is a death wish if you know the rules of scary movies. So, for the audience we get some rules established right away and we know breaking them is bad. This will be huge in not just this film but all of the Scream films to come.

In a desperate move, Casey tells the caller her boyfriend will be there soon. But, the caller gets the upper hand by asking Casey if her boyfriend’s name is Steve. This caller obviously knows way too much about Casey and it’s safe to say we, as the audience, are completely unnerved. When Casey is told to turn on her porch lights and we see her boyfriend already taped to a chair we know things are getting serious.

The caller offers to play a game with Casey. Movie trivia. If she can get the answers right, her boyfriend lives, if not he dies. We know we’re dealing with a twisted person here. Casey gets a questions right. One any horror fan and even most movie fans know. But then she’s thrown off by not remembering a twist in the first Friday the 13th film. Scream is signaling here that twists are important and should be paid attention to.

Casey watches in horror as her boyfriend is killed right in front of her. The violence is bloody and disturbing. The killer stays on the phone but he makes it into Casey’s house. From here the scene is your typical killer vs. prey situation but we’re still expecting Drew Barrymore to survive on star power alone.

She puts up a good fight and knocks the killer around a bit but ultimately she dies. The violent imagery doesn’t hold back and to make it even more terrifying, Casey’s parents come home but she’s unable to scream for help. It’s too late for her and for Steve. Casey’s mom even picks up the phone and has to hear her daughter’s dying breath.

The scene is brutal and horrifying and surprising and ends with Casey’s mother screaming, as any mother would.

This scene is the first reason why audiences latched onto this film. If Drew Barrymore can be killed in the first 12 minutes of the movie, all bets are off. That’s true, even if there are rules to follow. The movie itself already broke a cardinal rule, don’t kill your money making star until the end.

It’s still one of the most terrifying scenes in all of slasher horror and easily memorable for any horror fan.

One of the ironies of this scene is that Drew Barrymore was actually originally cast to play Sidney Prescott but she really wanted to play Casey Becker. The filmmakers realized what a good move it was and while Neve Campbell is certainly a star in her own right, Drew Barrymore was way more famous at the time.

The switch worked in everyone’s favor, including delighting the audience by surprising us.

The star is dead, what now?

If you kill off your major blockbuster star in the first twelve minutes, you not only need a good reason to do it, you have to have somewhere for the story to go. Otherwise no one would keep watching. We move to Sidney Prescott’s (Neve Campbell) bedroom where her boyfriend Billy Loomis (Skeet Ulrich) startles her by climbing through her window. There’s a moment where Sidney’s father checks on her and Billy has to hide. Pretty typical teen romance stuff. But we do find out Sidney’s dad will be out of town for the weekend.

Next, Billy starts talking about The Exorcist, giving the audience yet another horror reference. He is basically saying he wants their relationship to get more intimate than Sidney has so far been comfortable with. Sharp eared listeners will also hear the song Don’t Fear the Reaper playing in the background. It’s a clever clue because it could be interpreted either as a young couple in love who want to be together forever in eternity or mean the grim reaper is coming for one or both of these characters. Either way, the song implies death is coming for someone and perhaps one of these characters will be causing that death.

This establishes our next main character, signaling to us that at the very least we should care about Sidney and Billy in this film. It’s a small but significant scene trying to establish who we should be able to trust.

Enter the Suspects

We next meet a group of high school students and reporters. Woodsboro High is abuzz with reports of Casey’s murder. We see the principle of the high school and meet a few of Sidney’s friends. Randy (Jamie Kennedy), Tatum (Rose McGowan) and Stuart Macher (Mathew Lillard) all hang out at lunch and talk about the gruesome details. Stu and Randy particularly make fun of the situation. It also comes up that Stu used to date Casey Becker. None of the group, other than Sidney and to some extent Tatum seem overly upset a girl in their school died. We get the impression Casey was someone they knew but didn’t know that well, otherwise there would have been more of a reaction. There are definite clues as to who the killer is in this scene but you have to be really sharp eyed to figure it out.

We also see Sidney get interviewed in the principle’s office with Deputy Dewey and it is established they are old friends.

This sets us on the road to the mystery of who could be the killer. There were hints in several of the scenes we see but on a first viewing the mystery is particularly hard to guess.

We come away with a group of kids, a reporter, a principle, and a deputy who all could potentially be the killer. Also, a lot of slasher movies do have just a random person who is killing strangers so the possibility for that as the reveal is still open at this point in the movie.

When the violence is depicted on the screen, it’s taken quite seriously and it’s uncomfortable to watch. But as soon as we are away from the violence, most of the characters seem fine making a joke out of the situation. It’s all like a movie to them.

One other bit of information we start to gather here, if you’re paying attention is something bad happened recently in this town, and it somehow involves Sidney, or at least, someone she knows.

The past gets dredged up and the stakes are raised

After school, Sidney goes home and makes arrangements to stay the weekend with Tatum, figuring she’d be safer with someone else since her father is away. She flips on the television and we see Gale Weathers (Courtney Cox) bring up the rape and murder of Sidney’s mother.

It seems like a quick detail but it’s clearly an event that haunts Sidney to this day and explains a lot about how she behaves toward her boyfriend Billy. We won’t learn until later Maureen Prescott was actually the first victim of the ghost face killer. It’s the kind of detail a movie fan might easily miss when playing trivia with a deranged killer on the phone.

The second phone call goes to Sidney. Right away the voice on the other line calls her by name. Since we’ve already seen this play out once, it seems like there is a good chance Sidney will be victim two and may not survive. Remember. all bets were off by this point already.

Sidney thinks its a joke Randy is pulling on her and Sidney sort of points out how dumb people in horror movies can be. She’s attacked but she puts up a good fight and survives. Billy comes into Sidney’s room through the window and drops a phone. This is back before everyone had a cell phone so it was definitely suspicious.

We also find out Tatum is Dewey’s sister. Billy is taken away for questioning while Gale tries to get more of the story.

The horror continues

After a bit of a scene with Billy locked up in jail and a confrontation with Gale Weathers, Sidney does end up at Tatum’s house where she gets another phone call. It’s the killer once again. This is supposed to make the audience assume there is no way Billy could be the killer since he’s locked up without his phone at this point. But if not Billy, then who could it be?

We gain a bit more vital information the next morning when the news shows a report about Sidney’s mother. A man named Cotton Weary (Liev Schreiber) is awaiting execution for the rape and killing of Maureen Prescott.

Billy is also released as his phone records are cleared.

One interesting thing about this movie is how they portray the media coverage of the violence. Sure, horror movies are violent and bloody, but the reporters surrounding this story seem to be drooling for gory details of all the real life horror that happens. I think the movie is trying to draw the distinction that while horror films can often be blamed for violent acts, the widespread news coverage of horrible acts in reality could just as easily get the blame but tends to be ignored. After all, there is plenty of money to be made in Hollywood depicting fictional violence, but there is also a lot of money to be made reporting on actual violence.

We get some scenes in the school and outside of it where we pick up new potential murderers. This includes the principal who is extremely harsh to a couple of teenagers who were playing a prank. Gale Weathers is another potential suspect who certainly seems to be interested in the story but is just extreme enough to make the audience wonder if she is causing the story in the first place. Also, Gale is convinced Cotton Weary was falsely accused by Sidney. It seems Sidney herself even has some doubts at this point over whether or not she was right.

Sidney is attacked again in the restroom at school but she again escapes. The threat to kids in the school is so serious the school is closed and everyone is sent home. While this should be a solemn reminder to be careful, the teenagers in the movie treat it as I think most teens would, an unexpected holiday from school. Stu even decides to throw a party. He says it will be a small gathering and it sort of makes sense because you definitely feel safer in a group.

In the empty school, the principle is attacked and killed, eliminating a potential suspect. The scene has a great easter egg for horror fans. The principle goes out in the hall, cursing under his breath and the janitor who is wearing a brown hat and an old red and green striped sweatshirt pops up. The principle says, “Not you Fred.” It’s an obvious reference to A Nightmare on Elm Street. This again proves the film is completely self aware about horror.

At the video store, Randy gets more established as the expert on horror films. He references deep cut horror films and he has a freak out over Billy being there. Randy even admits in a horror film he’d be a prime suspect. But he’s convinced Billy is the killer and Sidney’s father who has been missing for the last couple of days, is the red herring of the situation.

The party gets started and the rules are solidified

As night draws closer, Dewey is convinced it really could be Sidney’s father who has done all the killings. The motive seems to be the anniversary of his wife’s death but the police need a little more evidence and to find him before they can confirm him as the killer.

Sidney and Tatum go to Stuart’s house for the party and Gale bumps into Dewey. There’s a definite attraction between the two of them.

The next victim is Tatum who goes down to the basement to get more beer. Her death is utterly brutal. She gets a couple hard knocks in but the way she dies, stuck in a garage door, is absolutely unforgettable.

With Tatum gone, there’s one less suspect. Billy shows up to the party and Sidney goes off alone with him. Meanwhile, Gale is able to get a camera feed into the party and watches it from her van.

Up in the room where Sidney and Billy are, Sidney tries to apologize for being distant with Billy and he immediately makes a film reference to try to understand the situation. This time it’s Silence of the Lambs. Sidney says it’s not a movie but Billy disagrees. More than any other character in this film, Billy seems unable to distinguish reality from film. He also isn’t as empathetic as one would expect when Sidney brings up the death of her mother. Billy instead compares it to when his mom left his dad. Any kind and caring person would understand there is a huge difference between someone leaving and them being murdered.

In the main room of the party, Randy finally lays down the rules of horror films as they watch Halloween. These are as follows:

  1. You can never have sex.
  2. You can never drink or do drugs.
  3. Never, ever, ever under any circumstances say, “I’ll be right back.”

Everyone laughs at this but these are all common tropes in horror films. Not all of them are actually true if you did a statistical analysis on horror films but these are things most horror movie fans assume are true in horror films. Stuart makes a big show of saying he’ll be right back and Randy retorts by saying, “I’ll see you in the kitchen with a knife.” It’s great foreshadowing. And it makes us suspect both Randy and Stu of being the murderer.

Outside we hear Gale also say, “I’ll be right back,” to her camera man. And upstairs we know Sidney is awfully close to breaking rule number one.

Randy gets a call telling him the principle was found dead and most of the party leaves to go see the body. These people leave in a bit of morbid glee where they do seem to be celebrating real world violence. Most people in reality would want to stay far away from a sight like that if they had the choice. It’s hard to sympathize with these people who go to see even more violence but those that do leave are the ones guaranteed to survive the night. I’m not sure there was intentional subtext here from the filmmakers but it feels like there might have been. Is it more callous to stay in and watch horror movies or to go out and see someone who has been brutally killed? Scream sides with the horror fans but also acknowledges the violence in such flms.

The Final Act arrives

After this group leaves, our suspect list narrows rapidly. First, Dewey stumbles onto Sidney’s father’s car. He could still be the killer at this point. Next, Sidney realizes Billy could have used his one phone call to call her from prison. But, he’s seemingly exonerated as he’s attacked by someone in a ghost face costume. Sidney gets away only to be traumatized by seeing Tatum stuck in the garage door.

Inside, Randy is yelling at Jamie Lee Curtis to turn around as the killer is about to strike in the movie, just as ghost face comes up behind Randy. And while this happens, Sidney ends up in Gale’s news van where the cameraman is telling Randy to turn around. And we as the audience are also yelling for Randy to turn around. It’s brilliant in its simplicity and just ratchets up the terror to an intense degree. The cameraman goes out to alert Randy and is instantly killed. The cameraman was never really much of a suspect but in case there was any doubt, it’s now gone. Sidney proves to be a true survivor by getting away once again.

Dewey realizes things are not going well by this point and rushes into the house. He investigates screaming only to find the movie playing on television. Gale finds blood all over the news van and tries to high tail it out of there but crashes the van. Sidney rushes back to the house to find Dewey who opens the door and falls over with a knife stuck in his back. It wasn’t the deputy.

Sidney gets into Dewey’s car and calls for help but is yet again attacked. She grabs a gun and races back to the house. Randy and Stuart both show up, each one claiming the other is the killer. She plays the smart card and locks them both out. Billy then falls down the steps, hurt but alive. He tells Sidney to give him the gun which she does. Billy lets Randy in.

At this point in the movie it’s really hard for the audience to tell who to trust. The only person we know can’t be the killer (out of the ones still living) is Sidney. She’s obviously not attacking herself so it has to be someone in the house.

It’s down to the end where we see if Scream can truly surprise horror fans. If the film blew the ending or made it unbelievable, all the good will up to this point would evaporate and horror fans would eviscerate this film with bad reviews.

the final twist of the Knife

As soon as Randy is inside he says Stuart has gone mad. Billy looks up and says, “We all go a little mad sometimes.” It’s a perfect call back to Psycho and Norman Bates as the deranged killer no one suspects. The audience now knows with certainty, Billy Loomis is the killer. And we’re reminded again of Psycho which was signaled at the beginning of the film with Casey Becker’s death. We’re ready for the final showdown and all of us are rooting for Sidney, Stu and Randy to survive Billy. Randy gets shot and Billy admits the blood on him is just corn syrup. Sidney turns and runs right into Stuart. For a fraction of a second the audience feels some hope. But Stuart is holding the voice changer the killer used on the phone.

This is where Scream goes from good to great. There were two killers the whole time. You might have guessed one but you had to be paying a hell of a lot of attention to guess there were two. And not only that, these guys framed Cotton Weary. Billy says he didn’t have a motive to kill Maureen but then he admits Maureen was why his mother left him. Billy is blaming reality for his problems and calling that out for why he’s a psychotic killer.

Stuart can’t seem to help but brag and he pulls out Sidney’s father taped to a chair. Just like Steve was in the beginning. Stu and Billy plan to make it look like they were the heroes who stop Sidney’s father after this killing spree. To make it look real, Billy and Stu take turns stabbing one another. While they are doing this Sidney says they have seen one too many movies.

Billy’s reply sums up the whole attitude of the film when he says, “Don’t you blame the movies! Movies don’t create psychos, movies make psychos more creative.” Billy keeps stabbing Stu and then tells him to grab the gun. It’s missing because Gale grabbed it and she’s pointing it at them.

There’s a struggle and Gale gets knocked out but there is enough time for Sidney to get away and untie her father.

Then, in a sweet twist, the phone rings. This time it’s Billy and Stu’s turn to be frightened. Stuart starts to really bleed out and on the phone Sidney asks what his motive is. He just says peer pressure and then worries about how mad his mom and dad are going to be. Stu was clearly more of a follower here.

In a bit of serious irony Billy gets attacked by Sidney because he was watching the horror movie playing in the living room. This is actually a call back to Halloween when Michael Myers is distracted by watching a movie playing on television.

Stuart has one last burst of energy in him but he goes down when Sidney drops the television on him. There are a few more last gasps from Billy and Stuart but in the end, Randy, Gale, Dewey, Sidney and her father, all live through.

It’s an action packed and bloody ending all taking place in a fairly confined space. Most good slashers have a lot of these elements and Scream is no exception. One difference is the movie feels more real because of how self referential the film is. The so called “meta” layer of it actually adds to the fear because you could imagine someone getting the wrong idea from watching a movie just like Scream.

The lasting impact of Scream

So, a film with great twists, meta references, a fair amount of blood and gore and a surprising box office take must have had some impact on the horror genre. In fact, it did. This movie can be credited with literally saving slasher films from being completely forgotten. It spawned several sequels but it also elevated horror to a new level. Now, to be a good horror film, the story had to make sense, have decent action, good jokes and decent performances from the cast and it had to surprise audiences.

Scream was not only a good horror film, it made other horror films try harder. Without Scream we wouldn’t get something like Midsommer because no one would think that kind of a film could work. If you watch horror films now, you’ll often find them ripping off Scream in one way or another. Most often these rip offs do the easiest thing which is become self referential. This was a new thing in horror when Scream came out but now doing that could be a trope in and of itself.

A few notes on the film

You might think from reading this review I think Scream is the best slasher of them all. I don’t. I still love Halloween and Friday the 13th the most but I cannot deny Scream is one of the smartest slasher films ever made and the whole franchise is great at what it does. But there are some problems with Scream and I just want to discuss those a bit.

First, the amount of damage some of the surviving characters take in the action scenes seems cartoonish and unbelievable. While a lot of slashers give this treatment to the villain, this one seems to give that quality to the heroes. There are scenes where one definitely must suspend disbelief to buy that the character can keep fighting.

Second, while the violence itself is treated as real and difficult to watch, the portrayal of how callous people are as they see friends, classmates and relatives die feels less than real. I’m not expecting this to become a melodrama where everyone is mourning the whole time but I wouldn’t expect an entire house of teenagers to cheer at the death of their principle, especially not after several of the students have been attacked and/or killed. The primary emotion on hearing that news would be fear by any rational mind.

Finally, Scream attempts to make the commentary that watching fictional violence shouldn’t be blamed for people becoming violent. It’s fine if they want to make that statement but doing it in the medium of fictional violence seems like less than the ideal forum in which to do that. I obviously agree watching horror films doesn’t automatically turn people towards violence but it feels a bit heavy handed here and seems like something more to be debated in politics rather than on film. I’m not taking anything away from the film making this statement, I’m just saying there are other places where this argument might be more effective.

Neve Campbell is a legend

While Scream plays into and plays around with a lot of horror tropes, one it keeps without really commenting on is the “final girl” trope. For those who don’t know what that is, it basically means the last survivor of the film. Usually it’s a woman but there are films where the final girl is actually a guy. For the most part, Jamie Lee Curtis can be thought of as the final girl in the horror films she appears in. But Neve Campbell as Sidney Prescott gives Jamie Lee a run for her money.

Sidney is a tough survivor who is kind an caring and one of the most relatable characters in all of the Scream films. She might just be the best final girl in history. She makes smart moves, she thinks fast, she defends herself and she helps others in trouble. She is, of course, traumatized by all the death around her but she is such a badass you can’t help but respect her. Neve plays the character perfectly, never for a moment making the audience doubt her authenticity and I can’t say enough about how fun she is to watch in this series.

In Conclusion

Scream is not a perfect film. It’s not a perfect horror film. But it did so much right, it’s hard to blame it for anything it gets wrong. It holds a unique place in film history for being one of the few films you can directly point to that saved a whole sub-genre of film. Without this film we definitely wouldn’t have had the end of the Halloween franchise (no matter if you loved that or hated it) and we wouldn’t have seen a renewed interest in horror with a smarter viewing audience. If you are a horror fan you have to watch this film. There’s no getting around how important it is. And if you’re like me, you’ll have a good time doing it too.

Do you remember the first time you watched Scream? If so, what did you think? Let me know in the comments and I’ll see you when I review Scream II next time!

Stab-ily yours,

Slick Dungeon

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Empire: Capital – Book Review

Empire: Capital by Tim Goff

Note: this review was first posted on Reedsy Discovery, an awesome website that pairs independent authors and readers. To see the post there, click here.

If you are a book reviewer and want to contribute reviews on Reedsy Discovery, click here.

(Note: this post contains affiliate links. If you purchase something through this post I will get a small commission at no extra cost to you)

Rating: 3 out of 5.

SUMMARY

After decades of bitter warfare, the Solarian Empire finally scored a pyric victory over demon ruled Traag. Now, Solaria is a tottering wreck of a nation, one step from the brink of collapse. Worse, the demons are still out there.

Tia traveled to the imperial capital to testify at the trial of a traitor tied to eldritch abominations. She stayed to court the rowdy knightly heroes roaming the palace halls. It seems normal – yet she is plagued by strange dreams and the court intrigues are taking a deadly turn.

Rebecca, Tia’s maid and personal minstrel, is ‘playing the palace’ – but there is something wrong with her music.

Sir Peter Cortez, Tia’s protector, parties with his fellow knights while navigating intrigues.

Kyle, Tia’s carriage driver and a petty magician, confronts his past and contemplates his future.

Opportunity and peril await them all.

REVIEW

After the events of Empire: Country the sequel follows the adventures of an ensemble cast of characters. Tia is still trying to find a suitable match for matrimony. Rebecca has musical talent and should be having the performance of her lifetime but there is something wrong with the music. Sir Peter Cortez is filling out his days in debauchery and unpleasant family matters. And Kyle is trying to figure out what a man with his talents can do and how he can further his fortunes. Meanwhile there is an evil presence growing in the capital which could destroy them all.

This second volume starts out with a prologue that definitely expands the world of Empire but seems as if it may be resolved further on in the series. There are more revelations from the past for most of the characters, and they all, in one way or another, are struggling to confront the reality of how to live their lives in the future. This all means quite a bit of political maneuvering as people try to position themselves to best survive whatever may be coming next. In the background of all this there is a bit of mystery and corruption that a few of the characters are able to perceive for one reason or another.

There are some passages which are a bit confusing for the reader but may become more clear as the story goes on. There are also some spelling and grammar issues in the book but the story is strong enough to keep the reader engaged for the most part.

It’s clear that Tim Goff is attempting to tell an ambitious story with a lot of moving parts. This second volume expands on that and has plenty of intrigue and action along the way. The idea of setting most of the main events after a major war has ended gives the story just enough edge to make it unique in fantasy books. This second volume touches quite a lot on themes of finding direction in one’s life and career, especially after the world has undergone a significant change. These themes certainly resonate to the audience today.

If you enjoy fantasy books with elements of cosmic horror you’ll enjoy the Empire series.

Slick Dungeon’s Quick and Dirty Guide to the Oscars

Hey everyone, Slick Dungeon here. The Oscars are about to start soon and I have watched each and every best picture nominee. I’m going to give you my take on them all and tell you what I think will win best picture and what should win best picture. Definitely don’t make any bets based on my picks because I am notoriously bad at guessing what the heck the Oscars will actually do.

Don’t believe me? Here’s what I said about CODA last year which turned out to be the winner, “It’s not going to win, not because it’s a bad movie at all, there is simply just too much star power behind the other films on the list. I highly recommend watching this but no way this gets chosen for Best Picture.” So if you’re making your Oscar pool bets, don’t rely on me.

Also, I am only going to touch on the best picture nominees here and not go into best actor etc. because I have not watched every performance nominated so I would just be guessing in the dark on some of it.

Ready? Here we go.

All Quiet on the Western Front

This is a gripping film with a lot to say about war and the horrors found in it. It’s especially bloody and the performances are fantastic. While this would be deserving of best picture I don’t think it will win because it is also nominated for best international picture and I think it’s a lock for that award. Read my full review here.

Elvis

Inches away from greatness this was a good biopic with a fantastic performance from Austin Butler but was really hampered by the nearly cartoonish performance of Tom Hanks. I wanted this to be better and I did enjoy it but it’s not the best film of the year. Read my full review here.

Top Gun: Maverick

This movie was a blast to watch, super entertaining and nostalgic. The plot was pretty thin but it gave a good excuse for lots of cool stunts. It’s not the best picture of 2022 but it was one of the more entertaining ones. Read my full review here.

The Fablemans

This was far and away my favorite movie of the Oscar nominees this year. It’s basically a fictionalized version of Steven Spielberg’s youth. While that’s a bit self indulgent, Spielberg is probably the one director capable of getting away with it. I’d be surprised if this one won but I hope it does. Read my full review here.

Avatar: The Way of Water

This film looks absolutely fantastic. It’s a visual spectacle not to be missed. And… that’s about it. It looks amazing but the story is meh at best. Still worth watching because it’s gorgeous but not the best movie of 2022. Read my full review here.

Everything Everywhere All at Once

This is a beautiful and touching film with some incredible performances and it’s really entertaining as well. While my favorite of the year was The Fablemans, if this one wins best picture, I couldn’t argue with that. If you haven’t seen it, make sure to watch it. Read my full review here.

The Banshees of Inisherin

This is a bit of a slow pace but still engaging and a movie that sticks with you well after viewing. It can be interpreted in a few ways but no matter what, you’ll remember this film. I don’t think it was the best film of 2022 but it was certainly one of the best. Read my full review here.

Triangle of Sadness

There’s always one movie on the best picture list that I simply cannot stand and don’t understand why it’s on the list. Last year it was Licorice Pizza and this year it’s Triangle of Sadness. Out of all the movies I watched, this is the one I wish I could get my time back for. I don’t recommend it. Read my full review here.

Women Talking

A very intense film about some dark and difficult subject matter. It’s well worth the watch but it gets pretty dark. It’s a good film but I don’t think it shines quite enough to be best picture. I do think it’s worth viewing though. Read my full review here.

Tár

An incredible performance by Cate Blanchett but overly long and a bit slow. The movie wasn’t the best of the year but Blanchett’s performance may well have been. Read my full review here.

In Conclusion

My bet is that Everything Everywhere All at Once runs away with the show but Cate Blanchett wins best actress and Brendan Fraser gets best actor. For directing, I think it will go to Steven Spielberg.

Anyway, we’ll see what happens tonight. What are your picks? Do you know of any movies you wish were nominated but were forgotten? Let me know in the comments!

Predictably yours,

Slick Dungeon

Tár – Movie Review

Cate Blanchett stars in Tár

Rating: 3 out of 5.

Hello movie lovers! It’s Oscar day and I’ve managed to watch all the best picture nominees before the ceremony this evening. The last one on my list was Tár starring Cate Blanchett as Lydia Tár. There will be spoilers in this review so if that is not music to your ears, watch the movie first and then come back here to read the review.

Lydia Tár is an award winning composer with a brilliant gift for conducting and finding new talent. She’s also a teacher at Juilliard and is working on the final touches of Mahler’s Fifth Symphony with the Berlin Philharmonic. Needless to say, she’s an extremely talented person.

Lydia is not without her faults, however. She shows favors to young women in her symphony much to the chagrin of her wife. Lydia has clearly carried out affairs with her assistant and some other women in the past. This all comes to a head when one of Lydia’s former Accordion fellows kills herself. Lydia does her best to cover up the affair with the help of her assistant Francesca. But then Lydia overlooks her assistant for a promotion and next thing she knows, Lydia is involved in lawsuits and accusations.

It’s clear even in the midst of all this, Lydia would not change her behavior as she flirts with a new and upcoming musician. No matter what she’s dedicated to her music and still has brilliant insights but she’s just maybe not the best person.

The film has a lot to say about power, who holds it, how they hang onto it, and what happens when those in power are held to account for their actions.

The reason to watch this movie can be summarized in one name here, Cate Blanchett. She gives an incredible and gripping performance as Lydia.

However, the movie is overly long, and while obviously the focus here needs to be on music, there were times it felt like the audience was being subjected to an entire course on music theory rather than observing a story. While this is meant to look like a true story, it is not. Lydia Tár was not a real person but there are obvious comparisons with people who have made incredible art but then done things in their lives where our respect for their talent may be lessened. There is a ton of technical jargon here and if you’re not someone who listens to classical music or really understands what goes into making it (guilty myself of this) then it can be a bit of drag.

The film really comes into its own towards the end as consequences start happening for Lydia. I will add that I was personally confused by the very end of the film but it’s just because I have never played the video game Monster Hunter and apparently it helps to know that game.

While I don’t think this was the best picture of 2022, I do think Cate Blanchett may have had the best performance. I think it will be a close call between her and Michelle Yeoh who would be equally as deserving.

Awarding-ly yours,

Slick Dungeon

Women Talking – Movie Review

Rating: 4 out of 5.

Hello film fans and welcome to Oscar day! We’re hours away from the big awards show and I only have a couple more best picture nominations to review. This time I am talking about the intense film Women Talking. There will be spoilers below so if that bothers you please watch the film first and then read the review. But before you watch the film at all, let me give you a little content warning. This film deals with the heavy matters of the worst kind of sexual violence against women and children so be warned before you go into it. While the film never shows anything extremely graphic, the subject matter is touched upon heavily and the few images that do show something are unforgettable. If that sort of subject matter gets to you in any way, stay far away from this film because you will be uncomfortable watching it.

Women Talking is about a small Mennonite colony where there have been instances of assault against women and children. The men who committed these acts have been caught and sent to prison, at least temporarily. While most of the men are away in town dealing with court and bail proceedings, it’s up to the women to decide what to do. They give themselves three choices. Do nothing. Stay and fight. Or leave.

The movie goes through the discussion, sometimes flashing back to instances of violence, while the women who all have differing points of view. try to decide what is best for them, and what is best in the eyes of God. For a film which is mostly a long conversation, this is riveting. The acting here is outstanding and the ensemble cast put in a great effort.

The story is based on a novel of the same name which was itself inspired by true life events. I can’t speak to how much of it is accurate to what actually happened but this dramatized performance is more than memorable. The film will sit with you long after viewing.

And while the themes are very intense and serious, you do come away from the viewing with a bit of hope that things will get better for the women in the end.

If you love good dramas and you can take rather intense subject matter, this is a must watch. If it wins best picture it would be deserving although I think it will be a bit of an upset if it does. Still, whether it wins or not this is definitely one of the best films from 2022 and well worth viewing.

Awarding-ly yours,

Slick Dungeon

Triangle of Sadness – Movie Review

Rating: 2 out of 5.

Hello film fans, it’s Slick Dungeon here! I’m back to review the next Oscar contender for this year, a film about the super rich and a yacht cruise gone wrong called Triangle of Sadness. There will be spoilers in this review so if that makes you seasick, watch the movie first and come on back here to read the review.

Triangle of Sadness is supposed to be a satirical take down of the upper class wealthy. It starts off with us meeting a couple named Carl and Yaya. Carl is a male model and Yaya is a model and influencer. The two are not at all likable. They prove to be somewhat more likable once they end up on a free yacht cruise where we meet a bunch of even wealthier people who are completely unaware of how anything works. This is up to and including one of the guests demanding the crew clean the sails on a motorized yacht which doesn’t have any sails.

The movie also has some absolutely disgusting gross out humor as people get seasick while eating fine dining in the middle of the cruise. If you watch this, eat your popcorn early because it gets very gross.

The last third of the movie is about a group of the wealthy passengers and a few of the crew getting stranded on an island where the tables are turned as one of the cleaning crew is the only one who has skills to survive on the island.

There are a couple of funny moments in the film and it’s well acted. But, out of all the Oscar contenders for this year, this one is the most skippable.

Maybe I am just not sophisticated enough to get the humor here but I found the film to be boring, overly long, pretentious and pointless. If they started the movie at the point of the shipwreck I might have found more value in it but the slog to get through to that point is not worth the rest of the film.

For all of the rest of the movies on the best picture list I can say I was at least entertained but this one I really struggled with. Even though some of the other films are slow paced, like Banshees of Inisherin, I was at least interested in what was happening. For this film, I couldn’t wait for it to be over and for me to be able to be done with the characters here.

Even the cleaning woman who turns the tables for a while ends up to be just as unlikable as everyone else and I just wanted it to end. I did give this two stars just because it does a fine job with the acting and there was one moment I really enjoyed where a wealthy couple who got rich off of selling grenades is blown up by one of their own grenades. Everything else here does not work for me at all. It’s not my kind of movie. I feel like they just missed the mark here. It was never cutting edge enough to really delve into dark humor and it wasn’t funny enough to be a true comedy. It’s about vapid people being vapid to each other. We get enough of that in the real world.

You may disagree with me and love this movie. It certainly earned a bunch of awards already. But, I don’t think I will be on the same page with you if you’re in that camp.

Awarding-ly yours,

Slick Dungeon

The Banshees of Inisherin

Colin Farrell and Brendan Gleeson star in The Banshees of Inisherin

Rating: 3.5 out of 5.

Hello film fanatics and movie lovers, it’s Slick Dungeon! I’m back to review yet another Oscar nominated film before the big show tomorrow. This time I watched The Banshees of Inisherin. There will be spoilers in this review so if that’s the sort of thing that makes you want to cut off a finger, watch the movie first and come on back to read the review.

The Banshees of Inisherin is a character study drama centering on the lives of Colm Doherty and Pádraic Súilleabháin. The two of them live quiet lives on a small island of the coast of Ireland. It’s a tiny community where few people leave and even fewer people return. It’s the kind of place where everyone knows your business at all times and nothing much changes.

Things do change for Pádraic, however, when he goes to knock on Colm’s door and invite him to the local pub which they do every day. Colm ignores Pádraic completely and just sits in his house. The next day a confused Pádraic asks Colm why he wouldn’t go to the pub and Colm says it’s because Pádraic is boring. This sets off a low level feud between the friends. Pádraic for his part does everything he can to get Colm to be his friend again but Colm does everything he can to avoid Pádraic.

This all takes place with the backdrop of the end of the Irish Civil War. While it’s not touched on too directly both Colm and Pádraic make comments on it and we hear sounds and rumors of fighting far off in the distance. Things become increasingly charged between Colm and Pádraic when Colm threatens to cut off one of his own fingers with a pair of sheep sheers if Pádraic keeps talking to him.

Things escalate from there between the two until the end of the film when both friends have good reason to be quite upset with one another.

The pacing of the film is very slow. It’s got great performances from both Colin Farrel and Brendand Gleeson but I think Farrell shines just a little more here playing a nice guy who has been wronged for no apparent reason. The story winds itself slowly to a pretty interesting finish with Pádraic and Colm having a bit of a strange resolution to their feud. It’s unclear if things will get better for the two in the end or if they’ll be life long enemies who are stuck on a tiny island.

Out of all the Oscar nominees I have seen so far this one seems to rattle around in my brain the most trying to figure out just what the meaning of it was. I’m not sure if that is a compliment or a criticism here but it’s a memorable film for sure.

If you like quiet character drama or slow paced black comedies this movie is for you.

Awarding-ly yours,

Slick Dungeon

Everything Everywhere All at Once – Movie Review

Rating: 4 out of 5.

Hello film fans! Welcome to Oscar weekend! It’s Slick Dungeon here and I’m back to review another Oscar best picture nominee. This one stars Michelle Yeoh, Stephanie Hsu, Ke Hey Quan and Jamie Lee Curtis. I am, of course, talking about Everything Everywhere All at Once. There will be some spoilers in this review so if that bothers you, do something odd, think of an alternate universe where you have seen the film, and come on back to read the review.

While there are a number of worthy contenders for best picture this year, Everything Everywhere All at Once got the most nominations of any film. It’s also widely considered to be a frontrunner for best picture. The movie centers around Evelyn Quan Wang, a mother who runs a laundromat with her husband Waymond. The couple have a daughter named Joy and Evelyn also takes care of her father Gong Gong. Evelyn’s world is swirling with activity from the needs of her clients to her husband and daughter and to top it all off she is being audited by the IRS.

On what would be an otherwise normal day, Waymond suddenly switches personalities and tells Evelyn she has to help him save every universe in existence from someone named Jobu Tupaki. To do that she has to go into a bit of a trance state and think of a universe where she made a slightly different decision somewhere along the way which leads to her having a new skill. So, for example if she wants to fight, she has to think of a universe where she learned martial arts and she instantly knows it. It’s sort of a comedic version of The Matrix but with a middle-aged Chinese American immigrant as the star instead of Keanu Reeves.

The plot is a bit hard to completely follow but there are tons of moments of comedy and introspection here. There’s everything from a universe where Evelyn is an internationally recognized singer to one where humans evolved with hot dogs for fingers. And there is a ton of action in this movie. This has incredible fight scenes, including the best use of a fanny pack in a movie ever.

Michelle Yeoh and Ke Hey Quan shine as the parents of Joy (Stephanie Hsu). Hsu herself puts in a solid performance as at turns a hero and villain in the film.

For what would be considered a sci-fi comedy action thriller this movie touches on a lot of subjects. It speaks about meaning in the world, about what it is to be kind, about how we relate to one another, and about the generational divide.

It’s not a perfect movie but it gets close. It’s bucket loads of fun and surprisingly emotional.

If you’re a fan of fun sci-fi comedies or if you are a Michelle Yeoh fan, you can’t ask for a better movie than this one. I don’t know if it will win the best picture but if it does it would be deserving of the title.

Awarding-ly yours,

Slick Dungeon

Avatar: The Way of Water – Movie Review

Rating: 3.5 out of 5.

Hello movie lovers, it’s me, Slick Dungeon! I’m back to review yet another Oscar contender for 2022, the biggest, most expensive, and bluest film of last year, Avatar: The Way of Water. There will be some spoilers below so if you have not seen the movie, clone yourself, upload your consciousness to a body who has seen the film, and come on back here to read the review.

Avatar: The Way of Water continues the story of Jake Sully from the first film. Jake is living his life with the Navi, now a respected leader, with a loving family. Things won’t stay peaceful, however, as Earth is dying and humans have decided they need to colonize Pandora in order to survive. This puts Jake and his family in danger and at odds with an entire planet of people who have better weapons and technology than the Navi. Jake will have to reprise his role as a leader of military might and join up with a new clan and learn their ways in order to turn back the invaders.

The film looks absolutely fantastic. The visuals are stunning beyond belief. This film should win every technical award under the sun. It’s a spectacle for the eye to see that should be enjoyed in 3D on the largest screen you can find. It’s well worth the experience.

The acting is decent. There are moments where you may find yourself tearing up a little and despite everyone walking around as big blue aliens, emotions do come through well.

However, the story is nothing we haven’t seen before. It doesn’t have anything here you couldn’t predict from watching the first film or even just the preview of this film. While the film gets every point for innovative visuals, it gets none for original story. There are moments where you will forget what the story is even about because your eyes are just wandering around the screen. I’m not saying it’s not worth watching. It’s totally worth watching, just don’t expect anything but your eyes to be surprised. Your heart and mind won’t be.

This is a mediocre story living inside an incredible looking film. It’s good, it’s fun, it’s a theatrical experience you cannot forget. It’s just not that great of a story. It’s unfortunate because if this told a story that was maybe thirty percent more original this could have been one of the best films ever made. Instead it’s the best looking film ever made.

There are times when the cast seems too large and it can be hard to keep track of who is who and what exactly is happening. Also, the big bad guy here is just a sort of recycled big bad guy from the last movie which felt really uninspired. That’s not to take away the achievement of this film. It’s an incredible visual feat that only James Cameron could have pulled off. It just deserved a better story.

If you love sci-fi action and big visual effects with tons of spectacle, this movie will be right up your alley. If you need a great story to go along with all of that you’ll be a little disappointed but you should watch it anyway because it really does look incredible.

Awarding-ly yours,

Slick Dungeon

The Fabelmans – Movie Review

Rating: 4.5 out of 5.

Hello movie fans, it’s Slick Dungeon here. I’m back to review another Oscar nominated film. This time I watched The Fabelmans, a semi-autobiographical coming of age film by the one and only Steven Spielberg. There will be some spoilers in this review so if that sort of thing bothers you, grab yourself some popcorn, go watch the movie and come on back to read the review.

The story of The Fabelmans centers around a young Jewish boy named Sammy (Gabriel LaBelle) and his love of film. The movie starts off with a very young Sammy being taken to see his first movie. He’s a bit scared to go but his father patiently explains the technical aspects of film while his mother talks about how magical the experience will be. In the theater, Sammy watches The Greatest Show on Earth. Sammy is instantly enthralled and becomes obsessed with trying to recreate one of the scenes from the film.

It’s clear from early on that Sammy has a genuine gift for filmmaking. He’s encouraged by his mother and his father appreciates what Sammy does. Sammy’s father, however, does think it’s just a phase before Sammy moves onto doing something practical like engineering.

We see Sammy grow up into a teenager and it seems the one constant for him is film. His family has a shift in dynamic as it becomes clear his mother and father are not happily married at this point. Film seems to be a bit of a mixed blessing for Sammy for a while. The Fabelmans move to California and things get even more difficult as Sammy is one of the few Jewish kids at his high school. He finds a bit of romance and he continues making movies.

The film deals with a lot of personal struggle and turmoil. It also explores topics of art and creativity and trying to find some meaning in the world as you grow up. More than any other film I’ve watched so far for the Oscar nominees, this one understands film. Steven Spielberg knows that film is not just about spectacle. It’s about capturing small moments of personal stories to tell us a larger story. Sure, special effects are nice to have, but that’s not the only thing required to tell a good story.

Watching The Fabelmans gives any cinephile the same feeling we had the first time we walked into a theater. It’s downright magical. The difference is that most of us just continue to watch movies while Sammy realizes he needs to make movies. And while this is a fictionalized version, it’s obvious a lot of Steven Spielberg comes through in this character.

So far, out of all the movies I’ve seen for the Oscars this year, this one seems the most deserving to me. It’s able to transport the audience in a way other films haven’t. I will admit I am a little bit biased here as I am a sucker for movies about movies but I think anyone watching this will not be able to deny how skilled a storyteller Spielberg is.

If you love coming of age movies, movies about movies, or films that tell a personal story about art and creativity, this one is a must watch.

Awarding-ly yours,

Slick Dungeon

Top Gun: Maverick – Movie Review

Miles Teller stars as Bradley “Rooster” Bradshaw in Top Gun: Maverick

Rating: 3.5 out of 5.

Hello moviegoers and film fanatics! Slick Dungeon here and I’m back to review another Oscar nominated film from 2022. This time we’ll be barrel rolling into the high flying sequel to Top Gun, Top Gun: Maverick. Do be warned there will be some spoilers in the review so if that sort of thing makes you want to eject from the aircraft, go watch the movie, come one back here, take off your aviator glasses, and read the review.

Tom Cruise is back in a big way in Top Gun: Maverick. This film continues the story from the original film with a Maverick who is much older, much wiser, and still a Captain. He’s stuck in the position because he tends to be a bit reckless and he feels like being a pilot is who he is.

The film starts off with Maverick testing an aircraft, trying to get it to hit mach 10. He’s doing this against orders but if he hits the mark, he saves the jobs of several people working with him. At least for now. Expecting to be disciplined. Maverick is instead called back to the “Top Gun” flight school where the original movie took place. There’s a nearly impossible mission (see what I did there?) and Maverick is needed to teach a young group of pilots not only how to complete the mission but how to survive it. Maverick also only gets this job because Iceman (Val Kilmer) from the first movie is now an Admiral and knows Maverick can handle the job.

Maverick is given the parameters of the mission and instantly sees all the challenges associated with it. It’s a big task full of the need for lots of cool looking flying stunts to get the job done.

In the group of top notch pilots is Rooster (Miles Teller), the son of Maverick’s now deceased wingman Goose. Rooster is none too pleased to be instructed by Maverick because Maverick delayed Rooster’s entrance into the Naval Academy.

The movie has a ton of action, lots of incredible looking flight stunts, a decent enough story and about as much Tom Cruise as any sane person can handle.

As far as a movie going experience, this was definitely an enjoyable film. A lot of it did feel like a rehash of the original story but there’s enough new here to keep it interesting. Was this one of the better movies released in 2022? Absolutely. Is this worthy of the best picture of 2022? I don’t think so.

I’m not knocking the movie. I really did enjoy it. There were some issues with it. The near impossibility of the need for this mission with these aircraft made it almost not believable but I can put that aside enough to have fun here. Also, the fact that drones are taking over much of manned flight is only barely touched on here and I think there could have been a bit more exploration of that topic. Jennifer Connelly has a decent role as Penny, Maverick’s love interest. But the audience is mostly here for the high flying stunts (or low flying in some cases).

It seemed to me there was a moment in the film where they could have put a nice end to the whole franchise but it would have involved Tom Cruise’s character dying and I think he has just a bit too much ego to let that happen. But again, this is a movie for fun more than anything, not necessarily something that should leave you in tears.

It’s a good movie but it’s not a great movie. I’d definitely argue the original is better and, well, more original, but there is absolutely no denying this film has incredible and exciting action. I don’t regret putting my money down for it but I’m not sure it truly earned its place on the Oscar nominee list.

If you love the first Top Gun film this is required viewing. If you like fast action films, this is a great watch. If you’re looking for a deep plot with lots of surprises, you’re in the wrong place. But if you want a good time, this movie will definitely give you that.

Awarding-ly yours,

Slick Dungeon

Elvis – Movie Review

Austin Butler stars as Elvis

Rating: 3 out of 5.

Hello film fanatics! Slick Dungeon here and I’m back to review the next of the Oscar contenders for this year. This film is about a musician you may have hear of named Elvis. There will be spoilers in this review so if that sort of thing steps on your blue suede shoes, go watch the movie, come on back and read the review. This one is available on HBO Max and Hulu at the moment.

In the past few years there have been a ton of musician biopics which show a brilliant and struggling artist get a big break through, fall into excess, and either be redeemed or end up dead at a young age. These biopics range from fairly accurate to almost complete fiction. And the formula at this point is kind of old. So, it’s easy to forget Elvis Presley really was one of the first mega famous rock musicians of all time and his influence on music simply cannot be overstated. A decent biopic for him has been overdue for decades. And this one, Elvis, almost hits the mark but just doesn’t quite get there.

Let’s start with the good here. Austin Butler plays a perfect Elvis. I never for one moment didn’t buy him as Elvis. This is an immense acting feat considering just how much Elvis already existed in the world. His face is internationally famous and has been for so long, it would have been easy to phone in a less believable portrayal here.

The subject matter of the life of Elvis is mostly portrayed correctly here although it never feels quite as outlandish and big as the real Elvis did. It also never feels as grounded as the early Elvis did when he was bringing music to teens and allowing them to cut loose for the first time.

Almost all of the performances here are top notch and this has an amazing soundtrack. I’m not just talking about the Elvis songs either. The blues, country, and early rock that influenced Elvis (and that he sometimes outright stole) is prominently portrayed here. There are a couple of jarring moments I don’t think worked where they throw hip hop songs into the middle of 1959 but it could still be argued Elvis had an influence on that music as well.

Here’s the bad. And it pains me to say this but, it’s Tom Hanks. It is certainly true Elvis had a manager who took financial advantage of him and kept him locked into unfulfilling contracts. This was Colonel Tom Parker, most often just referred to as the Colonel. He had a huge influence on promoting Elvis and helped to bring Presley to stardom in the first place. But Hanks’ portrayal of this person misses the mark. The makeup used on Hanks kind of works but not enough to keep it from being distracting. More problematic is the way Hanks portrays Parker. I think if Hanks could have dialed it back from completely unaware cartoon villain by about 50 percent, this performance might have worked. I don’t know who should have played Parker but I do know this performance was just not right given how well the rest of the film works.

The other bad part of the film still has to do with the character of the Colonel but this is not Hanks’ fault. Baz Luhrmann for unknown reasons decided to frame the entire movie not from the point of view of Elvis but from the point of view of the Colonel. It’s like Luhrmann was afraid to actually get close enough to Elvis to give us the whole story. While it does give some interesting context, it’s not the story we want to see. Especially not when Austin Butler is giving such an outstanding performance.

To me this film is frustrating because it gets close to reaching greatness, only to hamper itself from getting there. The moments where the film shines the most are when Elvis is away from the Colonel and is interacting with those whose music inspired him. There are great scenes between Elvis and B.B. King and others in the blues scene of the time. That’s the film I really wanted to see but instead we see scenes of Tom Hanks not believably lying to everyone around him. And then in the next moment everyone around Hanks believes the guy.

Normally I like a good Tom Hanks performance but this one just doesn’t work.

If you love musical biopics there are definitely worse ones out there. If you are an Elvis fan you’ll probably enjoy this. Also, if you want to see an excellent and believable portrayal of Elvis, this works. But outside of that, I can’t recommend this for everyone. It’s a bit of a mess in parts and utterly brilliant in others and it just doesn’t quite match the grandeur the King of Rock ‘n Roll deserves.

Awarding-ly yours,

Slick Dungeon

All Quiet on the Western Front (2022) – Movie Review

All Quiet on the Western Front (2022)

Rating: 4 out of 5.

Hey movie fans, Slick Dungeon here! It’s Oscar week so I’m going to give my best shot at reviewing all of the best picture Oscar nominees this week. I’m not sure if I will get through all of the movies before Oscar time but I will review all of them. The first one on the list happened to be the 2022 version of All Quiet on the Western Front. Do be warned there will be some mild spoilers in this review so if that sort of thing bothers you, watch the movie first and come back to read the review. This one is available on Netflix at the moment.

All Quiet on the Western Front is a German film adaptation of the novel of the same name from 1929. It follows a group of young men thrown into the horrors of war near the end of World War I. The book, and the film, make strong statements about the futility of war, the carnage it inflicts, and shows how decisions outside of the control of anyone on the ground impacted vast numbers of those who fought.

While this is certainly an ensemble film, we mostly see the story through the eyes of Paul Bäumer. He signs up to fight on the side of the Germans before he’s actually of age to go to war. He and several of his friends are young, idealistic, and inspired by the leaders of their country. But as soon as the group make it out to the front lines it becomes clear none of them were ready for the harsh realities of war.

The film is gory, even for a war film. The movie portrays death in nearly all of the possible forms it could have taken on the front lines, from bullets to mortar shells to death by gas and anything in between, it’s shown here. For most of the movie we get small snippets of each character’s life. Some we learn a little bit about only to see them die seconds later. Others make it further along in the war but as this is war, no one is safe from harm.

We do see a bit of a relationship develop between Paul and a man named Kat who is a bit more experienced in the world than most of the other soldiers around him. This is the strongest attachment Paul forms but even this relationship feels tenuous as both men know either one of them could be gone in an instant. Throughout the movie it seems focusing for even a moment on the future can be fatal. All involved must survive this moment to get to the next and nothing more.

There is also an interesting contrast when we see some of the diplomats and generals who are not on the front lines, making decisions from their safe sanctuaries, knowing men are dying and not caring.

And while the movie is about German soldiers, who are considered the aggressors in the war, it’s absolutely clear, this war was horrible for everyone who fought in it. The viewer feels no less empathy for Paul and his companions than if they fought for the French. And since the film was made by German filmmakers, it has a realistic quality to it which might not come through from any other creators.

This film is utterly brutal and heartbreaking at every turn. I remember reading the novel in High School but it doesn’t sink in the same way as actors portraying these scenes on film can. The book, in my opinion, has a lot of dead space without much happening. There is still some of that in the film, but those moments of stillness and quiet, are jarringly interrupted when action takes over.

This film won’t be for everyone. If you don’t have a fairly strong stomach when it comes to bloody depictions, most definitely sit this one out. If you can’t stand war films, again this is not for you. But, as the book does, this movie really sinks home not only how brutal humans can be to one another but also how meaningless it can all seem.

I don’t know if this is the most Oscar worthy film on the list but it’s one I can easily recommend you should watch. There is some slow pacing which can get annoying but there is enough here to keep one interested and there are some genuinely shocking moments worth sticking around for.

Awarding-ly yours,

Slick Dungeon

Marvel 616 Review – Journey Into Mystery #92

Journey Into Mystery Issue 92 Writers: Stan Lee, Robert Bernstein, Artist: Joe Sinnott, Cover Art: Jack Kirby, Photo Credit: Marvel

Journey Into Mystery continues to be a showcase for Thor and the other Norse gods who appear in Marvel 616. In this issue we get to see a deeper look at Asgard and the rivalry between Thor and Loki continues. But we have to take the good with the strange here because in the same issue, Thor has to take down several lowlife street thugs after his alter-ego Dr. Donald Blake has operated on one of them. It’s an odd mix of foes who are absolutely no match for Thor and one who can hold his own.

The story starts with a splash page, as most 616 comics do. Loki is scheming how to free himself from his bonds while at the same time weakening Thor. We next get a good look at the Bifrost bridge and see Heimdall guarding it. He doesn’t allow Neri, hand-maiden of Fricka, to cross the bridge until he’s made certain Loki is still chained in place.

Loki overhears the whole thing and he’s still hopping mad about being stuck here, chained to a rock with chains made of Uru metal. This is the same substance Thor’s hammer Mjolnir is made out of.

As Loki goes on swearing his vengeance on Thor, we switch back to Earth in the offices of Dr. Donald Blake. Jane goes out to run a blood sample to a lab. Outside, three common thugs wait. One of them has been shot and they plan to force Dr. Blake to operate, without filing a police report, whether he wants to or not. The crooks pulled off a jewel heist and Blake knows they are on the run. Being a good doctor, of course he operates. He also mentions Thor is helping the police. The thugs don’t believe him until Blake distracts them with the classic look over there technique and changes into Thor. Weirdly, he decides to tape the gangsters onto an operating table, tie his hammer onto the table, and basically chuck his hammer towards the police station. The cops figure out what happened rather quickly and the hammer returns to Thor who changes back into Dr. Blake.

A week goes by and Thor is summoned to… a film set. Yep, you read that right, he’s making a movie. His proceeds, “will go to various charities,” so he’s still doing heroic work. He starts filming a scene or two and Loki sees what he is doing. Thor’s final scene involves him throwing his hammer to cause an avalanche, which he does. The hammer doesn’t stop flying and we find out this is because… well because Loki has used his sorcery to… make the metal in his chains magnetic and attract the hammer to them. So, I guess Loki is kind of like Magneto for a minute here? It doesn’t make a lot of sense but it does break Loki free.

To press his advantage, Loki lures Thor to Asgard. Loki figures Thor knows Earth pretty well but Loki might gain advantage in his home. I suppose Loki has forgotten Thor is no stranger to Asgard but we’ll go with it. Thor asks Odin to transport him to Asgard, which he does. Conveniently, time stops on Earth when Odin is around and in Asgard Thor can’t lose his powers even without his hammer. So, we don’t have to follow the established rule that Thor can’t be away from his hammer for more than 60 seconds.

Loki also convinces the council of gods to say they’re too busy to help Thor find his hammer. Loki sends some killer trees after Thor but Thor makes a hammer out of wood and defeats them. Thor figures Loki must be up to something and goes to check on him. Loki turns some clouds into dragons to attack Thor. This time Thor makes a hammer out of stone. That hammer also flies to where Loki had been chained. There he finds Mjolnir. The gods Odin, Heimdall, and Fricka show up and take Loki prisoner again.

Thor heads on back to Earth and we get a silly scene where Dr. Blake is testing someone’s reflexes with a rubber mallet. Jane Foster reassures the patient that, “Dr. Blake is very experienced in using a mallet!!” to which Blake thinks, “Jane, honey… you don’t know the half of it!”

While this story is a bit of an odd mix, it does drive the larger story forward just a bit. We get more of Asgard and more of Loki and this is vital to the upcoming creation of the Avengers. In time, a lot of the sillier stuff, including Thor fighting common street thugs will fade away but it’s still going to be a while before we get there.

Next up on the reading list, we’ll be checking in on Reed and company in The Fantastic Four #14!

Luther: The Fallen Sun – Movie Review

Idris Elba and Andy Serkis star in the latest installment of the Luther series, Luther: The Fallen Sun

Rating: 3.5 out of 5.

Hey movie fans, it’s Slick Dungeon here. I’m back to review another movie, although this one has a pretty limited release and it’s more of an episode of television. If you’ve seen the Luther series starring Idris Elba, currently airing on Netflix, you know what this series is about. If not, you may want to skip this review because there will be spoilers and they may cover more than just the movie but also the series. You’ve been warned.

I’m reviewing this here because I want to post about every movie I see in theaters this year. I’ve watched the other episodes of Luther but never caught them in a theater so you won’t see the review for those episodes here (at least not yet). None of those episodes, as far as I know, were ever released as movies like this one was.

The Luther series is a gripping psychological thriller series starring Idris Elba as detective John Luther. This is a man who has a special talent for catching bad guys doing unspeakably bad things. But Luther has gone too far in some instances to see justice done. Luther: Fallen Sun continues this story.

The movie starts out mysteriously with a young man receiving a phone call in the middle of the night to show up at a random location in the middle of a road. When he gets there he finds a car has crashed and a body on the side of the road. The young man calls the police and moments later is attacked by the person who was lying in the street.

We cut to Luther who is investigating a case. A desperate mother asks for Luther to promise to find her missing son for her. Luther promises but he’s clearly got other priorities at the time. A few months later some of the things Luther has done in the past which cross the line of the law come to light and he ends up in prison. But there is a serial killer on the loose and Luther wants to end the case he never finished.

Obviously this presents problems. He can’t do much if he’s in jail and he is not a detective anymore so he’s pretty limited. However, he’s still got more insight than most people in the police force and Luther has a plan. He’s able to get out of jail and go after the man who is causing such havoc.

It plays out like most Luther episodes otherwise, where Luther is a step behind a killer but he’s determined. There are tons of disturbing and uncomfortable scenes in this movie but if you have watched Luther before, it’s nothing new.

Andy Serkis puts in a great performance here as usual and Idris Elba is fantastic as always. The story is gripping and believable, although there are parts which seem a bit far fetched. The end also feels like it will be the beginning of something bigger so I don’t think this will be even close to the end of Luther.

If you like psychological thrillers like Silence of the Lambs, or Wallender, you’ll enjoy Luther: The Fallen Sun. While I did see this in a theater, I don’t think that’s necessarily the best way to watch this. It’s a highly bingeable show and this is another solid entry in the series.

Thrillingly yours,

Slick Dungeon

Flash Fiction Friday – The Librarian

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Happy Friday internet! I was thinking about an unruly mob when I wrote this story. Hope you enjoy it!

The Librarian by Adam Wright

When the young man came in to check out a series of medical volumes I thought little of it. He had a tenacity beyond any I had seen before. Most days he came in at the sound of the church bell ringing in the noon hour. He stayed until the bells rang once more at midnight. The days he did not arrive must have been spent at his lectures or in study with his compatriots. I never saw him without a book in his hands. 

Late at night when all the lamps were low I would see him at the tables. Books were strewn about and he would scribble furiously upon his pads, the ink pots running low, broken quills at the floor. I often walked to him quietly and tapped upon his shoulders. Every time he would start out of his seat as if he had been waiting for some unseen horror to come at him. It was only I, the humble librarian, come to send him on to wherever he could sleep. Presumably at his dormitories near the school. Later, I heard there was some site far off from the village he frequented. I never knew if this was true or not.

I saw him with a young woman on several occasions. Some said it was his sister, others his bride to be. It did not matter to me, I only loaned him the use of my tables and the books upon my shelves. His matters were not my matters. Still, when I saw them walking together in the street he looked happier than when he was at his books. The woman positively gleamed radiance in those days whenever she was spotted with him. 

As time went by the young man became more frantic. Dark circles appeared under his eyes and he seemed to enter in a mad passion. He was searching for something but unable to grasp it. I spent hours with him walking through shelves finding volumes of knowledge for him to consume. 

His requests became more esoteric. He demanded volumes I did not own and had not considered obtaining. He was a likable fellow and so driven with knowledge I found myself purchasing from dealers in antiquities and even occasionally those known to be associated with the criminal elements in the village to procure some volume or other. Most frequently they dealt with human anatomy and the study of the deceased. 

The only other subject he found interesting had to do with weather. He was maddeningly curious about lightning and how it might be harnessed. I told him it may be a better idea to leave God’s will and the force of nature alone. He mocked me for a fool but I did not take it personally. Good men are still good men even when they disagree. 

These long days of study were interrupted by months of absence. I found myself wondering where my young friend had gone off to. I wished him well but kept about my business.  

When there were rumors of children gone missing or possibly taken from the village the worry for my young friend grew in my mind. I was not concerned with any violence being done to him. For all his academic rigor he seemed a hale and hearty fellow who could fend off attack if necessary. That sweet woman he was associated with, however, she was an altogether different story. She was slight enough a strong wind might have blown her away. If thugs or bandits were craven enough to abscond with children who knew what lows these miscreants might get up to when confronted with a beautiful young woman?

I was quite relieved when days later he came in once again. He had a much more focused list of books he was interested in. Had I known he would tear pages out I never would have let him peruse these copies but he did this in secret when I was not looking. I don’t know what he expected to find there nor why he would keep the pages for himself when he could simply copy down a passage if he wished.

Once I discovered his actions I confronted the fellow. I told him in no uncertain terms if he was to damage the property of the library he would not be welcomed back. This set his anger to boil and we nearly came to blows. In fact, he pushed past me, grabbed a book I had recently procured for him and he ran out of the building shouting to me that it was the last piece of the puzzle. What this puzzle was I had no knowledge of.

I considered following him but did not think recovering one volume, no matter how rare, was worth leaving all the books in the library unattended. 

It was not long after when tragedy struck the village. There were wild rumors of a hulking creature with the strength of ten men roaming around the countryside. I never believed the wilder rumors but were there a man, perhaps a deranged one, in the countryside, it would explain the disappearance of the village children. 

The events on the night of the fire are somewhat difficult to ascertain in their entirety. It seems the townsfolk were driven to anger over the loss of their children and the terror spreading from these rumors of a creature. They began to assemble in ones and twos and eventually became a large group.

I was walking home after hours when I saw it. They say it was a creature but I can tell you it was not. It was a man. A large one, hideously scarred, and uglier than any visage I had seen before. He was running past me toward the old mill. For a moment I thought about stopping this man but in the moment I saw his face, I felt pity in my heart. There was something everlastingly tragic in him. Perhaps things may have been different had I stopped this man. Perhaps there would have been less death amongst those I knew and cared for as patrons of my little library. There is no way to know for certain.

Soon the townsfolk became a mob. They carried their farming implements and held torches aloft to light their way. It was this group that passed me next. They asked where “the creature” had gone. Rather than try to reason with an unruly mob roused to anger I simply pointed. I hoped the man was not harmed but had he been the one tormenting the village I suppose his end would have been justified.

By night’s end much of the village had been burnt. Many people died. I saw the flames at the mill and decided the best course of action was to return to the library to defend it from any threatening inferno. Luckily for me, my little building remained safe through the night.

Tragically, I learned later, the beautiful young woman who so often accompanied my friend died that same evening. It was unclear if she were a victim of the fire, the man on the loose, or perhaps came to some other end. In my mind I keep seeing the anger and madness in my friend’s eyes as he told me my book was the last piece of his puzzle. This, to me, was more frightening than this “creature.”

The woman remains dead and my friend has not been seen for some time. There are rumors he took to sailing in an attempt to reach the North Pole. Ridiculous rumors are rampant in small towns and villages such as mine but this one seems more far fetched than any I have heard. 

There have been months before when he has been absent and I still hope to see him again. If anything I think his grief may overwhelm him. It was clear he was everything to her. I was able to tell she was everything to him but I’m not certain he knew the same.

We’ve nearly returned to normal at the library and in the village. The reconstruction of the mill continues and I heard there was some extensive damage to one of our largest estates but the structure itself remains standing. Strangely, there were several graves disturbed from the cemetery but I believe this was simply school children attempting some ill conceived prank.

I think soon I shall see my friend once more. I hope he will be less frantic this time and perhaps take some time to see life around him rather than so obsessively pursuing his studies. Until that time, I have set several of his favorite volumes aside as no one else has been remotely interested in them. I’m sure they will get use someday, however, for, as they say, knowledge is power.


Enjoy my Flash Fiction Fridays? Consider supporting independent authors by purchasing one of these collections for only $4.99 Flahbang! Volume 1, Flashbang! Volume II, Flashbang Volume III.

The Underground by Ty Pape- Book Review

Note: this review was first posted on Reedsy Discovery, an awesome website that pairs independent authors and readers. To see the post there, click here.

If you are a book reviewer and want to contribute reviews on Reedsy Discovery, click here.

(Note: this post contains affiliate links. If you purchase something through this post I will get a small commission at no extra cost to you)

Summary

In a not-so-distant future apocalyptic world, everything known has been thrown into a whirlwind of despair. Life as Josh Kimbo knows it is lived in a deep underground bunker built by the government nearly a century prior. Ten years of living in a secure bunker have driven Josh and those around him to their brink. Josh is forced to decide whether to escape from an authoritarian leader’s firm grip or risk breathing the “toxic” air above ground. Josh not only faces the people whose purpose is to put him down but his biggest enemy continues to be himself. Throughout his journey, Josh not only battles outside forces, he battles against his own inner demons to discover who he is. Love, fear, pain, comfort, action, and tragedy drive Josh’s story past anything that he thought was possible for himself. Physically and mentally.

Rating: 3 out of 5.

REVIEW

Josh Kimbo leads a simple life in the Underground. Ten years ago, there was a great disaster and since that time Josh and his brother have lived in a relatively safe space underground, protected from the radiation above and doing what they can to live a meager existence. Josh tends the garden in the underground, helping to grow the food to feed the people living there. It’s an important job that helps him to feel fulfilled but he still has the sense that there is more to life. The community is strictly regulated by the Governor of the Underground. Any infraction against the rules leads to punishment up tp and including execution. While this system seems to work well enough, there are signs the community is questioning what the future will hold. When Josh’s friend Reek is taken away by the Governor, it’s inevitable Josh will be taken next. Josh’s brother has a bold plan to get them out of the Underground. But, even if Josh makes it out, he doesn’t know what kind of harsh conditions he’ll have to face and if he will be able to survive. Will he give in to his fear or will he survive to help those he knows and loves?

The Underground is at times reminiscent of The City of Ember in setting but does tell a unique story. There are some intriguing action scenes and the reader gets to know Josh quite well as a character. While the author does a decent job of putting the story together, there are times where there is more telling than showing. There is also a bit too much head hopping in some scenes for my taste but overall this doesn’t detract too much from the story. The book truly picks up in the last third of the story and has a few surprises by the end.

If you like post-apocalyptic books like The Hunger GamesThe City of Ember, or Divergent, you will likely find this worth reading.

Flash Fiction Friday – Space Walk

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Happy Friday everyone! Here’s a little story I wrote, hope you enjoy!

Space Walk by Adam Wright

Transmission begins

Empty. Vast. Infinite. It’s everything I have ever imagined it would be. The universe expands beyond the line of my sight and off into the black eternity of forever. The quiet here is perfection. The only sound is my breathing, in and out. The exhalations of my lungs, automatic and repetitive, keep going. There is nothing else. Not all the bright stars I can see, not all the planets who have died out eons ago but are still shining to my eyes. The only thing that matters now is the breath of my lungs. 

I see the space ship floating away from me. Rather, I float away from it but I can’t tell the difference. The hose of my tether is leaking oxygen as it hangs off the side of the ship, flopping like a sprinkler gone mad. I hope Molly remembers me. I’ll never know.

Communications are lost, visual is sketchy at best. I dreamed of being up here since I was six years old, wanting to understand how I am part of this vast universe and what an insignificant creature like me could possibly hope to do with that knowledge. I’m ultimately about to become a part of what we all will be someday, so much cosmic dust and debris. I don’t mind. It’s enough for me to know I was here and I saw it. I only wish I could document it. This recording may reach someone someday. I have no way of knowing if they will be able to understand it or if they will have any idea of who I was. I suppose it doesn’t matter.

I may go peacefully, the last of my oxygen cutting out and with a bit of mercy, I will become unconscious before the end. The other possibility is I will be ripped apart violently by something floating out here with me. A cosmic missile, that might crack my face shield or tear open my suit, or if I am unlucky, gouge right through me. I hope the end comes quickly and there is enough blood loss for me to pass out before I feel the impact. Or perhaps the vacuum of space will do its violence to me and choke me to death in mere seconds.

Molly never wanted me to leave. How could I tell her what it means to be out here? How could I say to her that as much as she means to me, I still have to see this, to experience this? One person can’t compete with the vastness of the cosmos. I’m living proof of that right now. Well, living for the moment at any rate.

There are unexplainable sights, there are stars beyond the beauty of humanity out here. There is a vast and deep universe. It’s secrets will never be completely unlocked. I don’t mind. I get to be a part of it now. To all those who ever knew me or loved me, goodbye. Molly, I hope you hear this but even if you don’t, I was thinking of you at the end. Go out and explore. 

Transmission ends.


Enjoy my Flash Fiction Fridays? Consider supporting independent authors by purchasing one of these collections for only $4.99 Flahbang! Volume 1, Flashbang! Volume II, Flashbang Volume III.

Ant-Man and the Wasp: Quantumania

Ant-Man and the Wasp: Quantumania

Rating: 3 out of 5.

Hello internet people and insects, it’s Slick Dungeon here, and I’m back to review another movie. This time I watched the weird world of the quantum realm in Ant-Man and the Wasp: Quantumania. If reading film spoilers makes you feel like you have ants in your pants, go watch the movie and come back here to read the review because there will be spoilers ahead. Just a side note I don’t usually review Marvel films on this blog but this year I am trying to do a review of everything I see in theaters and since I saw this in theaters, I wanted to review it here.

Ant-Man and the Wasp: Quantumania is the third film in the Ant-Man franchise, the first film of the fifth phase of the MCU, and I don’t know, like the millionth film in the MCU. Spoilers follow so, once again, you have been warned. This film starts with a flashback to when Janet Van Dyne (Michell Pfeiffer) was trapped in the quantum realm. This is a universe that exists below the surface of our own, on a sub-atomic scale. I would wonder how people can breathe there but let’s just ignore that for now. In the quantum realm, Janet meets a stranger named Kang (Jonathan Majors). If you’ve seen Loki on Disney+ you know exactly who this is, and that he is dangerous.

The movie then shifts to present day and injects a good dose of comedy with Scott Lang (Paul Rudd) going through his day, being recognized as Spider-Man, posing for selfies with dogs, and doing book signings of his book. We get the idea Scott realizes things get weird in his life and he’s sort of okay with that fact. He saved the world, and he’s back with his daughter. Things are going well, but… he gets a call that his daughter is in jail for shrinking a cop car during a political protest. Scott meets up with Cassie (Kathryn Newton), Hope Van Dyne (Evangeline Lily) and Hank Pym (Michael Douglas). It turns out Cassie has been working on a project which can send signals into the quantum realm and broadcast them back. Janet tries to shut the whole thing down as soon as she learns about it but the whole little family of ant/insect heroes ends up getting sucked into the quantum realm.

In the quantum realm things get weird pretty fast. There are bizarre creatures, sentient buildings, human looking people who are not human, and… Bill Murray. There’s also the introduction of one of the weirdest characters in Marvel comics history to the MCU, that of M.O.D.O.K. Just in case anyone hasn’t seen the movie I don’t want to give the reveal of who this is and how they became the ultimate killing machine but it’s probably weirder than you would have guessed and it’s not the best interpretation of the character from the comics but it works well enough.

The movie goes on with Scott trying to get everyone home and Janet trying to prevent Kang from threatening Earth. It’s standard superhero action with a bizarre background of characters more at home in Guardians of the Galaxy than in any previous Ant-Man movie. You won’t find the film stretching its muscles too far or doing anything truly innovative but there are some stand out reasons to watch the movie.

First of all, it is a little refreshing to break out of the last phase of movies with the set up of a major villain who can be seen in multiple Marvel projects. Second, it’s got a good amount of fun action to it, and the weirdness of the movie makes it feel more fun than it might have otherwise. Finally, every second Jonathan Majors appears on screen is compelling. His talents shine here and while it might seem silly to have him in an Ant-Man movie, it really works in the quantum realm. It’s not the best MCU movie by any stretch of the imagination but what it did do was get me excited for what might come next, and it has been a while since a Marvel movie has done that.

If you’re a die hard MCU lover, of course you will enjoy this. If you’re a casual fan who has seen most of the movies you’ll probably like it well enough. If you haven’t watched a good chunk of the MCU, this will seem like an insane mess of a movie. If the latter is you, go back to the early movies and let the crazy stuff build up over time.

Microscopically yours,

Slick Dungeon

A Man Called Otto – Movie Review

Tom Hanks in A Man Called Otto.

Rating: 3.5 out of 5.

Hello internet. it’s Slick Dungeon here, back to review another movie. This time I watched Tom Hanks perform as a grumpy old man in the film A Man Called Otto. If having movie spoilers makes you want to yell at people for cutting through your driveway or shout at the young folks to get off your lawn, go watch the movie and come back here because there will be spoilers ahead.

A Man Called Otto stars Tom Hanks as the man in question and is adapted from the book A Man Called Ove. It’s billed as a comedy drama but the emphasis here is on drama over comedy. The story follows Otto, a widower, who (spoilers start here) is tired of life without his beloved wife and is ready to take his own life. He has a daily routine of making sure no one drives across the private street he lives on, shoveling his snow covered driveway, sorting through recycling bins and generally grouching at people. At the moment Otto first tries to end things, he’s interrupted by annoying neighbors who don’t seem to know how to park a trailer. Otto helps out and does it for them. This pattern keeps repeating in a number of ways as Otto, reluctantly, ends up helping others and getting closer to people. One incident even leads Otto to be thought of as a bit of a local hero. As this is happening, we get flashbacks of Otto’s life as a younger man. Truman Hanks takes on the younger role and does a fine job selling the part.

At the start of the film, it’s easy for the viewer to guess where it is going. The movie makes no attempt to mislead you, knowing we’ll all get more and more attached to Otto, who despite being a bit of a crank, is not judgmental towards others, has a kind heart, and has the core impulse to help others, even when less convenient for himself. By the end, it’s inevitable the whole audience will end up crying buckets of tears.

As usual, the acting from Tom Hanks is top notch and he’s compelling to watch, although with the distinct feeling we’ve seen something like this film before. While I would not give this film points for originality, I would say it is well constructed, and entertaining. There are a few lighthearted laughs but it is through and through a tearjerker drama.

I don’t see this being voted one of the best films for 2023 but I could see it garnering some awards for Tom Hanks, Truman Hanks, and Mariana Trevino who plays one of Otto’s neighbors, Marisol. In fact, I would say the best performance here, with subtle grace and dignity through the film is Trevino’s and I hope she gets some accolades from the industry for making what could have been a one note character, engaging, emotional and complex.

If you love dramas, if you love Tom Hanks performances, and if you don’t mind crying in an ugly way while watching a movie, this is a good one to go out and see. It’s not perfect but there is a lot to like here.

Grumpily yours,

Slick Dungeon

Marvel 616 Review – The Amazing Spider-Man #2

The Amazing Spider-Man Issue #2 Photo Credit: Marvel, Written by Stan Lee, Art by Steve Ditko

The second issue of The Amazing Spider-Man introduces a major recurring villain who is still in use in Spider-Man stories today and it has a second, completely forgettable story as its second feature. While both are included in Marvel 616, it’s clear The Vulture is the standout enemy.

The first page of the first story shows Vulture in aerial combat with Spider-Man, signaling a lot of the kinetic and fast pace action to come in many issues of Spider-Man. This is, of course, just a splash page to get the audience excited about reading.

The story starts with a figure wearing vulture wings coming out of nowhere and snatching a briefcase from a pedestrian. This was a briefcase full of a fortune in bonds and Vulture gets away easily. The crowd reacts in shock and excitement, and marvels at how silent the attack was.

We next get a glimpse of J. Jonah Jameson inside the building where Now magazine is published. While we will most associate J.J.J. with The Daily Bugle, he does publish this magazine and it pops up here and there in the comics. The publisher is in desperate need of photos of this Vulture character and is willing to pay top dollar to get them. He also continues his crusade against the menace known as Spider-Man.

We change scenes to a high school where Peter Parker is working at a lab experiment. His classmates mention how valuable pictures of the villain would be while looking at an issue of Now and Peter realizes he can probably make some money as a photographer if he can get a good shot. Peter gets a bit picked on for being a science nerd but he quips right back. He next goes home and Aunt May gives him a mini-camera perfect for what he wants to do.

Again shifting scenes, we check in with Vulture who has a plan to steal a million dollars worth of diamonds about to be moved across town. For some reason, Vulture decides to leave notes with the authorities tipping them off to the fact he’s trying to rob them. It’s not the plan I would go with but then again I am not a master criminal.

As Vulture is flying around, Spider-Man is setting up his camera. He senses The Vulture but doesn’t hear him flying silently through the air. The police get ready for the attack, with special attention paid to the skies. On his way to the crime, Vulture sees Spidey and knocks him out. Vulture dumps Peter in a water tower. It takes him a minute to figure it out but Spider-Man uses his strength to push off the bottom of the water tower so he can leap out of an open hatch. I doubt the physics would work like this here but it’s a comic so we’ll just go with it.

This is one of the first times Spider-Man runs out of web fluid when he needs it, since that would have helped him to get out. He realizes before he escapes, he needs to make some adjustments to the web shooters. He heads home and makes what is basically a utility belt he can hide under his costume with extra web fluid and a spot for his camera. He also rigs something up he says will stop The Vulture next time they meet.

The next day Peter goes to sell pictures he did get of Vulture to J.J.J. The publisher tells Parker he’ll pay even more for Spider-Man photos.

The day after, Peter goes to school and all his friends want to go watch the diamonds get moved. Peter knows he’ll need to slip away and be the hero. While the police were ready for an aerial attack, Vulture strikes from below, popping out of a manhole. He snags the diamonds and flies through the underground sewer system to escape. Peter catches up with him as Spider-Man. There’s a bit of a fight but Peter gets the upper hand when he uses a web to stick to Vulture and then uses his gadget to stop the Vulture from being able to fly. Vulture crashes to the ground and is captured by the police. Turns out Peter’s gadget was an “Anti-Magnetic inverter.” The Vulture powered his flight using magnetics so this device disrupted that. Again, the science is way off here but it’s a comic so we’ll have to let it slide. Peter cashes in on his photos and brings the money back to Aunt May. In the last panel of the story, Vulture swears revenge on Spider-Man.

The next story is about a group of aliens who try to take over the world by inserting special tubes in radio equipment. The main villain is called the Tinkerer and there’s a group of aliens, a rubber mask, and Spider-Man saving the day. It’s a remarkably forgettable story and it’s yet another entry in the superhero saves the world from aliens tales we keep seeing in 616 up to this point. We do get a little diagram of Peter’s web shooters in the story though. Other than that, there is just not much to mention here.

What I find interesting about this issue is this is the beginning of a really colorful rogues gallery in Spider-Man comics. Vulture may not be the smartest or best villain in the world but he’s unforgettable. In the months and years to come Spider-Man comics end up with villains that are consistently good, probably only rivaled by those found in the pages of Batman. We also get the first hints of the ongoing and somewhat complicated nature of Peter’s relationship with J. Jonah Jameson. Peter sort of has a triple problem going where he needs money, but he thinks it’s funny to get it from the guy who hates Spider-Man while hiding the fact he is Spider-Man. It works on a lot of levels and comes into play in more stories than can be counted. It’s easy to see, even in only the second issue of The Amazing Spider-Man why he has such appeal and goes on to be one of the most popular comics characters of all time.

Next up on the reading list we catch up with the first family of superheroes in the pages of The Fantastic Four #13!

The Project Black Flag Playtest is Here!

Art and logo by Kobold Press

Hello fellow tabletop role play gamers! It’s Slick Dungeon here and I wanted to talk about the new play test material Kobold Press has put out for its upcoming fantasy role playing game.

What is Project Black Flag?

Project Black Flag is the super cool name Kobold Press is using for a new 5th edition compatible tabletop game they are working on. This project was in the works well before the whole OGL debacle with Wizards of the Coast but this project got a lot more attention during that time. It’s still early days but this new game has the potential to take TTRPG’s in new and interesting directions. While Kobold has consistently been posting information, including some artwork, and blog posts on Fridays, and telling us the play test material would release in February, they threw us a curveball by releasing their first packet on Monday the 13th of February. The packet is a quick read at only 12 pages and while there is a lot of good information in it, this packet doesn’t quite give us enough to build a full character. However, it does give us some key insights into what to expect. Read on to find out what it is about and how you can get your hands on a copy.

What’s in the Packet?

The packet is a set of rules Kobold would like TTRPG enthusiasts to play test, and then give feedback on. In the packet we get some basic information about what a TTRPG is, what a fantasy role playing game is, what materials you need and who does what at the table. If you’ve ever played a TTRPG, especially Dungeons & Dragons, you’ll have no trouble understanding this section of the packet.

They do give us a few things to let us know what kind of game we have to look forward to. It’s going to be a fantasy world full of heroes going through unique locations fighting against villains and organizations that oppose them. In other words, it’s a fantasy game for heroes. Some people might think this is unoriginal but it does happen to be the kind of game a lot of folks love playing most so I can’t really complain.

Next they give a step by step guide on character creation. If you’re familiar with 5th edition, a lot of this is going to look extremely familiar. You’re guided through coming up with a character concept, choosing a class, proficiencies, levels, hit points, and the standard array of ability scores. The packet does mention that creating a character using their method makes these characters a bit stronger than a 5th edition character but it’s not so out of range you can’t use them in your 5e games. They also go over a few different ways of getting your character stats including rolling for stats, point buy, and standard array. This is where some of the rules start to differ from 5e and start to build a potentially stronger character.

They then go on to introduce Lineages and Heritages. Lineage essentially replaces what was originally termed as Race in 5th edition Dungeons & Dragons. This is a pretty minimal packet for the moment so we only get Humans, Elves, and Dwarves. Heritages are more about the environment where your character grew up or what groups they associate with. Personally, I think this is great because it allows for a lot of customization so you could have an Elf character who grew up with Dwarves or vice versa and any number of combinations. While you could go with the usual fantasy tropes for each Lineage, you don’t have to.

You also choose a background for your character and the packet gives a couple options to choose from including Scholar and Soldier. This is basically a way to help shape the backstory of your character and gives you some increased abilities and what Kobold terms Talents. Talents seem to be similar to Feats in 5e. I love using Feats so I like that Talents are available right off at 1st level for this system.

I’m not going to go over all the specifics of what is listed in the packet because I haven’t used these in a game yet. I’d like to see a little more of what makes a character so I can build something that works for me at this point but it’s worth reading through the packet and if you can build a character with this, go for it. I feel like there is a good amount of stuff for magic characters here but a bit less for martial classes so far.

While I do see a lot of similarities here with D&D, we haven’t seen much of the overall project yet so there is still room for a lot to be different. I love that it’s easy to pick up if you are familiar with 5th edition because that’s going to make starting the game much easier for a ton of folks.

How Can I get in on the Playtest?

If you want the playtest packet you can get it right from Kobold Press here. You may have to sign up to do it but it won’t cost you anything. Once you have the packet, give it a read, make a character and play a game and then fill out their survey.

If you have the packet, what do you think of it? Have you used any of these rules yet and if so how did it go? Let me know in the comments.

Testingly yours,

Slick Dungeon

Picnic at Hanging Rock – Movie Review

Picnic at Hanging Rock (1975)

Rating: 3 out of 5.

Happy Valentine’s Day internet people! Slick Dungeon here, back to review another movie for you. It’s Valentine’s day but that doesn’t mean you have to watch some sappy romantic movie to have a good time. I’ve got an oddly creepy film for you this time. I watched Picnic at Hanging Rock which is about a group of girls who go missing on St. Valentine’s Day in 1900. There will be mild spoilers ahead so if that sort of thing breaks your heart, watch the movie and come on back here to read the review.

Picnic at Hanging Rock is an Australian film from 1975. It’s a period piece adapting a novel of the same name as the film. At the time it came out it was a commercial and critical success and brought some attention to the film scene in Australia at the time.

As far as the plot goes, it’s not complex. There is a private girls’ school called Appleyard College. Each year the school allows the girls to go on a picnic to a local mountain named Hanging Rock with some interesting geological features. One girl, named Sara has to stay behind at the school with the headmistress. Everyone else leaves to have a good time. In the carriage ride over, the girls are told the mountain is around a million years old, and there are deadly snakes and ants they need to watch out for.

Once on the mountain the picnic starts and eventually a group of four girls decide to go exploring on their own. This group of girls goes up the mountain but only one comes back. And when she comes back she’s screaming and unaware of what exactly happened.

The rest of the movie is spent figuring out just what happened. A teacher who went to find this girls is also missing and there are some observers who might well be suspected of wrongdoing.

That’s most of the plot in a nutshell but there is an incredibly menacing tone throughout. It almost feels as if Hanging Rock is alive and seemed to be waiting for these girls. It’s also a very, very, slow burn. The pacing is decidedly slow, even for a movie made in 1975. This does add to some of the menace but it makes it a little hard to get through. There is something hypnotic about the movie though and there are some unsettling scenes. There’s no major gore or anything like that to speak of. Jump scares are not at play here either. It just makes you feel overall uncomfortable watching.

It’s an interesting little film and if you need something to watch related to Valentine’s day but you don’t want to watch a cheesy romance, this might be a good pick for you.

Picnicingly yours,

Slick Dungeon

Marvel 616 Review – Strange Tales #108 (D Story)

Strange Tales Issue 108 D Story, Art by Steve Ditko, Script by Stan Lee

Strange Tales is an anthology book so sometimes there are multiple stories in a single issue which relate to the 616 universe. The D story in issue 108 is a bit of an oddball because while it doesn’t entirely relate to a lot of what is going on in 616, it does introduce some characters who will come up in the long run. Also, it’s one of the few comics so far in the 616 universe not available on Marvel Unlimited. If you want to read the issue you may have to do a bit of Google sleuthing to find it. Merlin the Magician, famous from the Arthurian legends shows up here and this will not be the last time we see him. We do also see a character called The Black Knight but this is not the modern character, nor is it the character who showed up in the Golden Age of comics. We also run into King Arthur himself, as well as our villain Sir Mogard. The Black Knight is nothing more than a construct and is the twist of the story but the rest of the characters mentioned do all come back into 616 at various times.

The story here is quite short, running only four pages long. It’s titled The Iron Warrior and relates a short incident in the life of Merlin the Magician. Basically, Sir Mogard thinks Merlin is not so powerful as he seems. Sir Mogard accuses Merlin of being a fake and throws down his gauntlet. Merlin is instructed to choose a champion and meet Mogard in battle. Merlin accepts.

Merlin shows up the next morning with his champion, a knight in black armor. There is a joust and a melee with swords. The Black Knight bests Sir Mogard who has to surrender. Mogard then says Merlin had nothing to do with the battle, therefore Merlin is not so powerful. The twist here is that Merlin was controlling the knight, nothing but an empty set of armor, the whole time with his magic. It also says Mogard is struck dumb from the wonder he beheld. We’ll see if that is true the next time he shows up.

And that is the whole story. A short one, but it has a few implications for 616. It reestablishes magic as a real theme and gives us a couple of characters who will become important later. Also, it was kind of nice to have a little bit of fantasy thrown into the superhero mix just to have something a little different to read. I don’t think the intention with this story was to set up anything long term and likely could have been a throw away story. Still, in the long run Stan Lee will make use of it and he does come back to Arthurian legend a few times.

Next up on the reading list we’ll be checking in on the wall crawler himself in The Amazing Spider-Man #2!

Empire Country – Book Review

Empire: Country by Tim Goff

Note: this review was first posted on Reedsy Discovery, an awesome website that pairs independent authors and readers. To see the post there, click here.

If you are a book reviewer and want to contribute reviews on Reedsy Discovery, click here.

(Note: this post contains affiliate links. If you purchase something through this post I will get a small commission at no extra cost to you)

SUMMARY

The decades long war against demon ruled Traag left the Solarian Empire a decimated wreck. Rebuilding the nation is a nightmare. Worse, the demons are still out there.

Tia traveled to Cosslet Barony in search of a nobleman willing to marry a wealthy commoner. She finds feuding aristocrats and an impoverished populace terrorized by a monster out of legend. Then matters get really bad…

Rating: 3 out of 5.

Lady Tia Samos of Equitant is a well connected merchant looking to find new enterprises and a suitable match for matrimony. She has gone around the Solarian Empire in an attempt to do both. While she has found some potential matches, none have worked out thus far. She travels with her companions Peter and Kyle who both saw action in the war. Peter is a knight and fighter and Kyle has some magical abilities, although he lets drink get to his head a bit too often. Tia and her party head to Cosslet Castle to see if a match with the minor noble and Peter’s half brother Ian both in business and marriage might be worthwhile.

While the war has ended, the Empire is still feeling some ill effects from it and everyone from peasants to nobles are trying to recover. To make matters worse, the demons who waged the war in the first place are not entirely gone. Tia an Ian make a discovery of some unknown resources that may help Cosslet Castle come back to full financial health. Unfortunately, there have been sightings of strange creatures and deaths of peasants and livestock plaguing the surrounding area. Tia will have to survive not only using her wits and friends but also avoiding the life threatening demons.

Empire: Country makes a good start for a fantasy series, taking a few key elements rarely seen in fantasy. We get to see the aftermath of war, rather than the throes of it, and Tia in particular, takes a major role in events. The book does have a large cast of characters and while it mostly manages the balance well, there are some spots where the shift in perspective seems not entirely necessary. At times this leads to some confusion on the part of the reader but most of those instances are minor.

The action that ensues is quite enjoyable and the last third of the book is surprising and inventive. The story here makes for a good start on what could be an excellent series.

If you like epic fantasy books with elements of cosmic horror and some truly nail biting moments, Empire: Country is a great choice to read next.

Titanic (1997) – Movie Review

Leonardo Dicaprio and Kate Winslet in Titanic (1997)

Rating: 5 out of 5.

Hello internet, it’s me, Slick Dungeon back to review another movie. James Cameron has a visually stunning, incredibly brilliant, emotional and moving film in theaters right now. And there are not any blue aliens in it. I’m talking, of course, about Titanic, his masterpiece from 1997. It was released in theaters in 3D for a limited engagement and I thought I would give it a review here. Do be forewarned there will be spoilers below from a 25 year old movie and an even older historical event. But if reading spoilers doesn’t float your boat, go watch the movie and come on back here to read the review.

There have been countless new reports, historical records, in depth analysis, scientific recreations and eye witness accounts to one of the most well known disasters in human history, the sinking of the Titanic. If somehow you don’t know, the Titanic was the largest ocean liner ever made at the time and it was thought to be unsinkable. Unsinkable it was not. There were tons of factors into how and why it sank but the fact is, it did sink and a great number of people lost their lives in the disaster. But all of those historical records etc. don’t seem to quite make the tragedy feel as real as James Cameron’s Titanic which still, 25 years after release, has the ability to make an entire audience ugly cry.

The film starts out with Brock Lovett (Bill Paxton) in modern day times, leading an ocean expedition to recover valuable goods at the wreckage site of the Titanic. He’s clearly a bit of an opportunist but has a large team of ocean researchers working for him. They are looking for a lost jewel known as the heart of the ocean. After a dive to recover a safe turns up nothing but a drawing, Lovett is surprised to find there is a Titanic survivor over 100 years old who can shed some insight into the necklace and the events of the sinking of the ship.

The elderly woman is Rose who was the person in the drawing. James Cameron uses this framing device to allow Rose (Kate Winslet) to relate the story as the viewers go back in time to see Rose in her younger years and the audience gets wrapped up in a love story which takes place in the midst of a disaster. Rose is engaged to Cal Hockley (Billy Zane), a wealthy business man who believes himself to be deserving of the elite status bestowed upon him. In other words, Rose and Cal are members of the 1% of the time.

Our perspective shifts as we see Jack Dawson (Leonardo DiCaprio) win a lucky hand of cards which just happens to have two tickets for him and a friend to board the Titanic. As you might guess, the love story is a bit of an opposites attract or kind and intelligent rich girl meets freedom loving and good hearted poor boy sort of story. Since Rose is engaged to be married this is a bit of a problem. Jack may not have the resources of other elites on board but it’s clear from their first meeting they belong together.

If the love story was all there was to the film, this might make for a mediocre romance. But we all know the real story is the disaster of the ship. James Cameron uses several scenes with Rose and Jack running around the ship and away from Cal to make sure we see all parts of the ship before it hits the iceberg. There are a few key characters who play sort of a background role but are important to the actual historical events. We see the captain, the designer and builder of the ship, and one of the more famous survivors of the tragedy, Molly Brown (Kathy Bates). Through these characters we pick up most of the information we need to know about why the boat sinks and how so many people drown. While it was an impressive ship, there were not enough life boats, the elite class was seen as more valuable than those below decks, the visibility was poor, and the ship was going too fast. The initial collision doesn’t seem that bad but the builder of the ship knows it is a mathematical certainty the boat will sink. And, to make matters worse, there are no ships less than four hours away to help rescue the Titanic passengers and the Titanic will sink in around an hour.

The first two thirds of the movie really focuses on the love story and how Jack and Rose are meant to be together while Cal is just the worst. Like, so bad he’s willing to pretend a kid he does not know is his just so he can get on a lifeboat kind of worst. Oh, and also he tries to shoot Rose and Jack while the ship is sinking. It’s kind of insane to be honest.

The last third of the movie is the disaster and Jack and Rose doing everything they can to survive.

This is where the visual effects are most impressive in the movie. I will say that although I saw this in 3D, I don’t think the 3D effects really add much here and it’s fine to watch this in 2D, it’s still just as good.

We again see bits of things we know from history intermingled with Jack and Rose, such as the dance band continuing to play right until the end, lifeboats made for 70 people being loaded with a dozen before being launched, and the passengers in steerage being locked behind a gate until it was far too late for most of them to survive.

As anyone would expect in a film about a disaster, the end is heartbreaking and tragic. But the performance put in here by Kate Winslet and Leonardo DiCaprio are career bests for both of them. If you can watch this movie without finding yourself crying at least once, you are either a robot or have a heart of stone.

There are a few things in this movie that probably could have been improved but they are quite minor. One of my complaints here (which again is very minor) is that a bit of the running around Rose and Jack do on the ship really does seem designed to do nothing more than make sure we see all the parts of it. My other minor complaint is Jack seems to somehow know exactly how the boat is going to go under and where they need to be for the best chance of survival. This is mostly to show the audience how the ship sank from the moment of first impact to it finally going completely under the water. And of course, if you have seen the movie, there is the argument of whether or not Jack could fit on the door. Whether or not he could is in some ways irrelevant since Jack and Rose are both fictional characters and what happens at the end is in service of the story being told. Finally, the length of the movie is on the longer side for sure but this is definitely not the only film which fits into that category of complaint.

If you have never seen this movie, or if you have never seen it in theaters, don’t hesitate, it’s worth every penny to see this masterpiece of filmmaking while you can.

If you have seen it before and you watched it again what did you think? Did it hold up to what you remembered? Let me know in the comments.

Unsinkably yours,

Slick Dungone

Flash Fiction Friday – Invasion

Photo by bRoken on Pexels.com

Happy Friday internet folks! Here’s a little story I wrote, hope you enjoy!

Invasion by Adam Wright

It was early morning when the sirens blared. The skies went dark and there was a smell of sulfur in the air. We ran out into the streets clutching our ears against the noise. Despite the darkness, glaring lights broke through. I had to shield my eyes from the intense pain of it. Most of us clutched our ears against the din. The sirens sounded loud and long, rescue vehicles making their way to pick up whatever wreckage they could. The low hum wouldn’t stop. The constant noise drove some of us mad.

I watched as people jumped from windows, making the sign of their faith as they fell to their death on the concrete below. Had I known what was in store, I would have envied them their foresight. Walking past the rubble and the wreckage it was too surreal to understand. 

There had been no warning, nothing to alert us. In my mind, when I remember those moments, I still imagine the ships as flat saucers. The screen footage shows the reality of gigantic structures, larger than mountains, all in slick lines and angles, like arrows fired from an ancient bow. Yet, I see the saucers. I guess it’s what I expected them to look like. Little green men, you know?

I had been on my way to work like most of us. I grabbed a little pick me up beverage, part of my morning routine, and was close to the building. Seconds later I ducked for cover and wondered what could possibly come next. 

The news feeds picked it up quickly. If I had access to a screen at the time, I would have gathered more information. As it was, I was concerned with surviving the moment and getting to Sara. I had to know she was alright.

The school was near me and I felt my legs pumping before I realized what I was doing. I traveled past the rescue vehicles, past fires already burning. I covered my ears. I don’t know when I realized I dropped everything I needed for work. All the documents and plans for the day were irrelevant. Forgotten detritus in a sea of debris that no longer mattered. Everything we knew, everything we understood changed forever in a matter of minutes. There was no turning back from it and no escape. 

I arrived at the school and rushed past the gates, into the building. Sara was covering her head, cowering in the corner with a few others. I picked her up and ran outside. She clutched my side and clung to my clothing. I had no idea where to go. It was too big for me to understand. How could anyone understand this?

I imagined we would have to look to our leaders to sort this out, if it could be sorted out. In moments giant view screens appeared in front of us. It seemed they materialized out of nowhere. I still don’t know how they accomplished that. Then we saw the gruesome faces, shades of many colors, tiny eyes and mouths, snarling, speaking in languages we could not possibly know.

It took months for us to fight back. Months to gather resources, plan strategies, and attack without a word of warning, just as they did to us. Every day during that time, I had one goal. Keep Sara alive. I’m not a perfect parent but I did my job. I sacrificed as much as anyone else to do it but I have no regrets.

After it was all over, after we beat them back and they left us alone, Sara had aged more than I could have imagined. I’d done my part, fought alongside the others. It was just luck I was in the battalion that destroyed their main ship. But it was satisfying seeing those aggressive and angular structures split apart in a burst of fire and flames.

After all the heroes’ welcomes and accolades I received, I think there is only one relevant question. Of course, Sara was the one to ask it. I wish I had an answer for her then or now when she said, “Where is Earth and why do they want to destroy us?”

I fear there is no answer I can give her. I only pray they never decide to come back.

Flash Fiction Friday – Twenty Years of Walking Away

Photo by Clem Onojeghuo on Pexels.com

Happy Friday everyone! Here’s a little story I wrote, hope you like it. And remember, always buy the cookie!

Twenty Years of Walking Away by Adam Wright

“Is that it then?” She bit her lower lip.

“That’s it. Nothing more to say. See you around, Sara,” Francesco wrapped his scarf around his neck.

She blew on her hands and shoved them into the pockets of her pea coat. Her steel blue eyes met his. They lingered on him. It was a searching look, one filled with despair and the slightest hint of hope.

His eyes turned away. He turned and walked away. He felt the pinch of his toes inside his loafers as he walked. He passed stores full of winter coats, people laughing as they walked past him, and he could smell the scent of chocolate chip cookies wafting  from a cart near the corner. 

Sometimes he felt the walk never ended. Twenty years of Francesco walking away from her. He’d convinced himself it was the right thing to do. When there were no words left, when you had gone through everything, and you knew there was no more to it, you walked away. That’s what you did. 

But if walking away was the right thing, why did he always return to the memory? Why was he still walking? The same corner, the same winter, the same day, every year.

The first year, he hoped he would spot her. He thought maybe he could admit he was wrong and they would hold gloved hands, buy a cookie from the cart and split it down the middle. The second year, he held out hope, noticing subtle changes in the winter coats that adorned the store windows. The third year, he spotted a woman in a pea coat. He ran to tap her on the shoulder but when he got close enough, he saw the woman had her hair tied up in a bun with a silver bobby pin. It wasn’t Sara. He brushed past the woman with slight embarrassment, hoping she wouldn’t think too much of it. The fourth year, he almost gave up. He had a cold anyway but he thought of how much he missed her. He wandered, coughing into his elbow for hours. She wasn’t there. The fifth year, the cart was gone but there was a truck with an expanded menu of cookies. Francesco only smelled chocolate chip coming from it. 

He tried to reach out to her. Her phone number was changed. Someone new lived in her apartment. Her email bounced back to him with the message “unable to send messages.” They stared at him like accusations. He had relationships, mostly short, with the occasional glimmer of commitment. They never quite stuck. He didn’t remember walking away from those women, only from Sara.

The sixth year, he brought flowers with him. He thought if he had them, he could give them to her if he saw her, and if not, he could give them to a little girl and make her day. He saw a six year old girl in a red coat, clutching a chocolate chip cookie in one hand, holding her mother’s in the other. The girl was thrilled to have flowers and a cookie on the same day. The seventh year, he walked to the corner from the other side. Maybe it was direction that made the difference. He wasn’t sure why he kept doing it. The eighth year, his sister was visiting the city. In a pretense of showing her the sights, Francesco made sure to walk by the corner on the same day. His sister asked him if he wanted a cookie. He declined and waited for her to come back. She gave Francesco one anyway. He didn’t eat it. The ninth year, it was snowing. He bought a new pea coat and went back to the corner. He pretended he was a tourist, acting as if he was lost in the big city. It didn’t help and it didn’t stop the memory from returning. The tenth year, the truck was gone and there was a bakery there in its place. Francesco didn’t go inside. Sara wasn’t there. It still smelled like chocolate chip cookies.

Gray invaded his hair. His job prospects became better as time went on. He had so much but no Sara. He was tired of looking for her but something in him made him return to the corner. The kiss she planted on him the first time they went on a date, light like a feather, her head moving in like a bird. It was the sweetest kiss he ever received. 

The eleventh year, was a work meeting. He scheduled it at the restaurant near the corner. His partners wanted to go to the bakery across the way for dessert. Jim had a slice of cake at the restaurant instead. The twelfth year, Francesco stood on the corner for almost an hour. No one noticed he was there. He noticed Sara wasn’t. The thirteenth year, he nearly gave up. He brought a picture with him, just in case she changed her hair or her face had rounded out in all that time. Francesco’s had. The fourteenth year, the bakery had repainted the exterior. There was a chocolate chip cookie with little hands and feet and googly eyes. The chips were arranged in a smile. Francesco didn’t stay long. He stopped hoping for Sara and started coming back from habit. The fifteenth year, he wanted to buy a coat but the coat shop had become a video game store. Sara still was not there.

He stopped questioning why he kept doing it. He started to think of it as his annual tradition, one held for himself and no one else. Like a sad Christmas card to send himself, just for kicks. He didn’t stop doing it though.

The sixteenth year he heard a joke that made him laugh, but he forgot it almost instantly. The seventeenth year pea coats were back in style and twice he thought he saw her. He was wrong both times. The eighteenth year he realized how old he felt. His legs ached in the cold now. He wrapped a scarf around his face for warmth. He could smell the cookies through the scarf. The nineteenth year, Francesco was on a date. He booked a table for two at the same restaurant from years before, the one that looked out on the corner. He hated himself for doing it. The twentieth year he was single again. When he got to the corner he stood. He thought about her eyes. They were steel blue and they held a hint of hope in them. 

This was going to be the last year he did this. No more regrets. He couldn’t change the past. He’d done all he could to find her. It was time to move on. He went to the bakery to buy a cookie.

Sara was behind the counter. She wore a pink apron, her hair was tied in a bun with a silver bobby pin holding it in place.

Francesco closed his eyes and reopened them. It was Sara. Her hair had a streak of gray cutting into the blonde but her eyes were steel blue. Instead of a hint of hope, they held happiness.

“Francesco?”

He nodded.

“It’s been so long. I’ve got so much to tell you,” she said.

She told him how after he left, she followed him for a minute but decided to go to the cookie cart to make herself feel better. The man selling cookies at the cart was named Jordan. That’s what she named their first son. The business was good, growing each year. Soon they had enough for a truck, then a bakery. They’d remodeled it once. Francesco remembered.

Francesco couldn’t think of much to say so he told her how his business had grown as well.

“You know, I have a view of the corner from here. It’s funny but I think I’ve seen you standing out there,” she said.

“I do. Sometimes.” He blew on his hands and put them in his pea coat. 

“I wanted to come out and talk to you but it was always so busy here. And you told me there was nothing more to say. I hope you’ll come back,” she said.

She handed him a cookie. It was chocolate chip. When Francesco tried to pay she wouldn’t let him. He took his cookie and walked away. He never ate it. He just kept walking. 

The Movement (Time Corrector Series Book 2) – Book Review

The Movement by Avi Datta

Note: this review was first posted on Reedsy Discovery, an awesome website that pairs independent authors and readers. To see the post there, click here.

If you are a book reviewer and want to contribute reviews on Reedsy Discovery, click here.

(Note: this post contains affiliate links. If you purchase something through this post I will get a small commission at no extra cost to you)

SUMMARY

ACROSS TIME AND REALITY, THIS IS WHERE WE WILL FIND EACH OTHER.

In this mind-bending sequel, The Movement finds absolute genius and the prophesized time corrector living the life of his dream. His AI firm is booming, he’s in better control of his powers, and Akane is with him after all this time. But, there are gaps in his memory and a new enemy, Vandal, is hell-bent on destroying everyone and everything in Vincent’s life.

Vincent works frantically to stop him, but Vandal is always one step ahead with a sinister smile and blood on his hands. When Vandal comes after Akane, Vincent realizes there is only one way to protect her. Alter her reality so that she never meets Vincent.

To set things right, Vincent finds himself back at the core of time and reality, unveiling secrets from his past that reshaped his reality as he knew it. It only takes a moment to change everything. Alternate realities collide, and unfathomable powers and greeds unwind in this gripping new saga of the Time Corrector Series.

REVIEW

Rating: 5 out of 5.

In the first volume of The Time Corrector series, Dr. Vincent Abajian, saw one of the only people who cared about him slip away lost to time. Vincent dedicated his life and all his resources to finding Akame. But in the process he also found Emika who he developed a romantic relationship with. Meanwhile his breakthroughs in AI technology and time travel created enemies he was unaware of, causing ripple effects that would sweep him and everything he cares about just out of his reach.

In The Movement we get a new perspective on several of the events from the first book and more of the puzzle of Vincent’s past is revealed. He’s now torn between Akame who he tried to rescue for more than thirty years and Emika, the mother of his child.

While Vincent struggles to put together lost memories and get a better understanding of his time powers, a new threat named Vandal is on the horizon. Dr. Abajian, Emika, Akame and everyone else in the little circle of brilliant scientists and business leaders are under threat. Vincent will be forced to use all skill, brilliance and cunning to outsmart his enemy while keeping those he loves safe. But doing the right thing sometimes means losing everything.

The Movement is the rare sequel that not only matches but perhaps outshines the original. Avi Datta has proven to be an exceptionally skilled writer, able to handle both deep human connection and incredible action sequences.

The story is not linear but still comes together with a sensible conclusion. A book similar to this would be The Time Traveller’s Wife, although Datta provides much more action than that book does.

If you love books capable of telling a non-linear story but still wrapping things up perfectly, The Movement is the book for you.

14 Gifts Perfect for Any Game Master

DriveThruRPG.com

Well, it’s February and love is in the air. Or maybe not. Either way if you love TTRPG’s here are 14 gifts you can give to your favorite Game Master, whether you have romantic feelings toward them or you just want to hang out on the weekend.

(Note: this post contains affiliate links. If you purchase something through this post I will get a small commission at no extra cost to you)

Fire-Breathing Dragon Coffee Cup

If you want your GM’s coffee cup to stay as hot as dragon’s breath, try this cup out. It’s $17 but well worth the extra XP you are sure to get in appreciation.

DND Cat T-Shirt

I mean, I feel like this every single day. I bet your GM does too. Or anyone at your table. The shirt costs $20 but it’s really cute so probably worth it?

A Bag to HOld Stuff with

To be a good Game Master you have to have a lot of stuff. If you like your stuff to be physical, it’s really nice to have a bag with which to hold your stuff. (I bet there is probably a good name for a bag like that.) This one is pretty nice and your GM will be over the moon for it. It costs $60 so make sure you really do like your GM before you give it to them. Or, maybe get one for yourself.

D&D Campaign Adventures for Mythic Odysseys of Theros - Available now @ Dungeon Masters Guild

Let Your GM Be Lazy

The title of this can be misleading. The Lazy DM is one of the best books about running a great game without burning out you can find anywhere. Let’s just say I’ve had some campaigns I would never have survived without the help of Michael E. Shea and his great advice (Looking at you Storm King’s Thunder). It’s a great deal at $12. And if your GM already has this, there is a sequel called Return of the Lazy Dungeon Master which you can get for $20. Worth it’s weight in gold in time saved and headaches avoided for any GM.

Spell Area of Effect Template

It can be tough to judge actual distance of spell effects and depending on the dice roll this can be absolutely critical. Let your GM take the guess work away with this fine template that is transparent and will help everyone at the table see just how many in your party are about to bear the brunt of your wizard’s fireball spell. It’s a good deal at $14.

Keep your GM’s table nice with these coasters

These coasters are great for keeping a gaming table free from rings and water stains. There are 14 of them all with different class symbols so players know exactly where to set their mug of ale. It even comes with a pretty sweet holder to match. It costs $30.

Dice Jail!

Okay this is more of a time out chair than an actual prison. But we all know dice can behave badly and sometimes shaming them is the only way to get them back to rolling those critical successes we all need. Your GM would love one of these. Although, you may want to keep it for yourself because you don’t want Tiamat rolling a 20. The little chair and dunce cap will cost you $20.

Bronze Dragon Journal

Game masters are constantly thinking of, or seeing, things they know would be great to use in their campaigns. But the bad part about that is if you don’t have a place to organize your ideas, they just kind of go poof and disappear. So, give your GM a great place to write this stuff down. Just ask them to make sure it’s not going to be a TPK kind of idea. This journal will cost you $25.

Condition Markers

Another thing that can be very difficult to track during game is who is in what condition. Which player was poisoned again? Is that spell one that uses concentration? If you use minis in your games, these rings are super helpful and will make your Game Master’s life so much easier. These will cost you $40.

Cool Socks

Cool socks. Everyone likes cools socks. Get your GM some cool socks! Or, get some for yourself, assuming you want your feet to feel good and look great. These are $16 right now.

Roll up Dice Mat

Nothing is worse than accidentally scratching up a gaming table. This roll up dice mat does a great job of preventing those scratches. Plus it comes with dice! How could you go wrong? This neat little set costs $16.

Dragon Flame Goblet

It’s a wine goblet and it has a dragon on it. A dragon wine goblet! I mean, you don’t have to drink wine out of it but your GM will sure look like they know what they are doing when they set this thing on the table. This libation holder will run you $22.

A Great GM Screen

Your Game Master may already have a good screen but this one has pockets where they can stuff all there notes and all that good stuff which is super helpful when running a game. It’s good for nearly any kind of fantasy TTRPG. And it looks amazing. You can get this one for $50.

A Whole Bunch of Dice

What’s one thing every Game Master can always use more of? Dice. Lots and lots of dice. Why not just give them a big old pile of math rocks? This set gets you 140 dice for $23 but you can buy smaller sets if that price is too high for you.

In Conclusion

Well, that’s my list of 14 cool things to give to your favorite Game Master (or TTRPG enthusiast) on 2/14 or any other day really. I’m not trying to make the hard sell on any of this stuff. Do you need anything here to be a great Game Master? Not at all. Well, it does help to hav dice. But if you were thinking of giving someone a cool gift and you buy through this post, it really helps the blog out and allows me to keep doing what I do. Whether you buy anything or not, thanks for reading and I hope all your rolls are critical successes!

Marvel 616 Review – Strange Tales #108 (A Story)

Strange Tales #108 Photo Credit: Marvel, Writers Robert Bernstein & Stan Lee, Artists Steve Ditko & Jack Kirby

While a lot of the rest of Marvel 616 has been chugging along, Johnny Storm in Strange Tales has had a bit of trouble finding an arch nemesis equal to his powers. He usually seems like he can just blow past these guys and if he really gets stuck, he can always call on the rest of the Fantastic Four to help out. So far, not many of the bad guys have really stood out, and neither does, The Painter. This is a bad guy who can paint anything in record speed and it will come to life.

The issue starts us off with The Painter drawing Johnny’s demise in an asbestos lined room fighting the other members of his team.

We next jump back in time to see a bunch of crooks having a rough time committing their crimes because Johnny is in town. Torch then stops a getaway car by melting the asphalt right under it. Not sure if Johnny is on the hook for the repairs but the bad guys are stopped. We see Johnny stop a bank robbery using smoke rings, and flame scissors to cut away the bags of loot. The police seem more than happy for the assists from Torch and everything is going his way. But Johnny knows this isn’t the end. He tells the cops, “Mark my words, right now some master criminal or evil genius is figuring out some so-called brilliant scheme to get rid of me! It’s happened before..”

Then, as you might expect we see a clip show worth of flashbacks of enemies Johnny has faced. He mentions The Wizard, The Destroyer, Paste-Pot Pete and Zemu, Despot of the 5th dimension. They’re all out of commission at this point but Johnny is still around. Johnny knows it’s just a matter of time before he’ll face a new villain.

Of course he is right and that’s where we see the criminal element come together. There is an organized crime leader named “Scar” Tobin and he is interrupted by, “Wilhelm Van Vile, the counter-feiter the Torch caught… but busted out of jail last week!”

This dude wants revenge and he has… a set of paints. He demonstrates his powers by drawing a three headed gorilla to intimidate the gangsters. He does this at lightning speed so they don’t even seem to have time to pull their guns. The painting comes to life and Wilhelm Van Vile is able to control it telepathically. The other bad guys try to stop him but The Painter just keeps painting stuff that stops them, including making one of their guns super heavy, and it crashes through the floor. Van Vile paints a magic carpet and he takes the gangsters along with him on it. This gives Van Vile the opportunity to narrate his origin story.

He was locked up first for making poor imitations of famous art and trying to sell them as originals and then he gets locked up again because he was making counterfeit bills but Johnny caught a mistake on the bills. He does have to turn into the Human Torch to get the job done and The Painter swears his revenge. The Painter then tells the tale of breaking out of prison and digging into a strange underground cavern. He finds a set of paints that look brand new but Van Vile is also aware of “ancient Egyptian picture-writing” and believes the pictures are saying the paints are magical. He also thinks these paints come from a group of aliens who traveled through space by using the paints. (What can I say, it’s a comic book. They have to have aliens or communists at this point right?) The Painter takes a chance and paints his way out of the cave.

We go back to the present where The Painter says he wants to be, “The King of Crime!” I do feel like parts of this issue are a precursor to the character who will become the The Kingpin. “Scare” Tobin kind of looks like him and this is the first real mention that there could be a “King of Crime” at all in 616.

We see The Painter toy with Torch for a bit. He draws a Fantasti-car and giant fire hydrants and he does manage to douse Torch. Johnny is safe but he definitely knows something is up. The Painter then makes some creatures at a carnival come to life. We get to see a couple of weird monster drawings from Jack Kirby which is always fun. Torch drives them into the sea and saves the day. Then The Painter draws a volcano of sand to stop Johnny but that doesn’t work either.

We finally come back to the point of the beginning of the story where The Painter draws Johnny losing a fight to his teammates. And we see him lose this fight. The crooks all hear on the radio this was the end of Johnny Storm and they are overjoyed and plan to take on the rest of the FF as soon as they can.

But The Human Torch suddenly shows up. Johnny burns up the the paintings and magic paints. Turns out Johnny had figured out who was doing this, waited until the bad guys were all asleep and painted a living picture of himself with the magic paints so he was never in any actual danger.

The Painter is baffled as to how Johnny figured this out but it turns out it was Van Vile’s own fault. He was careless in his paintings. He didn’t put nozzles on the fire hydrants, didn’t put any litter baskets in the beach scene, and didn’t even put a 4 on the uniforms of The Fantastic Four. So Johnny combed the area until he found The Painter.

The story ends kind of abruptly right there.

The story was pretty standard for the time but it is clear the creators are trying to find the right person to be the consistent bad guy for Johnny. He’s gone up against a few who will be completely forgotten but he’s also had a run in or two with some who will eventually become major players in 616 continuity. For now, it’s still kind of a bad guy of the week situation for this character.

Next up on the reading list, we’re actually staying on this issue for the D story. I thought it would be better to separate out the reviews, however because they are totally different stories. So next is Strange Tales #108 (D story)!

What in the World is Going on with TTRPG’s Right Now?

Hey all, Slick Dungeon here.

As most of you who read this blog probably know, I really enjoy playing Tabletop Role Playing Games. AKA TTRPG’s. Even if you have never heard the term TTRPG in your life, you know what one is. If you’ve ever heard of Dungeons & Dragons, that is the most famous one. That game is owned by a company called Wizards of the Coast or WotC for short. Even if you’ve never heard of WotC you’ve definitely heard of the company that owns WotC. Hasbro owns WotC. So when people talk about Dungeons & Dragons being a major TTRPG, owned by a big company, owned by an even bigger company, that’s what they are talking about. Hasbro is a very famous brand but they have a bit of a problem. Not everything they make is making as much money as they would like.

One brand of theirs doing well though, is Wizards of the Coast. Not only do they release D&D stuff, they’re also the company that owns Magic: The Gathering. And they are on the verge of launching a bunch of what could be really cool stuff. There is a D&D movie coming out soon starring Chris Pine. There is a Virtual Tabletop (or VTT) coming. There are several video games, books, toys, accessories and other various merchandise about to come out. And, they are about to move to the next iteration of Dungeons & Dragons. Currently they are on the fifth edition of the game. They’re moving to the next version but they are calling it One D&D. As in, we don’t need editions any more we’re just going to say it is D&D. Whether that name and attitude sticks remains to be seen.

With all of this cool stuff on its way it would seem like WotC is in a prime spot to make more money than it ever has. And honestly, as a lover of D&D and TTRPG’s I don’t mind them being successful. We’re talking the chance for them to go Marvel or Star Wars big if they do this right.

But, there has been a major snag, of WotC’s own making in the last month or so.

Usually on this blog, I don’t really delve into current events or news or whatever about TTRPG’s, I just like to talk about the stuff I like. But I honestly can’t keep silent anymore. Everything in this blog post is nothing more than my opinion, none of it is in any way legal insight or advice, and a lot of this ground has been covered by people much more knowledgeable than myself. However, since there are people who read my blog who like TTRPG’s, I kind of feel like I owe it to them to say something even if I have what anyone would consider a small audience. Because, here is the thing, at this moment in time I think Hasbro and WotC are forgetting absolutely everything that makes their own game great in the first place. Yet, I don’t think it is too late for this all to be corrected. If you’re not a TTRPG nerd, this article may not be for you. I promise to get back to movie and book reviews and all the other stuff I do on this blog soon. But if you do play TTRPG’s I hope you’ll read this because I think it’s important that we all as enthusiasts of this hobby realize we are what make TTRPG’s work, whether you make content, play the games at your own home, or just read the books and do nothing else with them.

If you follow the world of TTRPG’s even a little bit you’ve probably heard about the huge dust up between WotC and independent creators over something called the Open Gaming License, or OGL for short. This license, along with the set of rules you can use to play D&D called the System Reference Document or SRD for short is what allows people to make things related to D&D for others to use and then buy those products. For example, if there was a creator like Matt Colville who decided to make a subclass for Rogues, and wanted to sell it for $0.99 he is allowed to do that as long as he acknowledges the OGL.

WotC and Hasbro, or more accurately, their lawyers want to change that. They want to revoke the OGL and put in a new version of the OGL. Whether or not they have the right to do that, and whether or not someone would get sued for making D&D third party content under the new license is really up in the air at this point in time. You see, WotC, sent a bunch of contracts with a new OGL, that would frankly, take away a ton of revenue from almost anyone who makes third party content for D&D. These contracts leaked to the press and there was strong outrage over the terms in there from the TTRPG creator community. I won’t get too specific here but basically it boiled down to this. WotC would almost certainly be able to tell anyone they want that they can no longer use the old OGL, and might have lawyers come after those creators. In addition, if you used the new OGL, you’d have to pay fairly high royalties to WotC. This meant that publishers such as Paizo or Kobold press, who make products that use the OGL, might very well be sued by Hasbro. Worse than that, WotC was saying they could have the rights to any new characters or ideas made using the new OGL, so, say Grogg from Critical Role, might now be a D&D property even though the folks at Critical Role clearly came up with him.

To make a long story short, community creators didn’t like this and there has been a lot of pressure put on WotC to do something about it, or at least acknowledge the problems people were complaining about. In fact, WotC waited so long, Paizo may end up looking like the biggest heroes in the TTRPG space for decades to come. (More about that later in the post.) The pressure seemed like it might have started working as people began to unsubscribe from D&D Beyond, where you can buy lots of virtual stuff for D&D fifth edition. Hasbro has assuredly at this point realized they are losing money. Whether or not they care about that is still unclear in my opinion. WotC released a statement over the whole debacle and there was something in there that just angered and saddened me so much that I had to write this post.

On the one hand, they have delayed the release of the new OGL, probably because they now need to scramble with the wording to make it more palatable for creators, but still basically suck as much money from people as WotC can. It makes sense for them to delay given the context of what is going on. But in their statement, giving what amounted to a non-apology apology, they had a paragraph in there that just blew my mind as to how adversarial and negative the Executives at WotC and Hasbro must think towards their audience.

The quote is below and I’ll talk about why it made me so upset after.

A couple of last thoughts. First, we won’t be able to release the new OGL today, because we need to make sure we get it right, but it is coming. Second, you’re going to hear people say that they won, and we lost because making your voices heard forced us to change our plans. Those people will only be half right. They won—and so did we.

WotC STatement on 1/13/2023. Full statement available on D&D Beyond

Like I said, delaying the release of the new OGL makes perfect sense. I don’t have any issue with that. But the statement in full did not completely address some of the biggest problems with the proposed new OGL. If Wizards of the Coast was smart and could see the writing on the wall, they would have given up and said they would just stick with the old OGL.

There is another alternative WotC could have chosen but we’ll get to that later as well. What they instead chose to do, was to talk about winners and losers. I want you to keep something very basic about D&D in mind as you read the rest of this post because this just shows how little WotC and Hasbro seem to get it right now. There are no winners or losers in D&D. Never have been and never will be. We’re not playing Monopoly here. This is a cooperative game where people are supposed to work together to slay the dragon. WotC and Hasbro don’t seem to realize that at this point, they are the dragon. In my opinion, this whole “people say that they won and we lost because making your voices heard forced us to change our plans.” section absolutely is trying to devalue any opinion long time lovers of this game have. It’s not so much how they phrased that but that they think there should be any us against them at all in the TTRPG community. When D&D does well, other TTRPG’s also do well and vice versa.

In essence Hasbro expects that they can lose a bunch of old timers who have been playing this game since forever and replace them with all the new fans they will get once a shiny new movie and edition come out. They may even be right about that. It’s possible D&D will see more devoted and dedicated players than ever before and they won’t need any of us who have always played this game. But I have my doubts that will work. For one thing, I’ve never heard of a show or movie convincing anyone to actually sit down at a table and play a D&D campaign for hours on end. As successful as Stranger Things is, I don’t think there are very many people who started playing solely because they watched that show.

You know who does get people to start playing D&D? People who already play D&D. Older sisters, younger brothers, friends, cousins, teachers, mothers, fathers, sons, aunts, uncles and anyone else who just really loves the game and wants to share it with others. As much as I love this game, it’s going to be hard to tell someone I want them to play this game, but be warned, the company that makes this game does not care at all about the people who play it. And right now, that’s what I would have to say in order to be honest.

Now, maybe Hasbro actually doesn’t care about the TTRPG known as D&D. Maybe they only care about the movie, video games and VTT that are coming because those are potentially bigger money makers. But a big chunk of their audience is upset and disappointed in the direction this stuff is going. I don’t, nor should anyone, blame people who just so happen to work at WotC or Hasbro and have no influence over this decision. The people I do blame are the ones who don’t seem to understand this game at all, don’t care about the creators, players, older sisters, younger brothers, friends, cousins, teachers, mothers, fathers, sons, aunts, uncles and anyone else who just really loves the game and wants to share it with others. Instead they see us as roadblocks to money. It’s as boldfaced an incident of corporate greed as I have ever seen. And I was willing to hand my $50 over for almost any book WotC printed before. I’m not so willing now.

I had some content coming up this year that was going to feature some 5th edition D&D. I was strongly considering doing a solo D&D 5E play through and writing about it on this blog. I was also considering writing an adventure for D&D this year and releasing it on The Dungeon Master’s Guild website. I still may do so, but it is going to 100% depend on what WotC does next. I would be considered the tiniest of tiny creators but even someone as small as me is having second thoughts. I would encourage anyone reading this to think twice about making anything using the OGL at this point in time because we just don’t know what will happen and it would be a major shame for all that energy and effort to simply put you in a courtroom.

I know I sound negative and like doom and gloom is coming. But there are spots of hope. For one, WotC did delay the release of what would have been an utterly horrendous OGL and that is for one reason and one reason alone. The TTRPG community is a tight-knit, friendly community, who knows how to read and understand rules, and is more than willing to organize. For goodness sakes, most of us devour 500 page books regularly and organize 5-7 people weekly guiding our players through rules that can be very difficult to understand. That’s just to say, we can tell when a company thinks we are too dumb to understand something. That’s exactly what WotC is saying with their statement. It’s been inspiring to see the TTRPG come together and activate so quickly. Now, there are some who seem to blame people who are just doing their jobs at companies like WotC and Hasbro and that should not be the norm here. We’re better than that. Fat cat executives who only care about the price of stock and the lawyers who are more than happy to squeeze every penny out of every person playing D&D are the ones to blame, no question.

The second inspiring thing here comes from one of D&D’s largest competitors (although I don’t actually see them as competition because as I said, TTRPGs all do well when any one of them does well), Paizo. Paizo knew it would be inevitable that at some point, if the new OGL was released, they would end up in court over it. They rolled with advantage on their initiative and announced they would get behind something called the Open Resource Creative License nicknamed the ORC license. Essentially the statement from Paizo did absolutely everything right that WotC did wrong. They got ahead of an issue, even one that wasn’t of their own making, they respected the TTRPG community while doing it, and they offered to bring their lawyers to slay the dragon of Hasbro if needed. Contrast the statement below with the one above and see if you can tell which company is being friendly to their audience.

We believe, as we always have, that open gaming makes games better, improves profitability for all involved, and enriches the community of gamers who participate in this amazing hobby. And so we invite gamers from around the world to join us as we begin the next great chapter of open gaming with the release of a new open, perpetual, and irrevocable Open RPG Creative License (ORC).

Full statement available at Paizo.com

Now, we need a little bit of caution here. We haven’t seen the final draft of the ORC license but man, I already want to go around saying I have an ORC license. Something else very encouraging here is that Paizo doesn’t actually intend to be the caretaker of this license. They want to give it to a non-profit organization who has expertise in dealing with open source material. If you know anything about software think about Linnux as opposed to say Microsoft. The point is for everyone to use it and everyone to have the same basic building blocks to make stuff with. It will be important that there be some set of rules to go with the ORC license. I’m talking game rules, not law rules, although those are also important. It’s one thing for a company like Paizo to say something like this but it’s something entirely different to hear that a ton of other companies have also said they would adopt the ORC, including Chaosium Inc, Kobold Press and a bunch of other publishers well known in the TTRPG industry. This move is so bold, TTRPG gaming may have just been changed forever. And when people look back at what happened in January 2023, they are going to say Paizo innovated, thought well of their fans, and landed boat loads of good will. It’s possible Paizo’s idea won’t work but they are seriously trying to make it work and it helps that several of the people from Paizo who are working on the ORC also worked on the original OGL. In other words, Paizo had major, major credentials here.

I will admit this to everyone reading. I have never played Pathfinder which Paizo produces. I have played a few sessions of Starfinder and enjoyed it but I’m by no means as well versed with Paizo products as I am with WotC products. But I’m seriously considering the switch. (Also I love Chaosium and they were never in danger from the OGL issues but they’ve also had a good response to the whole debacle so I’ll still be playing their games.)

If you think the OGL issues has no effect on you and you play 5th edition Dungeons & Dragons at all, you’re wrong. There is some rule or mechanic, or situation you have used that came about because of the OGL. And even if you’ve never played any D&D this OGL could still affect you. The video game Knights of the Old Republic uses the same d20 system that D&D does. I don’t think Disney is going to line up to hand over money to WotC any time soon though and there’s no way, any Jedi get to become part of D&D because of this proposed move.

If WotC wanted to maintain good will and bring people back from the brink of walking away with money in their pockets, their smartest move would be to sign on to the ORC. There’s almost zero chance of that happening but if they did, I think a lot of people would come right back to sing the praises of WotC.

At this point, unless we’re major creators, all we can do is wait and see what happens. I will say this though. If you feel strongly about the OGL needing to stay as is, or if you think WotC should sign on to the ORC, the best way to demonstrate that is with money. Or, rather, the withholding of it. If you were considering purchasing a book printed by WotC, wait a little while and see how this resolves. If you have a D&D Beyond subscription, consider cancelling it. Don’t shout at WotC employees online or in real life. Even if they are executives, they won’t hear you, but they will miss your money. And if you just can’t bring yourself to cancel that D&D subscription, I totally get it. D&D is fun! It’s supposed to be fun and giving it up is hard. But, maybe, take that money you were about to spend at WotC and go buy something new from an independent creator. Buy things on Drivethrurpg. Get something from Paizo, or Kobold Press, or Chaosium or Modiphius or any other TTRPG publisher you’ve heard of and always wanted to try. Or heck, try one you’ve never heard of and find out if it’s fun. There’s a good chance it is.

If you decide to cancel your subscription to D&D Beyond or buy a book from another publisher, use the hashtag #OpenDnD to let WotC know you can’t simply be lied to. Let them know you’re not okay with that. As always, be polite about it and thoughtful in your reactions to any news you hear. Spread the word about games you love playing that are not D&D. Or, in the case of some of these publishers who are publishing 5th edition content, such as Kobold Press, buy directly from them and use their books in your games. While D&D is the biggest name out there, they are by far not the only name out there.

Some games and supplements I strongly recommend you check out, not just because of gameplay at this point, but because of the ethical response from these companies, are as follows. Call of Cthulhu by Chaosium Inc. Pathfinder and Starfinder by Paizo, Midgard by Kobold Press, Sword Chronicle by Green Ronin, Aegis of Empires by Legendary Games, Jewel of the Indigo Isles by Roll for Combat, Super Powered Legends Sourcebook for Mutants & Masterminds 3rd edition by Rogue Genius Games and anything printed by MCDM.

To be 1000% clear here, none of the links above are affiliate links, meaning I get absolutely no percentage of anything bought through those. I just think we should all take the time to take a stand against a company who will discard its own best audience. Purchasing something at the links above may help to do that.

I really hope in the end WotC saves face here, stops thinking of people like me and those of you reading this as the enemy, realizes we all can love this game together and if a smaller publisher is profiting because they are producing content for the game you have ownership of under an open license allowing them to do so, everyone benefits. The person selling the content benefits, the person buying benefits, and WotC benefits by spreading the word of this amazing game that has enamored so many of us.

I know this is a long post but I want you to just hang in there with me for a little longer. Before I go, I have to mention some of the people on YouTube who have done much more insightful, thoughtful and compelling pieces on this subject than I ever could. If you haven’t seen anything from these channels, take a look at their videos. I’ve curated what I think are the best of them so far.

Dungeon Dudes
Roll for Combat
The Rules Lawyer
LegalEagle
Sherlock Hulmes

With all of that said, I’m going to sign off here. I don’t know if I’ll ever do another post like this. It was kind of heartbreaking and frustrating to write. I never thought I would ever be in any position where I might want to step away from D&D at all but here I am. I hope I never have to completely walk away but the next move is WotC’s to make. Do they want to lose people like me, move on with their megacorporation plans, and only let in new players who are just here because of what they saw on television or in a movie theater? I am all for new players but I can’t recommend anyone become one at this moment. Hasbro may not care about that. I’m going to keep playing TTRPG’s no matter what.

If things all work out, maybe my next post will be about how awesome it to use horror elements in D&D. If not, well, Call of Cthulhu is pretty damn scary if you want it to be also.

I hope you’ve gotten something out of this post. If you get nothing else out of it, just take this with you. People who play this game, even the smallest of us, deserve to be heard. We deserve to be respected and we can tell when a corporation thinks of us as walking wallets. It’s not okay to treat people that way and not okay to have an us vs. them mentality when it comes to your own customers. It’s just not. WotC needs to hear this. And while there’s pretty much zero chance they will read this, maybe some of you will. If you do, feel free to share this post, reply back to me, tell me what you think in the comments (politely) and keep playing TTRPG’s. I think no matter what happens this community of people is smart enough and kind enough to keep this hobby thriving with or without big companies trying to stop us. I hope to be talking about something more positive the next time I write but until then, do what you can to help others in this community.

Long windedly yours,

Slick Dungeon

Freddy Vs. Jason – Movie Review

Freddy Vs. Jason

Rating: 3 out of 5.

Happy Friday the 13th everybody! It’s me, Slick Dungeon, back to review the meetup of two titans of horror, Freddy Krueger and Jason Voorhees in a film quite obviously titled Freddy vs. Jason. If spoilers are what gives you nightmares, be warned I’ll be slashing my way through my thoughts on the movie. So, if you haven’t seen it, run through a cornfield and hope not to meet a flaming Jason on the way and watch the movie. Then come on back here to read the review.

For years horror fans had clamored to see a couple of the biggest names in horror meet up. We’d even seen a tease of it years before this famous crossover came out. But due to lots of behind the scenes copyright issues and negotiations it was delayed so much that both Freddy and Jason ended up having movies set far in the future before this one actually takes place. Who would win, and deliver more fear, between the machete wielding, hockey mask wearing, un-killable lunatic, and the man who has a burned face, knives for fingers, and can invade your nightmares? Surely this would be an epic battle and one of the scariest movies of all time right? Meh. Not so much.

Both Freddy and Jason have gone to hell at this point. Freddy is having a bit of trouble because Springwood doesn’t seem to remember him. And if no one remembers him, no one is scared of him. If no one is scared of him, Freddy has no power. Good thing for Freddy, Jason is an unstoppable killing machine. So Freddy decides to let Jason loose in Springwood, assuming correctly that people there would think it was Freddy doing the killing. Freddy’s legend would grow again and he can terrorize teenagers once more. At least, that’s how he wanted it to work.

What the movie results in here is more of a… clip show? Yeah. One of the biggest problems with this movie which was made for fans who already love both franchises is that the film makers seemed to feel the need to rehash a whole bunch of what we’ve already seen to explain who Freddy and Jason are. They recreate some of the famous scenes from both franchises and those are somehow the most interesting part here.

That’s not to say there is no good stuff in this movie. It is definitely fun to watch Freddy and Jason fight. Freddy wins in the humorous quip department because, well, Jason doesn’t ever talk. But Jason is also quite the workhorse and he’s pretty hard to stop. They also bring back Jason’s mother for a few scenes and that’s always a good touch.

Once Freddy gets Jason out in the real world, Jason starts killing teens as all of us might expect. Said teens don’t know about Freddy or Jason but the police who are trying to do everything they can to cover up the existence of Freddy Krueger say the name Freddy Krueger right in front of the teenagers.

The teens fall asleep and Freddy visits them but he’s still not strong enough to get them so he lets Jason run wild for a bit. More teens die but now they have a person in a hockey mask to blame. Some people seem to know this is Jason because… well there was a cop from Crystal Lake but for no other reason.

When you are threatened with death and you are a teenager what do you do? Throw a huge party in a cornfield of course! At the party, Jason picks off a few more victims but one of them happens to be sleeping. Freddy ain’t too happy about that.

Eventually there is a bit of exposition about both Freddy and Jason and the teens come up with a plan. They want to put Jason to sleep so Freddy will fight him and then drop Jason off at Crystal Lake and high tail it outta there figuring Jason will be home and won’t leave the camp. Either way their odds are better if one of them dies.

We get to see Freddy toss Jason around in the dream world and then we get to see Jason shred up Freddy in the real world. Epic battle ensues. And of course you kill Freddy with fire and you drown Jason to stop them. We get a stinger at the end which implies Jason won the fight but Freddy is never going to be gone for good.

Is this the most enjoyable film of either franchise? No. Is it the worst movie in either franchise? Again, no. I do feel like if they had spent less time telling us and showing us stuff we already knew, this could have come off a little better. Freddy seems funny but menacing for most of this and Jason is certainly the juggernaut he’s become. But at times the film dips into a bit of the ridiculous and it seems like our final teens figure out how to stop Jason and Freddy way, way, way too easily. Not that they don’t have a lot of friends die first.

One issue I have with this is pretty simple. Jason is an undead, unstoppable killing machine. Does he even dream? I mean why would he? That’s never addressed, it’s just assumed he does. Still, that’s kind of a small issue. Also, the teens assume Jason wouldn’t come after them if they leave him in Crystal Lake but did they not notice Jason when he was in the middle of Times Square? Seems like the dude can leave when he wants to.

While the movie does retread a lot of old material, I still only recommend this if you have seen at least some of both franchises. It’s more fun that way. Just don’t expect it to have the intensity of some of the better movies in both franchises. There are still some fun and inventive kills here and they do the best they can with the story here, it just could never quite live up to the hype and build up of what was expected. If you’ve seen all the rest of these movies, give this one a watch.

And I also hope this movie acts as a lesson for horror franchises looking to do a crossover in the future. Make it early, while the buzz is going, but take the time to develop a good story that makes sense. And yes, I am staring directly at your murderous child doll eyes, M3GAN and Chucky!

Superstitiously yours,

Slick Dungeon

Having Trouble With the OGL? Try This Instead

Basic Role Playing: The Chaosium Roleplaying System

Hey TTRPG fans, Slick Dungeon here. If you are at all involved in the TTRPG community, you’ve probably heard about the whole Wizards of the Coast Open Gaming License debacle. I’m no lawyer and really can’t give anyone advice on what to do about that situation but I will try to sum it up real quickly here before I give you an alternative.

Basically, there is currently an Open Gaming License known as the OGL 1.0a which allows content creators to make stuff for Dungeons & Dragons. It’s worked really well for a long time but Wizards of the Coast is making changes to it and not to get too into the weeds here but creators are going to potentially see much less profit and maybe not be able to produce content without handing over a ton of rights and royalties and whatnot to Hasbro. As I said, I can’t give anyone advice on that. But, I do have a suggestion for everyone and it comes from one of the biggest competitors to D&D, Chaosium Inc.

Chaosium makes some outstanding products with lots of fun games to choose from. As a horror fan, my favorite is their Call of Cthulhu 7th edition game but they have several others including RuneQuest, StormBringer, Superworld, Pendragon, and Rivers of London.

Well guess what? Those games use a rule system as well. And Chaosium actually wants people to make cool stuff with their system! Again, I am 100% not a lawyer so before you make anything with Chaosium’s BRP system, do your due diligence and make sure what you are making complies and all that good stuff.

Still, I get the distinct impression Chaosium, Inc. would really kinda like it if we all made some cool stuff because they are practically giving away their rule system right now. This system allows you to make derivative work using the BRP rules. That’s a fancy way of saying you can make stuff, including full on TTRPG’s using this system. Again consult a lawyer because if your idea is to, make Call of Cthulhu again, that’s not gonna work but there are tons of things you can do here and it’s a great rules system.

Anyway, why do I think Chaosium Inc. really would like us to make some cool stuff? You can get the BRP on drivethrurpg.com for $0.99 instead of the normal $21.95 it usually sells for. I got my own copy already but I definitely want to see other people make more games, supplements, scenarios, and generally fun stuff we can all get into so get your own copy!

And, if you want to help out this blog just a bit, buy it through my affiliate links in the image or right here. I’ll get a small commission for it but honestly I don’t care how you get it because I just want to see more people make more cool stuff for TTRPG’s.

Non-lawyeringly yours,

Slick Dungeon

(Note: this post contains affiliate links. If you purchase something through this post I will get a small commission at no extra cost to you)

Top 5 Tabletop RPG’s to Play in 2023

A TTRPG lover can never have enough dice!
Huge Discounts on your Favorite RPGs @ DriveThruRPG.com

Hey everyone, Slick Dungeon, here and I wanted to talk about the top 5 roleplaying games I think you should play this year. Just a note, this list is designed for people who have some experience with role playing games so if you are a new player or game master there’s a chance these games may not be for you. For those players I recommend checking out my post from last year linked here. But you never know, maybe you’ll find something here you want to try!

(Note: this post contains affiliate links. If you purchase something through this post I will get a small commission at no extra cost to you)

Without any further ado let’s get on with the list!

5. Cyberpunk Red

Cyberpunk Red Jumpstart Kit

The video game Cyberpunk 2077 had an absolute disaster of a launch, although I hear it’s overall playable now. Cyberpunk Red, however, had no such trouble and delivers an excellent immersive experience if you want to get your hands dirty in a world where huge megacorporations have been shattered and everyone is scrambling to live their lives, make a living, seize opportunities, or plot some revenge. It’s a fun and fast paced game and if you like movies like Blade Runner or The Matrix series this one should be right up your neon lit alley.

With this one I recommend starting with the Cyberpunk Red Jumpstart Kit. This comes with a book of lore and adventures that take place in the setting and a book of rules to use for gameplay. You also get six pregenerated characters making getting started much faster. There are also some maps and standees here to use. Fair warning you may need to read the rules a couple of times to get the full feel for it as not everything is 100% clear on the first read.

The Jumpstart Kit retails for $29.99 on drivethrurpg but right at this moment you can get it for $4.99 which is a steal. To get the Jumpstart Kit click here or on the image above.

If you’re convinced and want to just go all in on Cyberpunk Red you can get the core book for $30.00 but it is on sale for $22.50 right now. Not quite as good of a deal as the Jumpsart Kit but it’s a savings and this will have the full rules, a lot more lore, and ten unique Roles for you to play. To get the core book just click here.

4. Kids on Brooms

Kids on Brooms

I’ve talked before about Kids on Bikes which is an extremely fun role playing game. It lets you take on the kinds of stories you think of when you think about all the stories about kids who ride bikes in movies and TV shows. Think E.T. and Stranger Things. There will be a second edition of this game coming out in 2023 but we don’t have it yet. While we are waiting, did you know there is a magical school version of this game called Kids on Brooms that uses the same rule system?

This is rules light and narrative focused so you are not bogged down by tons of math and figuring out stat blocks and stuff like that. If you ever wanted to play in a Harry Potter style setting but not be restrained by what is actually in that setting, this one is absolutely perfect for you. And the way dice rolls can explode into bigger and bigger results is really fun here.

Kids on Brooms sells for $12.99 on drithrurpg normally but is on sale for $9.74 right now. To get it, click on the image above or click here.

If you’re interested in less magic but still want a fun game with the same set of rules, you can’t go wrong with the original Kids on Bikes. You can get this one for $9.99 on drivethrurpg normally but it is on sale right now for $7.49. To get it, just click here.

Either game is a great deal for hours of narrative storytelling fun.

3. ThirstY Sword Lesbians

Thirsty Sword Lesbians

If you’re looking for an RPG that acknowledges and celebrates the existence of queer people and you like playing in games where a deadly duel can suddenly result in passionate love, this is the game for you. It may not be a perfect game but there are simply not enough TTRPG’s that have queer folks as a central focus and most of those tend not to acknowledge queer relationships outside of a quick mention of a partner. This game flips that over and makes the dueling and the romance the central point. And, it’s fun to play!

There’s lots of advice here on running a safe game for everyone at the table and respecting everyone’s boundaries. It’s a great romp of a swashbuckler and as a CIS, hetero male, let me just reassure everyone reading here that, no, you do not have to be a lesbian, or even queer to enjoy this game. It’s not for everyone and if you are looking to just bash monsters and not have any romance or passion in your game, maybe don’t buy this one. But, this is a really refreshing change from a lot of TTRPG’s out there and it was developed by a diverse group of people with a variety of identities and they ended up with a pretty fun game. If you like shows like The L Word or Our Flag Means Death, you’ll have a good time with this one.

Thirsty Sword Lesbians sells for $15.00 on drivethrurpg but right now you can get it for $11.25. To get it, click the image above or click here.

2. Mutants & Masterminds

Mutants & Masterminds Third Edition

While I love fantasy role playing games, there’s just something super fun about playing in a superhero universe. Later this year Marvel will be coming out with its own version of a TTRPG, the first they have done in a while. But in order for that game to do well, it is going to have to be better than Mutants & Masterminds and that is no small feat. I will say the character creation can take a bit of time here but the rules allow you to be just about any superhero you’ve heard of and to invent ones you’ve never heard of but always wanted to see. Characters don’t tend to end up dead quite as easily as in some other TTRPG’s because, like in the comics, heroes are meant to endure. You pretty much just need a D20 and the core rulebook to get started on this one.

If you love Marvel, Image, DC, Valiant or basically any superhero comics and want to play in a world like those, this is the game for you. It’s tons of fun and full of action. It’s narrative heavy but it does take some work in the character development phase. After all, you want a good origin story if you’re a hero don’t you?

You can get the core rulebook known as The Mutants & Masterminds Deluxe Hero’s Handbook PDF for $20.00 on drivethrurpg. Unfortunately, unlike most of the titles on this list, this one is not on sale right now. And while there is a Mutants & Masterminds Basic Hero’s Handbook for a little cheaper at $16.95 normally but on sale for $12.71 right now, I really don’t recommend it. For this one, the Deluxe book really is the way to go as it gives you everything you need, including a quickstart character generator and two premade adventures. To get the core rulebook click the image above or click here.

1. Zweihander Fantasy Horror RPG

Zweihander Fantasy Horror RPG Starter Kit

I love fantasy, I love horror, I love TTRPG’s so I can’t go wrong with the Zweihander Fantasy Horror RPG Starter Kit. This kit gives a great intro into Zweihander and their Grim & Perilous games. It’s kind of like Dungeons & Dragons but it leans toward more horror and a lot more death. It’s sort of like Call of Cthulhu rules meeting up with the D&D setting but there’s enough here to make it completely original. It has a grim and gritty feel to it where actions have consequences and there is danger lurking around every corner.

For this one I highly recommend using the Starter Kit. You can get it on drivethrurpg as a PDF for $6.66 normally but it’s on sale for $5.00 right now. I will warn you that on driethrurpg it is only the PDF so you don’t get the cool box but you do get a rule book for making characters, a rulebook for running the game, and printable versions of stuff like the GM screen, the maps and the cards. If you’re okay with printing this stuff drivethrurpg is a good deal and you can get it by clicking the image above or by clicking here.

If you just gotta have that cool box and the stuff already printed (and I can’t blame you if you do!) then you’ll want to either visit your local friendly gaming store, or buy through Amazon. On Amazon it’s going to cost you $29.99 plus shipping and all that good stuff. If you want to buy that version, just click here.

In Conclusion

Well, that’s the list. What games are you looking forward to playing in the coming year? If you have any good recommendations drop them in the comments below!

I think you’ll have fun playing any of these games but that’s just my opinion and games certainly up to people’s tastes and preferences. I hope you got some good recommendations here but either way make 2023 a year for gaming!

Thanks for reading!

Adventuringly yours,

Slick Dungeon

Marvel 616 Review – Journey Into Mystery #91

Journey Into Mystery Issue 91, Photo Credit: Marvel, Writer Stan Lee and Larry Lieber, Artist Joe Sinnott

Journey Into Mystery has thrown us quite a few stories involving Thor and his alter ego Don Blake. He’s fought communists, aliens, petty thieves and an assortment of other bad guys. But Thor always shines most when he fights Loki. Even when he doesn’t know he is fighting Loki.

This issue starts with Odin in Asgard holding what he calls a belt of strength. It belongs to Thor but so far during his time on Earth (aka midgard). This belt gives Thor even more strength and power than he usually has.

We shift over to Thor who is flying through the sky and sees a commotion below him. A bank building is floating in the air as the people below it watch. Thor forces the building towards the ground but it suddenly disappears. Strangely, all the people who where in the bank suddenly reappear unharmed. Thor turns back into his mortal form of Dr. Don Blake. He sees the crowd panicking but none of them seem to have any memory of where they went or what happened there.

Dr. Blake realizes this is not due to any physical issue and assumes Loki must be up to something. Interestingly, it seems Blake remembers what happens when he is Thor. Their personalities seem to merge a bit more frequently in this issue than in some others. This is not a Hulk/Banner dichotomy, Blake and Thor seem to have similar goals most of the time.

Blake changes back to Thor and calls to Odin to check that Loki is still in Asgard. Odin confirms Loki hasn’t left but Odin is not aware that Loki can get up to mischief even from Asgard. Thor figures he has to go back and find out who seems to be doing these odd things. He sees a bunch of cash floating in the air at the race track.

We flash over to Loki who is having the time of his life watching all this happen. Turns out a few days earlier Loki discovered a person with a mild amount of telepathic abilities who was making a living at a carnival. This person is named Sandu and he guesses accurately in seconds that Don Blake is in love with Jane Foster but he denies it. Jane gets a bit frustrated because she thinks Blake is too stuffy to fall for any girl. Blake, for his part knows Odin has forbidden him to reveal his identity to any mortal. At least he has a somewhat valid excuse. It’s tough to defy the command of a god and all.

Loki decides to boost Sandu’s powers and figures the guy would turn to pure evil pretty quickly. Loki was absolutely right about that. Needless to say, the guy goes on a crime spree stealing as much money as he can. He teleports money and banks and art and even a whole palace. Any people in the buildings he teleports he wipes away their memories. Most of it he teleports to the moon. Not sure how that will work for him but I guess we should just let Sandu be Sandu in this one.

Thor tries to stop the guy and Loki watches with sheer joy as Thor tries to fight Sandu. Sandu crosses the line when he teleports the United Nations building and demands that all the delegates make him the ruler of the world. As Thor tries to stop him, Sandu drops a bunch of steel on him and traps Thor. Thor asks for help from Odin. And as you can probably guess, Odin sends the belt of strength from the beginning of the issue.

A pair of Valkyries bring it to Thor. These are not the strong warrior women you might imagine from the MCU. These are ethereal beings who kind of float around in flowing gowns. This will change in future comics but it’s how we are first introduced to them.

Thor busts out of the trap he is in but Sandu tricks Thor into throwing his hammer and then teleports Thor into a dimension where he can’t reach his hammer. Sandu isn’t all that smart though because he realizes how powerful a weapon it is and tries to lift Mjolnir with his mind. In Asgard, Loki basically yells at Sandu because he knows there is no way this dude can lift that hammer.

In the end, Thor prevails and Sandu is defeated. But, no one seems to be wise to the fact that Loki caused all the mischief here.

Some things to note in this issue are the integrated personalities of Thor and Blake, they seem to be one person, but how that’s possible isn’t yet explained, Loki for the first time here not only causes trouble but gets away with it without being caught at all, and the connection between Thor and Odin is made more direct than before. It seems Thor can call dear ol’ dad whenever he needs to and there is a pretty instant reply.

The end of the issue shows us Loki saying he will find a way to defeat Thor because he’s got all eternity to scheme. We’ve definitely not seen the last of him and he’ll prove to be more of a threat than just to Thor once the Avengers finally assemble. For now though, we leave him seething as always and just itching to get back at Thor.

Next up on the reading list, we’ll be checking in on Johnny Storm in Strange Tales #108!

M3GAN – Movie Review

M3GAN (2022)

Rating: 3.5 out of 5.

Hello all you people living out in the internet! It’s me, Slick Dungeon, and I’m here to review the film that goes along with the viral dance video, M3GAN. Please be warned there will be some spoilers here so if you have not seen the movie shut down, take a break, watch the movie and come back here to read the review after.

If you are reading past this sentence, you will be spoiled. What if you took Hal 2000 from 2001, allowed it to learn about death and murder and all the bad stuff humans do, paired it with a human child, and gave it the durability of a terminator robot? Bad things? Do we think bad things would happen if we did that? Yes, the answer is yes. If anyone is working on this as a project right now and happens to read this review, stop it now. Please.

Anyway, this movie is definitely an argument for why we should make sure people working in robotics adopt Asimov’s three laws of robotics post haste.

As far as the plot of the film, here’s how it goes. The movie starts off with an ad for what I can only describe as the worst version of Furby you’ve ever seen. A little girl named Cady is heading towards a snow vacation with her parents. She’s a little distracted by the furby-style toy pet she has in the car and it’s a pretty bad snow storm. The parents die in a car crash.

Cady is orphaned and her aunt Gemma is now responsible for her. Turns out Gemma helped to create that little toy pet and she’s working on a much more ambitious project. Basically a sentient, child sized doll that can learn and adapt. She’s behind on some work projects because of this and has to deliver something amazing. She rushes it a bit and develops M3GAN as the newest hit toy without adding in stuff like parent controls or an emergency off switch of any kind. And also, M3GAN seems to be able to pair with any bluetooth enabled device near her.

Things start off calmly enough. M3GAN is almost like a replacement friend/parent to Cady. While doing some testing in the toy lab M3GAN asks about death after she overhears a conversation. Before anyone can stop her, M3GAN has downloaded everything about the subject on the internet. Her prime directive is to keep Cady safe and this is where, shall we say, stuff hits the fan. A dog bites Cady and soon the dog is no more.

Things escalate when Cady is brought to an outdoor school setting and an older boy bullies her. Let’s just say M3GAN is not a fan. Bad things happen to people who cross Cady and/or M3GAN from this point forward. Even Gemma seems to have lost control.

The most entertaining part of the movie comes in the end when they try to have a global launch for M3GAN as the hot new toy and instead she basically goes on a rampage.

If you’ve seen evil doll or robot movies before, you’ve pretty much seen what happens in this movie. Bodies drop, some people do things they shouldn’t, more bodies drop, and eventually someone has to get a grip on this thing and stop it and we’re given a stinger at the end to imply M3GAN is not entirely gone.

I will say, M3GAN does have a bit more flair than some of the killer doll movies I’ve seen and most of it is entertaining. However, it seems a hundred percent obvious to anyone watching that maybe instead of focusing on the potential sentient death doll for profit, most of this horror could have been prevented if Gemma just did what most normal humans would do and gave her niece a hug instead.

If you like sci-fi or horror movies involving evil little dolls or robots, you’ll probably get a kick out of this one. Ronny Chieng has a pretty hilarious performance here as well and there’s enough humor to keep it interesting. While overall this movie is fairly predictable, it’s still fun. If creepy dolls do freak you out too much though, stay far, far away from this film.

If you’ve seen this what did you think? Let me know in the comments. Should Gemma have just, I dunno, taken Cady to the park instead of going back to work?

Robotically yours,

Slick Dungeon

Flash Fiction Friday – Resolutions

Happy Friday those of you out in cyberland! For my first Flash Fiction Friday of the year, I thought I would give you a story about New Year resolutions. Hope you enjoy!

Resolutions by Adam wright

Resolutions

  1. Reduce the number of alien strongholds on the planet
  2. Depower the CPU controlling all of the death robots
  3. Clear the zombie fields
  4. Finally patch up that garden and grow my own tomatoes
  5. Utilize the high powered syringe rifles to cure the vampire hoard
  6. Steal the codes from the megacorporation and transfer currency to the populace
  7. Stop that knife wielding lunatic who keeps offing teenagers at that lake
  8. Refresh the uploads on my cybernetic implants
  9. Ensure the slumbering creature at the bottom of the ocean does not wake this year
  10. Develop a more utilitarian saddle for riding the land worms

Affirmations

  1. I can and will achieve my goals this year
  2. I am the best me I can be
  3. When the mind is set to win, the world is mine to win
  4. If you imagine the impossible, you make the impossible, possible
  5. If I fail at my goals I need to forgive myself
  6. The world is laughing with me, not at me
  7. Don’t carry the burdens of the world on your own shoulders
  8. Taking time to clear my head is not selfish
  9. I am strong, I am attractive, I am wise
  10. There is not a death trap, tractor beam, minefield, laser grid or negative attitude I cannot survive

Annual goal setting mission statement

This year I will bring my best self to all that I do. I will be present in the moment and appreciate the life I have. I will not be envious of others who have more than me but will be grateful for what I do have. If I follow my plans I will be able to achieve my goals. I simply need to focus and I can perform better than I ever have. The cursed doll running amuck in the attic is not my fault but I will do my best to deal with it this year.

Obstacles

  1. A negative mindset
  2. An unwillingness to try new things
  3. Language barriers between myself and the wolf creatures who keep growing to unusual size before devouring innocent bystanders
  4. A year may seem like a long time but time is not on my side
  5. Rat swarms
  6. The possibility that the refrigeration units may have become sentient
  7. I can be too hard on myself sometimes
  8. Trusting innocent looking children who are capable of shapeshifting is not a good idea
  9. I need to be more organized
  10. Whatever that portal seems to be doing

Reality check on above resolutions

Who am I kidding? I do this to myself every single year. I should take that one off the list. I don’t know why I keep putting it there. I’m never going to garden. I don’t even like tomatoes!

Prey – Movie Review

Prey (2022)

Rating: 4 out of 5.

Hey everyone, Slick Dungeon, back to review another film. This time I watched the Predator series prequel simply called Prey. I will be giving a few mild spoilers below but nothing major. Still, if you are bothered by that sort of thing, watch the movie then read the review.

Prey is set in 1719 long before the first Predator movie happens. The good news is you definitely don’t need to have seen any of the other Predator films for this one to make sense. And, for my money, this is easily the best movie in that series. It stars Amber Midthunder in an excellent performance and all I can say is I hope we get to see more of her in action films in the future.

If you have seen Predator movies before, you’ll see a lot of what you would expect. There is a hunter with advanced technology hunting humans. The humans are far outmatched for a variety of reasons and the goal here is survival at best. This also has something most Predator films don’t. Character development is a central focus and they take the time to develop the story. While there is plenty of action, especially in the third act, this film feels way more threatening and a lot more thought out than the others by how understated it is. It takes time to build up some fear for the audience and allows us to care about characters before they are killed.

It’s also refreshing to see this happen in a time period where our modern weaponry is not yet developed. The central plot revolves around a woman named Naru who is a healer but wants to be a hunter. She’s underestimated as far as her hunting skills go but is generally accepted by her family and friends. When a lion attacks and one of the tribe’s hunters goes missing Naru joins to find the missing hunter and to kill the lion. Naru is pretty quick to pick up on the fact that there are more dangerous things than lions hunting the party.

I won’t go into too much more detail here but this absolutely ratchets up the tension in interesting ways. Like all of the Predator movies it gets bloody at times but there’s nothing more extreme than usual here.

With the unique time setting and welcome change in protagonists and the time given to develop a story, this shines as the best of the series. If you don’t really like action movies or hate all of the Predator movies this is probably not for you.

I didn’t think we needed a Predator prequel at all so I was really pleasantly surprised here. If you’ve watched the other Predator films and were kind of done with them like I was, this will breathe a bit of life back into the franchise for you. If you’re curious and you’ve never seen a Predator movie, my recommendation would be to watch this one and maybe the first Predator but stop there. This will be the best one on the list for sure.

Stealthily yours,

Slick Dungeon

Slick Dungeon’s 2022 Challenge Wrap-Up!

Hey everyone, Slick Dungeon here. At the start of 2022 I created some challenges for reading, movies and TTRPG fun. 2022 is over so now it’s time to see how I did on all of these challenges. Also, heads up I will be posting new challenges for 2023 sometime in January so keep an eye out if you want to follow along!

If you did any of these challenges I would also love to hear how you did. Feel free to let me know in the comments.

Reading Challenge

Slick Dungeon’s 2022 Book Challenge! Click the image to download your own copy!

I re-read the first book I remember reading, Cat in the Hat. Still a good book. I actually read a few books longer than 500 pages long. I read some books with magic in it but I’m not sure it was a complicated magic system so I think I have to give myself a partial checkmark on that one. I did not read a book where the main character dies. I also missed the read a book you were assigned in school but didn’t read. I also missed on a book written by a famous author that I have never read. I did read several books less than 500 pages long and I absolutely read independently published books. I really didn’t read any non-fiction this year so I didn’t complete the non-fiction book about a subject I don’t know much about challenge. I read books on best seller lists so that one is covered. I also read more than one series with a large cast of characters and most of those books didn’t take place on earth so I got that one as well.

FINAL SCORE: 7 1/2 out of 12.

Movie Challenge

Slick Dungeon’s 2022 Movie Challenge! Click the image to download your own copy!

I watched The Princess Bride which is definitely about love and an amazing movie. It’s always been one of my favorites. I saw Don’t Look Up which is more of an allegory about climate change than a movie about climate change but I am still counting it for the second challenge. I watched Drive My Car which I had never heard of. I’m really glad I did but boy it sure is a long movie! I ended up watching Violent Night which I would consider a horror/comedy. There’s definitely enough gore to count as horror and they were obviously trying to be funny. I’m not sure I would recommend it to just anyone but if you ever wondered what a cross between Die Hard and Home Alone would look like if the Bruce Willis character was the real Santa Claus, that is hands down the movie for you. Power of the Dog was all character driven and really doesn’t have any action to speak of and I watched that. The best picture for the year I was born happens to be one of the best films ever made, Godfather II, and it also counts for a sequel that is better than the original. (In my opinion anyway) I definitely watched that one. The first movie I watched in a movie theater was The Great Muppet Caper and I watched that on Disney+ this year. I actually watched several movies with great musical scores but I think the one I thought was most impressive this year was Dune. I’m looking forward to the next entry in the series. We Need to Do Something is a pretty interesting horror flick and it takes place in pretty close to a single location. I wouldn’t say I completely loved it but it was an interesting watch for sure. I watched It’s a Wonderful Life around Christmas and that was made in 1946 so I got that one in as well. As far as a Razzie award winner I don’t think I watched one this year but I did watch several movies that might end up winning a Razzie. I’m not going to give myself the point but if one of the ones I watched wins, I’ll update that score.

FINAL SCORE: 11 out of 12

Read, Watch, Play Challenge

Slick Dungeon’s 2022 Read, Watch, Play challenge! Click the image above to download your own copy!

I started reading a book set in Ravenloft from Dungeons & Dragons but I did not finish it so I can’t quite count that one. I watched Stranger Things season 4 so I will count that as a movie where the characters play D&D. I definitely played the first role playing game I ever played, which would, of course, be Dungeons & Dragons. I didn’t actually come across a book where the characters play a role playing game which is a little surprising because for the last few years there’s always ended up being at least one book I read where that happened. As mentioned above I watched The Princess Bride and that has rodents of unusual size so that counts as a fantasy creature so I get that one. Recently I played Star Wars: Force and Destiny and had a blast doing it. It counts for two of these challenges. It was a tabletop roleplaying game I had never played. It was also a sci-fi tabletop role playing game. I read the rulebook for the Marvel Multiverse Role Playing game which is fully launching later this year. At some point I will do a review for that on this blog but I need to take a few more notes first. Would we consider Westley to be on a quest to rescue Princess Buttercup in The Princess Bride? I think the answer is yes so I am counting that. I definitely read books with magic in them. I also watched several Star Wars movies because I do that without fail every year and we wouldn’t have Star Wars: Force and Destiny without it so I am covered there. I did not, however, play a one page TTRPG this year. It can be hard to get a group together sometimes.

FINAL SCORE: 9 out of 12

In Conclusion

2022 was a busy year for me both on the blog and personally. I had a lot of fun trying to do these challenges and I’m honestly kinda surprised I ended up with as good of a score as I did. I’m looking forward to throwing the gauntlet down for next year and seeing how everyone does. If you took my challenges and want to tell me about it, don’t forget to comment below.

Challengingly yours,

Slick Dungeon

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Adult Swim Yule Log (AKA The Fireplace) – Movie Review

Adult Swim Yule Log

Rating: 3.5 out of 5.

Hello internet, Slick Dungeon here! I know it’s a little late for a yule log but I heard about this movie and was told I just have to watch it. It’s definitely not what I expected. This one is really hard to review without spoilers but I am going to do my best to remain spoiler free here. I am going to give a few odd warnings for a yule log though.

Adult Swim Yule Log starts like any other yule log video you could watch. Like, when you’re at a Christmas part on Christmas eve and you decide to just throw an image on in the background with some soft music playing that feels warm and homey and spreads that good ol’ holiday cheer. If you were take the first three or so minutes of this movie and put it on a loop, you would not be able to tell a difference from those popular YouTube clips and this film.

But if you want to see some interesting and downright weird stuff just keep watching. Around three minutes in, the frame of the fire gets interrupted by someone vacuuming and from there it turns into one of the most insane movies I have ever seen in my life. If you are a horror fan and you are tired of all the usual stuff and need to see something different, oh this one is it. I guarantee there is something here you are not at all expecting.

But, some trigger warnings for viewers of this particular yule log, there is a fair amount of gore and violence here so be warned. It’s also odd to say this but the acting in the yule log video is pretty good and they sell a fairly outrageous story. There’s a few loose ends that don’t seem like they tie together completely for me but if you have a decently strong stomach for gore and violence watch this one.

I can honestly say, I was not expecting what I saw. This is a film that really works best to go in blindly on so I’m not going to say a lot more about it. Except for this; it’s really nice to see an innovation in horror where someone is not just rehashing old plots but actually trying something new here.

If you want a calming experience don’t watch past the third minute. After that, well my friends, you are on your own and it’s pretty wild.

If you’ve seen this, I’d love to hear what you thought, especially if you went into it blind. Let me know in the comments.

Flammably yours,

Slick Dungeon

Marvel 616 Review corrections

Hey all, this post is a little different than most of my Marvel review posts. I knew this would happen at some point in my reviews but there are a few issues I missed in the reading order. What can I say, the list changes all the time and there are so many of these comics it’s easy to overlook sometimes. For the next few reviews I’m going to be doing the ones I missed. In each post, I will tell you where they should be in the reading order but otherwise the reviews will be as you have seen before.

To make a long story short, I did an audit of my Marvel 616 reviews to make sure I hadn’t missed any and it turns out I did. So, here are the ones I have missed which you will soon see reviews for.

  1. Journey Into Mystery #91 goes after Amazing Spiderman #1
  2. Strange Tales #108 goes after Journey Into Mystery #91
  3. The Amazing Spider-Man #2 goes after Strange Tales #108

After that my reviews are back on track with Fantastic Four #13 and the rest should be good after that. Apologies for missing these but I hope you’ll keep reading my reviews anyway!

Happy New Year!

Hello internet and Happy New Year! Slick Dungeon here back to welcome you into the year 2023. Today I thought I would do a more casual post wrapping up a bit of last year and letting you all know what to expect in the dungeon for this year.

Above you can see some of my posts from last year so if you haven’t checked those out please do.

2022 was a great year for this blog. I had an increase of views of 116% from 2021, an increase of visitors of 140%, an increase of likes of 77% and an increase of comments of 127%. If any of you reading this contributed to that increase, thank you! It’s genuinely appreciated and I hope you’ll stick around.

Here are links to the top 5 most popular posts on this blog for 2022. These go from least viewed to most viewed.

  1. An Interview with Zamil Akhtar, Author of Gun Metal Gods and Conqueror’s Blood
  2. Top 5 Tabletop RPG’s to play in 2022
  3. How to Play Call of Cthulhu Part 2 – Creating an Investigator
  4. Top 5 Campaigns for Call of Cthulhu 7th Edition
  5. Top 5 Horror One Shots for Dungeons & Dragons

Going down this list above, Zamil Akhtar will be publishing new books this year and I fully plan to review them, so look forward to that. I will be posting a top 5 list of tabletop RPG’s to play in 2023 so keep an eye out for that. I will also continue my How to play Call of Cthulhu series. And I am sure I will have more top 5 lists related to Call of Cthulhu and Dungeons & Dragons this year.

I’m hoping to have an even better year in 2023 but of course that depends on you and it depends on what kind of content I deliver.

Here are a few of the things you can expect this year.

  1. More movie reviews
  2. More book reviews
  3. More Marvel reviews
  4. More TTRPG content
  5. More short fiction written by me
  6. A new challenge list for books, movies, and TTRPG’s
  7. Reviews of Star Wars content
  8. Announcements of upcoming projects
  9. Surveys about what direction to take this blog
  10. Random stuff that comes up I just want to talk about

There will be more coming which you have not seen yet but I’m not quite ready to talk about but I will keep you updated throughout the year.

I’m really excited about all of these things coming up and I hope you’ll follow along with me. Also, I am always looking for fellow blog writers to follow so if you have a blog that might line up with some of what you see here, let me know in the comments. I only follow those who have similar interests to mine but I would love to see what everyone is up to in 2023.

Have a great year everyone!

Positively yours,

Slick Dungeon

New Year, New You – Movie Review

New Year, New You (2019) film

Rating: 4 out of 5.

Hello internet, it’s Slick Dungeon here! Well, today is the last day of 2022 and I’m sure there are plenty of people out there thinking about making New Year’s resolutions. One of mine will be to watch more movies and post about them on this here blog. But, not all resolutions are good and you shouldn’t necessarily listen to anyone on the internet telling you how to live your life. For these reasons I decided to watch the horror film on Hulu titled New Year, New You. Be warned there will be some spoilers ahead. I’ll try to keep them mild but if that sort of thing bothers you, give the movie a watch and then come on back here after.

Still with me? Good. You know how at the end of the year, mixed in with all the best of lists, the reflections on celebrities we lost, and headlines of what’s going to be the next big thing, we get tons of self help style videos from influencers telling you how to live your best life? Have you ever wondered if those videos are pretty much full of garbage like you think they are? New Year, New You answers that question with a resounding yes.

It’s a small cast of characters set in a single setting but it delivers one of the most epic takedowns of “influencer culture” I’ve ever seen. As far as the plot goes, there are four women who get together a few years after a traumatic event has happened. Three of them are living fairly normal lives, working, dating, and struggling to just get through the day for the most part. The fourth woman is a media influencer who is wealthy due to a line of health and wellness products she sells through her videos.

As you might guess there is more to the story and the past events than it seems. You might put this movie under dinner party horror. You could also call it a revenge gone wrong film. But, in my opinion, this is what I Know What You Did Last Summer had the potential for but failed to live up to.

The acting performances here are basically perfect although there is one character who seems to be led around a little too much for me to fully believe it. I was definitely guessing at most turns in the plot and there are several jaw dropping moments that make this worth a watch.

There’s nothing here overly gory. In fact, most of it is not scary at all. If you have any empathy in your soul you will feel uncomfortable for most of the movie though. The first act is a little bit of a slow burn but by the start of the third act, things really get going. There are not tons of scares, although there are a few twists. But, each moment that is meant to be shocking delivers fully on the shock.

I don’t think this is one I would rewatch over and over again or anything but I’m glad I watched it once at least. If you like a sort of slow burn horror without tons of blood but that still manages to be really shocking, this is for you. Also, if you’re sick and tired of advice about how you need to change your life just because the calendar date is getting one year bigger, watch this and you won’t feel that way anymore.

Stay safe out there, have a happy new year, and I’ll see all the rest of you in 2023!

Annually yours,

Slick Dungeon

Marvel 616 Review – Tales of Suspense #40

Tales of Suspense Issue 40, Photo Credit: Marvel, Writers: Stan Lee & Robert Bernstein, Artist: Jack Kirby

The second appearance of Tony Stark as Iron Man further expands on what he is capable of while also giving him a new challenge.

At the start of the issue we are shown Tony leading a triple life. His first life is as a man of science who is not only honored for his accomplishments in Micro-transistor research but also is vital to stopping communists from taking over America. How is he going to stop them? With the invention of super fast roller skates. Yep, that’s his big innovation in this issue for the army. These skates can allow each soldier to travel at up to 60 miles per hour. The General presented with this invention is pretty excited though. He realizes these skates mean they can move troops without trucks this way and calls Stark a genius. While the Iron Man we know from the MCU would quickly agree with that statement, the Anthony Stark presented here is a lot more humble. He says, “No General… just a scientist who realizes that the boundaries of science are infinite…”

Stark’s second life is more in line with the MCU as he is shown to be a millionaire playboy whom women adore. We see him on a date but he makes excuses to leave as soon as his date suggests a swim. Tony can’t take his shirt off in public because he has to constantly wear an iron chest plate which sustains his heart. Basically, Iron Man is the first character who needs an electronic pacemaker. A bit of an exaggerated one, but that’s basically what this is. This really does make Anthony Stark stand out because he is one of the first heroes who might be described as having a disability of some sort. It’s not kryptonite that can kill Anthony, it’s basic biology, just like the rest of us. We do get this amazing line of narration here, “Tony Stark has left the party for a most unusual date with… an electric cord!

After charging himself up, we see Stark has been busy since we last saw him. He takes on his identity as Iron Man and we see that in the past he has stopped gangsters and madmen of science who seek to rule mankind. We only get a few panels to show all of this action but it’s surprising how quickly Stark is established as a hero.

While on a date at a circus, the animals in the circus break loose and cause havoc. Thinking quickly, Tony tells his date Marion to head out of the area while he goes to phone the police riot squad. He has a suitcase with an x-ray proof secret compartment that holds his collapsed Iron Man suit. He throws it on so he can save the day. As he goes through the crowd, people comment on how terrifying his appearance is. After using a few gadgets in his suit to subdue but not injure the animals, Tony realizes he needs to redesign his suit. He doesn’t want women and children to be frightened of him.

Tony returns to his date who mentions the ugliness of the Iron Man suit and suggests a modern day knight in shining armor would wear gold metal instead of dull grey armor. Sure enough, Anthony Stark paints his suit with untarnishable gold paint.

The next week Tony is set to pick up his date from the airport only to find out the Granville airport she should have travelled from was shut down three days ago. Apparently Tony is too busy being a hero to listen to the news and he hasn’t gotten around to inventing the cell phone just yet. Regardless, the town seems to be cut off from the world. Literally cut off. As in, a whole wall was built around the city and no one can get in or out. So, of course, Iron Man heads over there.

While the wall is formidable, Iron Man just digs under it. As soon as he digs up into the city he is told the town can’t answer why the wall is there by order of someone named Gargantus. If they disobey him, they die. The crowd is so worried about Gargantus they even start attacking Iron Man. The crowd is so frenzied they erect a statue of Gargantus and start bowing before it. Tony notes how the statue looks like a Neanderthal yet people are worshipping whoever this is. To solve the problem, Tony tosses a ten ton truck into the statue but the crowd still seems to be bowing to it even after it is smashed. It seems the whole town has been hypnotized. This is definitely not the first Marvel 616 story where a whole town is hypnotized and it’s far from the last. In comics at the time, hypnotizing the public gave the writers the freedom to have crowds do whatever they wanted to slow a hero down.

Iron Man basically challenges Gargantus to a street brawl in front of the crowd. Gargantus shows up and Tony tosses a few high powered magnets around Gargantus. Turns out Gargantus was a robot the whole time.

Not only that but Gargantus was being controlled by a spaceship hiding in a dark cloud. Iron Man again hurls magnets in the direction of the ship and the aliens scurry off, realizing they are no match for the Iron Men of Earth.

It’s only Iron Man’s second appearance and he’s already driven off aliens. Basically, all Marvel heroes in the 616 universe have done that at this point, with the exception of Spider-Man. Spidey will, of course, have his chance but not just yet.

Next up on the reading list we will be checking in with the Norse God of Thunder himself, Thor in Journey Into Mystery #92!

The Ravenstones: Prophecy Fulfilled

Prophecy Fulfilled by C.S. Watts

Note: this review was first posted on Reedsy Discovery, an awesome website that pairs independent authors and readers. To see the post there, click here.

If you are a book reviewer and want to contribute reviews on Reedsy Discovery, click here.

(Note: this post contains affiliate links. If you purchase something through this post I will get a small commission at no extra cost to you)

SUMMARY

Eirwen, a lonely polar bear, and Fridis, a feisty Eider duck, have teamed up on the adventure of their lives, transported from the far North to a parallel world. There’s no way back; to survive and prosper, they must reinvent themselves and accept every challenge. The epic saga of The Ravenstones, an exploration of friendship, courage, sacrifice and faith not only deals with deeper themes of prejudice, vanity and lust for power but also provides readers with an exciting adventure story, full of mystery, magic and high stakes. Through the first six volumes, Eirwen and Fridis have encountered danger, intrigue and a lifetime of surprises, as well as a host of intriguing characters, animals all, from wolves, lions and bears to noble birds of prey with codes of honor that must be followed. Meanwhile, the mysteries of the magic stones and the future that is foretold hang over their lives.

In Volume 7 the adventure comes to an end. One final confrontation. Either good or evil will prevail. The stakes could not be higher – no coming second, no avenues of escape, no reserves waiting in the wings to provide rescue. It’s win or die. The prophecy must be fulfilled.

REVIEW

Rating: 5 out of 5.

Eirwen and Fridis, a polar bear and Eider duck set out on an adventure seven volumes ago. They’ve encountered magic, friends, enemies, scheming diplomats. warmongering forces, hopeful peace negotiators and a cast of characters as massive as any you would find in a George R.R. Martin book. All of the players have been set, all of the stakes have been raised, and one way or another the expansive story is wrapping up here. Eirwen and Fridis are about to find out if all of the danger they have gotten into, all of the intrigue that has gone on around them, and all of the political maneuvering will pay off. Will a prophecy be fulfilled? Or will it all come to naught?

C.S. Watts had his work cut out for him in this final volume. There are a ton of story lines to wrap up, questions to be answered and, action to be delivered. At the start of the series it was questionable to the reader whether or not Watts could deliver but in the end he’s answered that question in remarkable fashion. Like the rest of the volumes, there is intrigue, rumors, legends, magic, and fierce battles. This final book is just as engrossing as the rest and pays off in droves for the reader.

There are story lines from previous volumes that pay off in amazing fashion here. It may seem like a seven volume series staring talking animals would be too much but the end here makes all of the reading of the previous volumes an even richer experience.

If you have read the books up to this volume, you’ll know how charismatic and interesting the characters of Eirwen and Fridis are but it’s still a wonder how Watts balances such a large cast of characters in such a meaningful way and delivers on story at the same time.

This is a series I would recommend any fantasy fan give a read. If you love sweeping epics full of magic, interesting politics, memorable characters, and a plot that will keep you guessing, read this series. You definitely don’t want to start with book 7 so make sure to start at the beginning so you can accompany Eirwen and Fridis on all of the twists and turns that take them to this most impressive ending.

The Nun – Movie Review

The Nun 2018

Rating: 3 out of 5.

Hey there horror fans, it’s Slick Dungeon here! A while back I took a poll on this blog to see what horror series I should review next and The Conjuring universe won. It took me a while to figure out the proper order of watching these films since there is more than one way to do it and I have never seen any of these. I found that the timeline recommended to be scariest starts with The Nun from 2018. I took a watch and I’m here to give you my thoughts. Do be warned there will be some mild spoilers for this movie so if you haven’t seen it, give it a look, come back here and then read the review.

I will admit supernatural horror where there is something like demon possessions has never really been my favorite type of horror. I don’t have anything against it at all and I can see why it really scares some people but it has to be of amazing quality to scare me. The only example I have so far where that worked for me was The Exorcistt and that might be because I was probably too young to watch it. But, I’m willing to give any good horror franchise a shot. Disclaimers out of the way, let’s get into the review.

The Nun takes place in 1952 in Romania. The feel of the film and the setting and atmosphere give the impression of a time even before that with its rural and remote setting in a peaceful (appearing) countryside. At the start, a pair of nuns are trying to keep something horrible locked away through the power of prayer. One of them is basically sucked away and presumably killed off screen. The remaining nun continues to pray but hangs herself.

Some time later a man with the curiously lazy nickname of Frenchie (you know because he speaks French) finds the dead nun hanging and the Vatican is contacted. From here the story really gets going. We meet a Father Burke and a Sister Irene who have been tasked with finding out exactly what is going on at the abbey. Sister Irene has not yet taken her vows although she is as committed as any other nun and truly believes in her faith.

A lot of standard horror tropes happen from this point. There is some lurking evil that people in the village seem to be afraid of. The abbey is seen as an isolated place where bad things have happened in the past and there are more than a few false scares and jump scares which turn out to be nothing but wind. And, of course, there are the real scares and the real evil residing in the abbey.

Things are suspiciously off when Father Burke arrives and it seems the abbey has its own way of doing things. It might be a little unusual but nothing too outright scary. That is, until night falls.

I don’t want to spoil too much of this movie but there are a few parts that really work well. My favorite was when Father Burke comments about graves which had bells on them. The idea was the people buried there were worried about being buried alive. The bells could be rung if that was the case and then someone would dig up the coffin and free the person. You can probably guess this but Father Burke ends up in one of those graves. It’s extremely claustrophobic and really is one of the scariest parts of the film.

The other standout scare in my mind was related to Sister Irene who is praying with a bunch of nuns to fight off evil. They disappear and we realize Irene has been alone this whole time. It wasn’t a jump out of your seat kind of scare but it was effective in giving me the creeps.

The rest of the movie is mostly standard horror stuff where the characters need to find out the background of what is haunting the place and figure out how to stop it. It turns out bombing in World War II interrupted the protections that were locking in the evil inside the abbey. There’s a bit of item and clue gathering and a final confrontation.

I will say, for my taste, this movie relies a little too heavily on jump scares and the third act feels almost more like an action film than a horror film to me.

But, here’s where going into something blind can be fun. And I beg your pardon here because I have to drop a pretty big spoiler to explain it. At the end of the events of The Nun we flash forward in time and see a university seminar in Wakefield, Massachusetts. This seminar is given by Ed and Lorraine Warren. We see them showing footage of a man being exorcised. This man is Maurice who we knew as Frenchie for most of the movie. As soon as I saw the names Ed and Lorraine Warren, something clicked in my brain. I was sure I had heard the names before. I knew the characters were from The Conjuring because I knew Patrick Wilson and Vera Farmiga were in that series. What finally came to me was the people they are playing are the ones who investigated The Amittyvill Horror. I actually did not know there was any connection to those movies and The Conjuring.

While I didn’t find this to be the most frightening or original of films, there are enough good scares and story hooks here to make me curious about the series. I’m looking forward to seeing where it goes from here.

If you like a movie with supernatural horror, a few good scares, and a whole lot of jump scares, this is definitely one to check out.

Faithfully yours,

Slick Dungeon

Marvel 616 Review – Tales to Astonish #42

Tales to Astonish Issue 42 Photo Credit: Marvel Writer: Stan Lee, Art: Don Heck

There are a number of heroes in Marvel 616 who are not well liked by the public. The Hulk is almost universally hated, Spider-Man has a decidedly split opinion even in his own neighborhood, and even the Fantastic Four have on occasion been the subject of public ire. Not so for Henry Pym, aka The Ant-Man. Later in his career there will definitely be things he is hated for doing but in this story, it’s important to remember the public either likes Ant-Man or is indifferent to him. To have a crowd turn on this hero would be unusual.

Yet that is exactly what a man named Jason Cragg does. Jason Cragg has a special power. He is introduced to us as he steps on a soap box and begins to speak, proclaiming, “I, Jason Cragg speak truth! Truth!” The crowd instantly trusts him. As Cragg does this, Pym just happens to be passing by as Ant-Man and seems completely unaffected. He’s wearing his cybernetic helmet and figures that must be somehow blocking whatever this voice is doing to the crowd. Cragg stirs up the crowd and tells them they should drive Ant-Man from the city.

We then get a flashback to a few weeks prior. You see, Jason Cragg was a radio announcer who was not good at his job. After delivering an ad one of the executives at the station says, “He sounds as convincing as a wet sponge.”

All super villains have to have origin stories. Some are amazing and super interesting and mind blowing. This… this is not one of those. At a nearby atomic experimental laboratory there was an accident where radiation levels were getting too high. Some of the particles seeped out before the scientist regained control and those radioactive particles apparently… went into the microphone Jason Cragg was speaking into at the time. Yep, supervillain via radioactive microphone. Why the particles went to that particular spot on the planet is in no way explained so, yeah radioactive mic is about all the backstory we get here.

Cragg finishes giving his ad over the air and suddenly everyone is buying the dog food he is advertising. My favorite line from this issue is a result of this ad, “We don’t even have a dog, but we can eat it ourselves!” That’s how persuasive Jason Cragg has suddenly become.

Cragg realizes his voice is what is causing this to happen and quits his job and just uses his voice to get free stuff like train tickets and steak dinners. That is until he happens upon Ant-Man in the middle of defeating some thugs. The police and public all praise Ant-Man and Cragg decides he has to test his mettle against Ant-Man. He figures if he can defeat Ant-Man he can defeat anyone. And with Ant-Man gone Cragg can basically rule the city.

Cragg goes on to tell such bold faced lies about Ant-Man as, “He pretends to be your friend, but he secretly despises you, as he does all who are normal-sized!” The crowd falls prey to these falsities and start to turn against Hank Pym.

Meanwhile, Ant-Man is getting an award from the police at their headquarters. Cragg interrupts and tells the police to arrest Ant-Man. They can’t resist and do try to capture our hero. Ant-Man uses a rubber band to launch himself away and avoids capture.

Cragg convinces the whole town to start looking for Ant-Man. Somebody gets the idea to use magnets so they can latch onto Ant-Man’s metal helmet. He has to remove the helmet, thus becoming susceptible to Cragg’s voice, in order to remain free.

Using his radioactive voice, Cragg demands Ant-Man reveals himself. Pym resists but ultimately is compelled to obey. Cragg wants to rid the world of Ant-Man but he’s no master villain. He literally has Ant-Man in the palm of his hand but instead of trying to smush him or anything like that, Cragg tells Pym to walk off the pier and make no attempt to swim or save himself from drowning.

Don’t worry too much though, this is an Ant-Man story and Cragg forgot one thing. Ants. Yeah, ants save Hank, even without a cybernetic command. They’ve gotten to know him and tend to show up whenever he is around so they get him out of the water pretty quick. Ant-Man escapes but Cragg vows to have one last battle with him.

Pym heads home where we get another diagram of his little elevator setup which allows him to get back into his lab even when he is small. Pym waits and watches until he hears Cragg is going to be a guest speaker on a television show. Pym decides that’s the place to confront Cragg.

We see Hank shrink down to ant size again and mention yet again his clothes are made of unstable molecules. He then uses his ants to infiltrate a building and grab a bottle of what Pym refers to as germs.

After that he heads over to the TV studio as Henry Pym. At some point he changes back to Ant-Man, although we don’t see it this time, so he can get his hands on a prop gun. As Cragg goes on the stage, Ant-Man climbs up his leg. Henry gets into Cragg’s ear and tells him to do exactly what he says. Pym reveals a gun pointed at Cragg, held by the ants. Pym basically tells Cragg to come clean and let the city know Ant-Man is on the level. Cragg doesn’t seem to care because he figures he can just contradict himself later. He clears Ant-Man’s name and Hank tells Cragg the gun was never loaded.

Cragg gets right back on the mic and tries to turn the crowd against Ant-Man but his voice isn’t working right anymore. See, Hank Pym arrived early and put microbes that cause laryngitis on the microphone. The crowd immediately turns on Cragg and drums him right out of town.

We end the issue with Henry Pym reflecting on the fact Cragg had a great power that could have been used for good.

So, to sum up the story here, a guy who was near a microphone got a super powered voice and tried to turn a city against its hero only to be defeated by a different microphone with laryngitis on it. Man, I love comics.

There’s not a lot significant in terms of the 616 universe that happens here. It’s mostly a silly story but it’s fun in its own way. It mostly just reaffirms Ant-Man as one of the good guys. It seems like Cragg was set up to be a repeat villain but I’m not sure if we do ever see him again. If so, I wonder if there will be any changes as to how he gets his power back.

Up next on the reading list we will be checking in on a brilliant inventor who has a suit of iron in the pages of Tales of Suspense #40!

Top 5 Sourcebooks for New Dungeon Masters

D&D Campaign Adventures for Mythic Odysseys of Theros - Available now @ Dungeon Masters Guild

Hello all, Slick Dungeon here. I can’t stand long intros to top 5 lists so I am going to get right into it. Just a couple of qualifiers first. These books are all intended to be used with the 5th edition of Dungeons & Dragons. Most Dungeon Masters who already have experience will likely have these books already so if that is you, this is probably not the post for you. But, if you are kind of new to Dungeons & Dragons and don’t exactly know where to start or which books are for what, these are the books I consider absolutely essential. You don’t necessarily need all of them to play but each one brings something of value for the new Dungeon Master. There is no particular order to these rankings because I do find them all equally valuable. Which ones are right for you is for you to decide.

(Note: this post contains affiliate links. If you purchase something through this post I will get a small commission at no extra cost to you)

5. Basic Rules

Before you spend a single cent on any Dungeons & Dragons books, you should make sure the game is truly for you. There are a lot of ways you can do this. You can play with an already established group either online or in person. You can watch live play sessions on YouTube or Twitch. You can play any number of video games based on Dungeons & Dragons. Those are all great but they don’t give you the most inside look at what the rules actually are. My recommendation is to start at the beginning and read the basic rules. You can find those by clicking the image above or clicking right here. There is no cost and if you only use these rules, you can still have a stellar game session.

4. Dungeon Master’s Guide

Cover Art by Tyler Jacobson

This one may seem obvious but if you want an expansion of the basic rules, you’ll need to get the Dungeon Master’s Guide. This book goes over the basics of how to run the game but it also has great advice on everything from what magic items there are, how to create memorable non-player characters, and how to create worlds and multiverses right at home. While no single source book can be all encompassing, this does a fair job of covering most situations you’ll find in game. I’ve read and re-read and re-re-read this book more times than I can count and I usually still come away with something new each time.

You can get your copy by clicking the image above or clicking here. This retails for $49.95 but there are often times you can find it on sale for less so watch for bargains.

3. The Player’s Handbook

Cover Art by Tyler Jacobson

As Dungeon Master you have a big job. Not only do you need to know the rules of the game, you need to know what the players know about the rules. For this reason, you’ll want to have a copy of the Player’s Handbook at your side. This book covers the types of characters players can make, gives a run down of the rules, and contains rules for things like magic spells which will be used in the game. While I have certainly read this book more than once, I refer to it less than my players do. I have a good understanding of the rules and where to look when I am in doubt. But, I don’t memorize every word in every spell or anything like that. Still, this is a vital reference and if you’re serious about playing, it’s one of the core rulebooks you cannot do without.

You can get your copy by clicking the image above or clicking here. This one also retails for $49.95 but again there are often times you can find it on sale for less so watch for bargains.

2. Tasha’s Cauldron of Everything

Cover Art by Wylie Beckert, Magali Villeneuve

Tasha’s Cauldron of Everything is the newest sourcebook on this list. I have it here because as good as the Player’s Handbook is, there were some issues with how rules for character creation happened. Tasha’s corrects some of those problems and gives more freedom to players on how to build their characters. I won’t get into the finer details in this post but it did make it so players were not quite as locked into things like every Half-Orc character having to have only certain bonuses just because they were a Half-Orc. In other words, you could have a Half-Orc who is really intelligent or charismatic etc. rather than one who just has tons of brute strength. In addition to that, however, there are also great tips in here for making puzzles and traps. Also, this has the Artificer class which is an extremely fun class to play.

You can get your copy by clicking the image above or clicking here. This one also retails for $49.95 but again there are often times you can find it on sale for less so watch for bargains.

1. The Monster Manual

Cover Art by Raymond Swanland

In a way, I’ve saved the best for last. This is my favorite of the core books. Whenever I am stuck for ideas about what to throw in front of my players, a flip through here always gives me inspiration. The Monster Manual is exactly what it sounds like. It’s a bestiary explaining the different types of monsters you can use in the game. If you’ve been playing with the basic rules, this manual helps to expand your options. And each creature gets not only a stat block to show you how to run it, but it also has good descriptions and details of where the creatures live, how they behave and what some of their goals or motivations might be. Using this book is very helpful to flesh out a session and the rules are generally clear about how to run the monsters in your own game. There are other books that expand on this one so if you ever do get tired of playing with what is here, you always have that option. But for beginners this is where to start for making great enemies (and sometimes friends) for your players.

You can get your copy by clicking the image above or clicking here. This one also retails for $49.95 but again there are often times you can find it on sale for less so watch for bargains.

Conclusion

There are my top five recommendations for sourcebooks for new Dungeon Masters. These will cover the basics for you and you can have months of fun with these alone. If I had to give you my top 3, it would be basic rules, Player’s Handbook, and Tasha’s Cauldron of Everything. The basic rules do cover a lot and the DMG is great to have but ultimately, you as the Dungeon Master, can come up with your own worlds with or without having every single rulebook.

In a future post I will go over my top 5 adventure books for fifth edition but it’s tough to play those without any sourcebooks whatsoever.

So, have you used any of these sourcebooks? If so, which one is your favorite? Let me know in the comments!

And, if you like these types of posts and want more of this type of content, consider purchasing one of the awesome books listed above through this post. It really helps out this blog when you do.

Adventurously yours,

Slick Dungeon