In the Marvel Cinematic Universe there was a time when Iron Man was without question the most popular character Marvel had ever put on screen. This is largely due to the excellent portrayal of the character by Robert Downey Jr. and the deft handling of the adaptation by Jon Favreau. But none of that would have happened without Issue 39 of Tales of Suspense where the character was first introduced.
Tales of Suspense is yet another anthology comic book put out by Marvel comics. This seems to be one of the best methods the creators had to experiment and introduce new characters. It was easy to know what heroes were popular by the fan reaction. If there was not much reaction, they could just stop making stories with that character.
Oddly enough, this issue has two stories which are cannon to the Marvel 616 universe but of course Iron Man is Born! is the one most remembered. I’ll talk about both stories in this post but I’ll be digging much deeper into Iron Man than in the other story.
The story in Iron Man is Born! is written by Stan Lee but this time the art duties fall to Don Heck. While he might not be quite as dynamic as Jack Kirby was in his art style, Heck is a fine artist and helped bring several characters to life including the Wasp, Black Widow, Hawkeye, and Wonder Man. In other words, he has an impressive portfolio and handles the introduction of this new character deftly for the most part.
The story begins at the laboratory of Anthony Stark where soldiers are on guard 24 hours a day to keep an eye out because, “the commies would give their eyeteeth to know what he’s working on now!”
For those who are keeping track, Reed Richards, Henry Pym, Bruce Banner, and even Don Blake have all had run ins with communists and the government has had to protect them in one way or another. I think we can presume from the very first panel in this story it’s likely these scientists know of each other and quite possibly have met one another. This will become important later when teams like The Avengers become established. We’ve still got a while until that happens but the introduction of Stark gets us a huge step closer.
Inside the lab, Stark is demonstrating small but powerful transistors that can intensify magnets he has developed, strong enough to open locked vaults from a far distance. In the modern era of the movies the power source of Iron Man’s suit is his arc reactor but in these early comics it’s a series of transistors, magnets and other small but clever devices.
Stark tells a general at the demonstration his transistors are capable of solving his, “problem in Vietnam.” It’s worth noting, this is the first mention of the real world conflict of Vietnam in Marvel 616. This grounds the story more in reality than some other comics might and it’s an interesting choice. While Vietnam at the time was seen as a proxy war between democracy and communism, all of the issues before have just mentioned, reds, commies, or some similar name to refer to communist enemies. It seems Marvel could no longer ignore real world events in their pages.
Reading the start of the story is interesting because in so many ways it does mirror the opening of the movie. We’re given a bit of background about Stark and find out he is handsome, glamorous, constantly in the company of beautiful women, a sophisticate, and a scientist, and a millionaire bachelor as much at home in a laboratory as in high society. Change the word millionaire to billionaire and this could be the Netflix description of the first movie.
But the narrator tells us he is soon destined to become the most tragic figure on Earth! I assume they forgot about Bruce Banner when they wrote that but this is Stark’s story so we’ll let it go.
Now, I would be remiss if I did not talk about the negative aspects of this first Iron Man story. We get some absolutely awful stereotyping against Asian people, and Vietnamese people specifically to set up the story. We read about a cruel military leader named Wong-Chu, the Red Guerilla Tyrant who is going village to village in South Vietnam to take over. The artwork here is as offensive as you might imagine and the story is fairly insulting at this part but we have to get through it to get Iron Man. Wong-Chu challenges anyone in a village he is about to take over to a wrestling match. If the challenger can beat Wong-Chu he promises to let the village go free. Wong-Chu defeats all challengers and talks in broken English, again in some of the worst of stereotypical ways. Anyway, we have our villain set up now.
We flash over to Iron Man who has landed in South Vietnam with some American soldiers. They tell him they could beat the Red Guerilla’s army but they can’t get their tanks through the dense jungle. In a typically arrogant and uniquely American way, Stark has miniaturized mortars so the army can bomb the hell out of a bunch of people. The weapons are, of course, effective.
Unfortunately for Stark, he stumbles over a tripwire and is injured in a blast as a result. In the movie, you’ll remember this as the armored vehicle scene where Stark is captured. This is definitely something the movie does better as the comic makes it seem as if Stark is just kinda clumsy.
Stark is captured and we find out he has shrapnel near his heart. This shrapnel can’t be operated on and he’s only got a week to live. Wong-Chu decides to try to trick Stark into working for him. Stark sees right through the ruse but agrees to do the work. Wong-Chu just seems to think Stark is being self serving, and considering what we know about him so far, it wouldn’t be that hard to believe.
Just as he does in the movie, Stark gets to work designing, and building a weapon. As he is doing this, another prisoner, Professor Yinsen, is thrown in the cell with Stark. Lucky for Stark, Yinsen is a physicist and Stark has read his books. The world thought Yinsen had died but instead he was forced into slave labor. It’s Yinsen who names the weapon Stark is building calling it, “An Iron Man!”
It’s a suit of armor which not only is capable of extending Stark’s life but also has a ton of firepower to it. Stark is pretty much knocking on death’s door when he puts on the suit for the first time. But as the suit is powering up, Wong-Chu arrives and Professor Yinsen has to buy Stark time. This proves fatal to Yinsen and Stark swears Yinsen’s death will not be in vain.
It takes Stark a few minutes to get used to moving and walking around in the suit but once he does, he’s got a bunch of tricks up his sleeves. He has suction cups which allow him to stick to the ceiling where he hides from his attackers. After they leave, Stark finds Wong-Chu and… challenges him to a wrestling match? Checks notes. Yep. He challenges his captor to a wrestling match. The newly made Iron Man has no trouble dispatching his enemy.
The army attacks Iron Man but small arms fire just seem to bounce right off of him. Stark uses his transistors to repel a bunch of the army and they flee from him. The next bit is a little chase and some more neat tricks Stark has built into his suit, including a buzz saw inside his finger container and transistors which increase his strength. All the use of the suit does drain it, however. A quick thinking Iron Man shoots out a stream of oil right near an ammo dump and lights the whole thing on fire, causing a major explosion.
Stark wins, even if he has doomed himself to a life living inside an iron suit. He goes to where Yinsen was slain and tells him, “Now, Professor Yinsen, rest easy! You, who sacrificed your life to save mine, have been avenged!”
Avenged, huh? Might make a good name for a superhero team somewhere down the line. I hope, Stan Lee remembers that one. Stark kind of walks off wondering what’s in store for him in the future. The reader knows more is to come because we’re told not to miss more of Iron Man in the next great issue of… Tales of Suspense!
While it is great we are getting closer to a full roster of Avengers, the terrible stereotyping in this issue makes it tough to read. I can’t emphasize how bad it is. Not only is the dialogue in broken English, every Asian character here is drawn not in a realistic flesh tone but in a sickly yellow color and with the most stereotypical features you can imagine. There will be great stories with Anthony Stark in them to come, but this one is only significant in that it establishes him as a character and a hero.
There will be more stories to come where the stereotyping is a major problem. And while we might say times were different back then and writers and artists weren’t as concerned with staying away from stereotypes as they are now, that still doesn’t excuse it.
The story does set up major elements which will be prevalent in almost all Iron Man stories to come. Stark needs the suit to live because without it he’ll essentially die of a cardiac condition. Stark is a brilliant, wealthy scientist, and a womanizing playboy. Also, the government wants and needs this man to be protected at nearly any cost. We’ll have lots of great stories with Iron Man soon enough but for now, he’s sort of waiting in the wings to really come into his own as a hero.
As I mentioned above, there is a second story in this issue which is Marvel 616 cannon. This one is the D story, titled Gundar! This is written by Stan Lee and drawn by Steve Ditko who first drew Spider-Man.
The story centers around a shipwreck survivor out on the ocean in a lonely lifeboat. He comes upon an island and thinks he is saved. It should be noted this is clearly a modern (for 1962) lifeboat with a modern sailor. He’s immediately found by a clan of Vikings. The man is understandably confused, thinking maybe he’s on a movie set. But the Vikings tell him they await the coming of Gundar.
It seems these Vikings sailed on a ship under a cruel master known as Gundar. This Gundar goes a little mad and attacks his own crew. They are able to subdue him eventually but not before he puts a curse upon them all. He condemns them to be cast away on an unknown isle, to spend eternity alone. He also says only he can lift the curse.
As we see a panel of the ship struggling through a storm, we see Odin in the background hurling lightning at the sea. This is the reason, and the only reason, this story is Marvel 616 cannon. After all, Odin is Thor’s father so his appearance counts.
The twist of the story at the end is that the shipwrecked man is a descendent of Gundar and the Vikings all disappear and go back into the past. That’s the whole story. Not an incredibly memorable one but it was fine for a short story in an anthology comic.
Next up we’ll be checking in on a pint-sized hero with Ant-Man in the pages of Tales to Astonish #41!
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