So bad yet so good

How do you know something is not just bad, not just awful, not just terrible, but so bad it’s good? I mean something where the film stands out in it’s awfulness so much that it is destined to become a cult classic? I’ve spent a lot of time around bad films so I came up with this list to help you identify that something has gone so bad that it will last forever. Here’s how we separate The Emoji Movie, destined to be forgotten and hated forever, from the stand outs of trash cinema like The Room and Pink Flamingos. Hope you enjoy!

  1. The plot is utterly outlandish. While this isn’t the most essential part, usually having a strangely concocted plot helps. The Rocky Horror Picture Show is about a couple that get stranded on a rainy night in a castle run by murderous transvestites (I know that word may not be PC anymore but it’s what is used in the film). Tremors is all about giant earth worms being mistaken for earthquakes. Santa Claus Conquers the Martians is about, well, the title sums it up doesn’t it? If you are watching Sharknado and it’s got a tornado full of sharks, it’s destined to be so bad it’s kind of awesome.
  2. Production value is low. Again, this is not the most essential ingredient but it sure helps. There are films that counter this point and have a great production value but are still cult classics. But you know something is awful when everything looks like it’s duct taped together and held in by rusty screws. One of the reasons Ed Wood films stand out in cinema is that you can see how little money was put into them. In Plan 9 From Outer Space you can actually see foam gravestones get kicked over as if they were made of… foam. Upon repetitious viewing, it’s still hilarious.
  3. The Budget has exploded. This is counter to point 3. Watterworld had a huge budget. So did Battlefield Earth. Yet they failed on essentially every level. People still watch them today because of how bad they were. It’s incredible to see big name actors like Kevin Costner and Dennis Hopper prance around these huge sets and just kill the whole thing with the absurdity of it all. It combines to make a truly unique, so bad it is good kind of experience.
  4. The Acting is Awful This one is vital. You can have a low budget, or an overblown budget and an absurd plot but if you have even one stellar stand out acting performance, there is no way this will become a cult classic. Tim Curry does nearly invalidates this point in The Rocky Horror Picture Show. But if you have seen The Room, you know without question how bad acting can take an otherwise so so plot, fairly decent production costs and a typical love triangle and make into a sort of car wreck you can’t take your eyes off of. It’s so bad it’s good. You can watch it over and over again, and it’s even more fun if you watch it with a live crowd.
  5. There’s a shocking amount of Something. For this one, it can be gore, it can be foul language, it can be a creature of some type but most essentially it has to be excessive. The Toxic Avenger has a stunning amount of gore, practically pouring through the screen in every other scene. The film doesn’t shy away from it. It revels in it. While this point does not always have to be in a film for it to be so bad it’s good. a majority have this. Another good example would be Showgirls. It has a seriously alarming amount of unnecessary nudity. There are other things about that film that make it so bad it’s good but this aspect contributes heavily.
  6. The dialogue isn’t just bad, it’s memorably bad. Good films need stand out lines like, “I’ll be back.” Cult classic films need lines like “You’re tearing me apart!” (The Room) and “Alright everybody, drop your tacos or I’ll blow your brains out.” (The Toxic Avenger). It might not be Casablanca but I guarantee you will find yourself quoting these lines to your friends.
  7. The special effects don’t work. Can you see that the body thrown off a cliff is just a mannequin with a wig on it? Do the ray guns used in the film just emit a slightly grainy light? Is the makeup so bad that you can’t even tell what the character is supposed to be? Then you just might have a cult classic on your hands. This is usually more reserved for the cult classics that are science fiction related than set in every day life. But, if you have seen Space Zombie Bingo!!! then you know how bad poorly designed effects can be. So bad that you have to watch again just to convince yourself you really saw what you think you saw.
  8. There are problematically unusual directing choices. It’s one thing to get experimental on purpose and try something out in film. It’s another to have jagged and pointless cuts, splice in stock footage, switch from day to night in the same scene or make someone look ten feet tall in one shot and like they are vertically challenged in the next. Normally, one or two of these in a film would just be considered a mistake. A cult classic takes this to the next level. There are so many errors in there, you get to thinking they must have been planned. Actors flub their lines, drop things and get tangled up in the scenery constantly in Attack of the Killer Tomatoes. It’s like the original Easter egg just watching that movie to see all the times something went horribly wrong.
  9. The film either takes itself too seriously or not seriously enough. Waterworld thinks it is staging Hamlet. It’s not. Showgirls wants to be a serious exploration of the working conditions dancers (not strippers!) have to deal with every day. It doesn’t. Plan 9 From Outer Space didn’t take itself seriously enough to take the time to develop into a decent story. When you get either side of this spectrum you can end up with an amazingly bad movie that is just fun to watch.
  10. People know the film is bad but they watch it repeatedly. This is the ultimate sign of a film being elevated from bad to so bad it’s good. I think The Meg was trying for this but it missed the mark. However, The Room, The Rocky Horror Picture Show, The Toxic Avenger, and Plan 9 From Outer Space have all taken on a life of their own outside of the regular box office. Showgirls has web pages and forums dedicated to it. People don’t view these things to appreciate them on the surface, They go because it’s a chance to laugh a little. They go to interact with other weirdos and oddballs that can also see the mangled attempt at art these movies represent. There’s nothing wrong with being bad. Heck, at least these film makers tried. That’s a whole lot more than 99% of people can say.

So the next time you are watching something and you are sure it is bad but not sure if it’s so bad it’s good, remember this list. It can separate out the cult classic from the classicly awful.

I hope you enjoyed my take on this. Did I miss anything? If so, leave a reply.

Badly yours,

Slick Dungeon

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