31 Days of Horror – Day 3

You know what’s great to do late at night, when no one is in the house and you feel like watching something utterly absurd and full of gore? Watch the Toxic Avenger!

Today you get toxic horror! Everyone’s favorite mutated environmentalist taught us all how to beat people up with a mop.

What horrors await you tomorrow? I don’t want to say, but I hope you are all well read.

Horrifically yours,

Slick Dungeon

Bloody Bloody Bible Camp – #MovieReview

please hold still for decapitation

Well hello out there in the world. Slick Dungeon here, ready to tell you all about a movie I just watched. Is it an Oscar contender? Is it going to win any SAG awards? Is it full of stellar acting, brilliant plotting and the most heartwarming emotions you will ever see put on film? Should you watch it? No, no, no and heck yes you should see it! What is this film you speak of Slick? It’s Bloody Bloody Bible Camp.

If you don’t enjoy horror and have a low tolerance for gore, don’t watch this but if you have the stomach for it, this film is a lot of fun. Also, if you are particularly religious this might be offensive but I think that’s obvious from the title and cover. It’s a throwback to slasher films like Friday the 13th or Halloween but with more religion and less suspense. If you do want to watch this but don’t want spoilers, you have been forewarned to stop reading at this point. Grab a s’more sing a hymn, watch the film and come back.

Still with me? Okay good. Bloody good. Bloody Bloody good. Our film starts off with a group of teens who are clearly portrayed by adults, at Happy Day Bible Camp in 1977. Right off we know that there will be tons of death and unnecessary nudity and buckets of blood. I mean, what else do you expect from that title? In the first few moments one of the characters says that Star Wars sucks so I wanted him to die because, that’s definitely a sin to say. I was not disappointed.

Someone with an ax and a crucifix with a knife on the bottom goes through and decimates the campers one by one. Why exactly the people in the camp stand and scream as an ax comes at their heads is a little beyond me. I mean. run right? But anyway, that’s definitely harder to film special effects wise so I guess that’s the reason? Anyway there are a few gruesome deaths and we as the audience know for sure that more will come.

We flash forward to 1984 where a group of campers comes along to try the camp out and perhaps purchase it. We get the obligatory townsfolk warning the campers off only to be completely ignored. But we are the audience and we are smart so we know that the fact that one of them doesn’t even want to go into the store where these locals are means she probably knows something more.

We see an older adult refer to a bunch of definitely not teenagers as kids over and over. We get to see a grown man air high five himself and say “Tad!” for no apparent reason. We get to see grown women contemplate religion and analyze, let’s just say parts of their anatomy. We watch as some of the guys try to hook up with some of the girls and other guys get to be the picked on overweight kid. It’s pretty obvious most of them are gonna die so I put my money on the one questioning religion as a definite survivor, the picked on “kid” as a fifty percent chance and the leader of the bible camp as likely to be the one to off the serial killer.

After quite a few silly jokes and comments in the woods (a smartly cheap place to make a film btw) it gets to be night and one of the adult counselors goes to get some beer. Then it is on, the killing spree begins. Twice in the movie the killer decapitates someone and then repositions the body so that the head falls off for the next victim and the killer catches them by surprise. Classic. Of course both times it’s kind of on the victim because they stay where they are once they see the killer rather than, say, duck, move or fight back in literally any way.

We also get to see the blood spurt in the fun old eighties style where there is no CGI just someone pumping that corn syrup or whatever they use out. One by one the campers are decimated once again but this time we get flashbacks to a little kid being verbally abused by a nun. It’s pretty clear that this kid is the killer and is in need of major therapy. The killer goes on, swatting down campers and reciting bible verses over and over.

Back in town we find out that one of the locals had survived the last incident like this, albeit with severe brain trauma as a result. His brother finds out that this guy has left in hopes of getting himself some revenge. So he goes out to try and save the day. He said that with so much conviction, I actually shifted my money onto him as a survivor.

In the camp we find out that the guy running the bible camp, wanting to buy it knew all along what had happened here seven years ago. We also find out that, yes indeed, the woman who wouldn’t go into the store had been there seven years ago. To which I thought, why in the world would you go back there? Especially knowing the killer had not been caught. Also, it seems like the killer camps near by so, wow, there are some bad detectives around the area. I could say that about a lot of slasher films though.

For a moment it seemed that I was wrong about the leader of the bible camp being the one to bring down the killer, who we start to learn is a man who dresses up as a nun with a devil mask. Never really explained why the devil mask is worn but, sure why not? But then this movie pulled a move I didn’t expect. There’s a cameo in here where an actor known for, uh… other kinds of movies… shows up as Jesus. It’s not as good of a cameo as Bill Murray in Zombieland but it’s close. Jesus gives the bible camp director a weirdly offensive message of acceptance and boom, he’s back up after having been slashed.

I was starting to think I was a decent gambler because he was still alive, the guy who warned the bible camper was still alive and so was the camper who questioned religion and even the picked on kid was still kickin’. But then Sister Mary Chopper (very decent killer name) shows up and stabs the the guy who warned the campers away in the neck. Then she drops a cinder block on the picked on kid. Now I want to call out this particular head destruction. They drop a cinder block on the guys head. I had to watch this twice because the editing here was seamless. You can’t tell when they moved the actual actor out of the way at all. Best death in the movie in my opinion. But now, I am losing half my bet.

Everyone kind of stands around watching as the killer does the last two murders I just described. Who would not run??? We also find out that the killer is a guy we saw in the store early on in the film. He had been walking around as what you might call a goth, I guess but I was pretty sure that was the killer to begin with. But confirmed here. Then the leader of the camp has his big battle with the Sister. It’s kind of played a little too much for laughs towards the end and I think the movie might have benefited from making that more serious but that’s a minor nitpick. However, he saves the day and all is good.

But wait! Post credit scene! We see that Sister Mary Chopper sits up again. And that one of the girls we thought was dead is not. She just comes on to make a joke though so I don’t know if we count that as true survival.

I really actually enjoyed this movie, even if most people probably wouldn’t. You have to have a sense of humor and a high tolerance for gore. But here’s the biggest compliment I can pay this. While I was watching it, I thought that it had actually been made in the eighties or nineties and that I had somehow missed it. It’s exactly the kind of movie my friends and I would have rented for a slumber party when I was a kid. Turns out this thing was made in 2011. I am so glad there are people still out there making stuff like this. Kudos to Reggie Bannister, Vito Trabucco and literally everyone else involved in this film. You have made a movie so bad it’s good and I loved it.

Next week, I am going to slog through an Academy Award winning actress’ almost finest work as I force my eyeballs to stay open for Halle Berry’s Catwoman

Bloodily Yours,

Slick Dungeon

Top 10 Signs a Movie is So Bad it’s Good

So bad yet so good

How do you know something is not just bad, not just awful, not just terrible, but so bad it’s good? I mean something where the film stands out in it’s awfulness so much that it is destined to become a cult classic? I’ve spent a lot of time around bad films so I came up with this list to help you identify that something has gone so bad that it will last forever. Here’s how we separate The Emoji Movie, destined to be forgotten and hated forever, from the stand outs of trash cinema like The Room and Pink Flamingos. Hope you enjoy!

  1. The plot is utterly outlandish. While this isn’t the most essential part, usually having a strangely concocted plot helps. The Rocky Horror Picture Show is about a couple that get stranded on a rainy night in a castle run by murderous transvestites (I know that word may not be PC anymore but it’s what is used in the film). Tremors is all about giant earth worms being mistaken for earthquakes. Santa Claus Conquers the Martians is about, well, the title sums it up doesn’t it? If you are watching Sharknado and it’s got a tornado full of sharks, it’s destined to be so bad it’s kind of awesome.
  2. Production value is low. Again, this is not the most essential ingredient but it sure helps. There are films that counter this point and have a great production value but are still cult classics. But you know something is awful when everything looks like it’s duct taped together and held in by rusty screws. One of the reasons Ed Wood films stand out in cinema is that you can see how little money was put into them. In Plan 9 From Outer Space you can actually see foam gravestones get kicked over as if they were made of… foam. Upon repetitious viewing, it’s still hilarious.
  3. The Budget has exploded. This is counter to point 3. Watterworld had a huge budget. So did Battlefield Earth. Yet they failed on essentially every level. People still watch them today because of how bad they were. It’s incredible to see big name actors like Kevin Costner and Dennis Hopper prance around these huge sets and just kill the whole thing with the absurdity of it all. It combines to make a truly unique, so bad it is good kind of experience.
  4. The Acting is Awful This one is vital. You can have a low budget, or an overblown budget and an absurd plot but if you have even one stellar stand out acting performance, there is no way this will become a cult classic. Tim Curry does nearly invalidates this point in The Rocky Horror Picture Show. But if you have seen The Room, you know without question how bad acting can take an otherwise so so plot, fairly decent production costs and a typical love triangle and make into a sort of car wreck you can’t take your eyes off of. It’s so bad it’s good. You can watch it over and over again, and it’s even more fun if you watch it with a live crowd.
  5. There’s a shocking amount of Something. For this one, it can be gore, it can be foul language, it can be a creature of some type but most essentially it has to be excessive. The Toxic Avenger has a stunning amount of gore, practically pouring through the screen in every other scene. The film doesn’t shy away from it. It revels in it. While this point does not always have to be in a film for it to be so bad it’s good. a majority have this. Another good example would be Showgirls. It has a seriously alarming amount of unnecessary nudity. There are other things about that film that make it so bad it’s good but this aspect contributes heavily.
  6. The dialogue isn’t just bad, it’s memorably bad. Good films need stand out lines like, “I’ll be back.” Cult classic films need lines like “You’re tearing me apart!” (The Room) and “Alright everybody, drop your tacos or I’ll blow your brains out.” (The Toxic Avenger). It might not be Casablanca but I guarantee you will find yourself quoting these lines to your friends.
  7. The special effects don’t work. Can you see that the body thrown off a cliff is just a mannequin with a wig on it? Do the ray guns used in the film just emit a slightly grainy light? Is the makeup so bad that you can’t even tell what the character is supposed to be? Then you just might have a cult classic on your hands. This is usually more reserved for the cult classics that are science fiction related than set in every day life. But, if you have seen Space Zombie Bingo!!! then you know how bad poorly designed effects can be. So bad that you have to watch again just to convince yourself you really saw what you think you saw.
  8. There are problematically unusual directing choices. It’s one thing to get experimental on purpose and try something out in film. It’s another to have jagged and pointless cuts, splice in stock footage, switch from day to night in the same scene or make someone look ten feet tall in one shot and like they are vertically challenged in the next. Normally, one or two of these in a film would just be considered a mistake. A cult classic takes this to the next level. There are so many errors in there, you get to thinking they must have been planned. Actors flub their lines, drop things and get tangled up in the scenery constantly in Attack of the Killer Tomatoes. It’s like the original Easter egg just watching that movie to see all the times something went horribly wrong.
  9. The film either takes itself too seriously or not seriously enough. Waterworld thinks it is staging Hamlet. It’s not. Showgirls wants to be a serious exploration of the working conditions dancers (not strippers!) have to deal with every day. It doesn’t. Plan 9 From Outer Space didn’t take itself seriously enough to take the time to develop into a decent story. When you get either side of this spectrum you can end up with an amazingly bad movie that is just fun to watch.
  10. People know the film is bad but they watch it repeatedly. This is the ultimate sign of a film being elevated from bad to so bad it’s good. I think The Meg was trying for this but it missed the mark. However, The Room, The Rocky Horror Picture Show, The Toxic Avenger, and Plan 9 From Outer Space have all taken on a life of their own outside of the regular box office. Showgirls has web pages and forums dedicated to it. People don’t view these things to appreciate them on the surface, They go because it’s a chance to laugh a little. They go to interact with other weirdos and oddballs that can also see the mangled attempt at art these movies represent. There’s nothing wrong with being bad. Heck, at least these film makers tried. That’s a whole lot more than 99% of people can say.

So the next time you are watching something and you are sure it is bad but not sure if it’s so bad it’s good, remember this list. It can separate out the cult classic from the classicly awful.

I hope you enjoyed my take on this. Did I miss anything? If so, leave a reply.

Badly yours,

Slick Dungeon