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⭐⭐⭐
Rating: 3 out of 5.
Summary
Corber Port is the commercial center and largest metropolis of the tottering Solarian Empire. A devastating earthquake and fire have reduced much of the city to charred rubble roamed by gangs.
Tia Samos, once a prominent imperial citizen, is held captive in this urban wasteland by demons masquerading as mortal men. Tia’s former companions scour the city searching for her but are stymied at every turn.
Worse, dark forces plot to unleash yet another calamity on Corber Port – and Tia’s captors may be the only ones who can prevent it – if they choose to do so.
review
The last book in the Empire series left us at a crucial moment with Tia making a great sacrifice in order to save her friends. Peter, Kyle, and Rebecca had no power to stop Tia’s decision, leaving them with the only option of regrouping later to find Tia and attempt to rescue her from evil. In Empire: Metropolis we find our characters in the largest city in the Empire, attempting to make new lives for themselves, gaining increased knowledge, and even magical power. But at the same time, they must attempt to locate Tia, and Kyle’s nephew Barry, without allowing evil entities to gain knowledge of what they are doing. To make matters worse, there are places in the city where Kyle’s burgeoning magical powers are ineffective, there are those in power who stand to gain from keeping it that way, and in this city teeming with humanity, a demon on the loose could cause permanent havoc, not just for Tia and her friends, but all of the Empire.
Throughout the first three books in this series there has been a bit of a pattern emerging with small story threads occurring over and over again in slightly different ways. In Empire: Metropolis those threads start to come together to create a larger picture of why Kyle, Rebecca, Peter, and Tia all keep encountering the same evils, and what it will mean if they can’t defeat the darkness. But even the most corrupted of humans may still have some humanity in him. To stop the darkest of times, this man will have to remember what he was before he was taken by darkness. It’s up to Tia to figure out how to make that happen, while it’s up to her companions to save her before it is too late for her and everyone else.
So far all of the Empire books have been worth reading with a good blend of a fantasy setting, dark and cosmic horror, and even a bit of modern technology thrown in. The setting of Empire: Metropolis improves on the formula a bit by giving a real sense of the larger society and helps the reader to understand what life is like for common folks in the largest city in the Empire. The end still leaves the reader with some questions which will hopefully be answered in subsequent volumes. Tying the whole story together will be a real challenge but if the series stays consistent, author Tim Goff should be up to the task.
If you like your fantasy blended with a good dose of horror, a bit of the supernatural, and a bit of the cosmic, this series is well worth checking out.
Note: this review was first posted on Reedsy Discovery, an awesome website that pairs independent authors and readers. To see the post there, click here.
If you are a book reviewer and want to contribute reviews on Reedsy Discovery, click here.
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⭐⭐⭐
Rating: 3 out of 5.
SUMMARY
Winning the decades long war against demon ruled Traag almost destroyed the Solarian Empire. Now the nation hangs by a thread. Worse, they didn’t get all the demons.
Tia traveled to bucolic Copiah House, stronghold of the once great Bestia Family, on what was supposed to be a simple business trip. Instead, she finds herself embroiled in a web of intrigue, wartime secrets, and black magic. Unraveling this mystery will take all of her skills – and more…
REVIEW
Traag has been defeated and the demons are weakened but not outright gone. Tia, Sir Peter Cortez, Kyle and Rebecca all travel on business but when they are attacked in the road by a group of bandits and thieves, they find themselves without proper transportation and stuck in Copiah House. It seems safe enough but there the group will meet old foes and new enemies and allies. The political and business efforts of Tia become even more difficult as she tries to navigate her way with nobles while facing money trouble. Peter gets a glimpse of what his future life might be and he finds it to be more complicated than expected. Meanwhile, Kyle is in the one place he dreads most and realizes there may be a major threat to the people he cares about most.
Empire: Estate continues to tell the story of the Empire saga, full of fantasy, magic, lore, family connections and what happens to a world recently recovering from a major war. It’s a unique blend of horror and fantasy along with a good dose of politics which keeps the reader turning pages. Each main character has a distinctive personality and this has only solidified since the first volume. As with all of the books by Tim Goff thus far, there are major surprises and plenty of action to be found. The world feels grounded in reality for the most part as the characters not only have to deal with people who delve into dark magic but also with the day to day troubles of not being cheated out of money when they need a vehicle repaired.
The most interesting part of the story still remains the fact that this takes place after a major war where opportunists can take advantage of the situation and even those who were heroes on the battlefield find they need to figure out a way to make a living outside of war.
If a mix between The Wheel of Time series and nightmares out of cosmic and supernatural horror intrigue you, Empire: Estate is well worth reading. This is the third in the series so it’s best to start with the first book but they have all been good reads thus far and I look forward to more in the series.
Note: this review was first posted on Reedsy Discovery, an awesome website that pairs independent authors and readers. To see the post there, click here.
If you are a book reviewer and want to contribute reviews on Reedsy Discovery, click here.
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⭐⭐⭐
Rating: 3 out of 5.
SUMMARY
After decades of bitter warfare, the Solarian Empire finally scored a pyric victory over demon ruled Traag. Now, Solaria is a tottering wreck of a nation, one step from the brink of collapse. Worse, the demons are still out there.
Tia traveled to the imperial capital to testify at the trial of a traitor tied to eldritch abominations. She stayed to court the rowdy knightly heroes roaming the palace halls. It seems normal – yet she is plagued by strange dreams and the court intrigues are taking a deadly turn.
Rebecca, Tia’s maid and personal minstrel, is ‘playing the palace’ – but there is something wrong with her music.
Sir Peter Cortez, Tia’s protector, parties with his fellow knights while navigating intrigues.
Kyle, Tia’s carriage driver and a petty magician, confronts his past and contemplates his future.
Opportunity and peril await them all.
REVIEW
After the events of Empire: Country the sequel follows the adventures of an ensemble cast of characters. Tia is still trying to find a suitable match for matrimony. Rebecca has musical talent and should be having the performance of her lifetime but there is something wrong with the music. Sir Peter Cortez is filling out his days in debauchery and unpleasant family matters. And Kyle is trying to figure out what a man with his talents can do and how he can further his fortunes. Meanwhile there is an evil presence growing in the capital which could destroy them all.
This second volume starts out with a prologue that definitely expands the world of Empire but seems as if it may be resolved further on in the series. There are more revelations from the past for most of the characters, and they all, in one way or another, are struggling to confront the reality of how to live their lives in the future. This all means quite a bit of political maneuvering as people try to position themselves to best survive whatever may be coming next. In the background of all this there is a bit of mystery and corruption that a few of the characters are able to perceive for one reason or another.
There are some passages which are a bit confusing for the reader but may become more clear as the story goes on. There are also some spelling and grammar issues in the book but the story is strong enough to keep the reader engaged for the most part.
It’s clear that Tim Goff is attempting to tell an ambitious story with a lot of moving parts. This second volume expands on that and has plenty of intrigue and action along the way. The idea of setting most of the main events after a major war has ended gives the story just enough edge to make it unique in fantasy books. This second volume touches quite a lot on themes of finding direction in one’s life and career, especially after the world has undergone a significant change. These themes certainly resonate to the audience today.
If you enjoy fantasy books with elements of cosmic horror you’ll enjoy the Empire series.
Dream is captured in episode 1 of the Netflix series The Sandman
Hello dreamers, day dreamers, and nightmare watchers! It’s Slick Dungeon here and I am back to review the first of The Sandman episodes. This one is titled Sleep of the Just. Before we get too far into this review, it’s my duty to warn you there will be heavy spoilers for the episode and some spoilers for the early issues of The Sandman comics. If you can’t stand spoilers then go watch and read and come back here for the review. I do plan on going pretty deep into the material so tread cautiously if you are not into that sort of thing.
In order for me to go as in-depth into this series as I want to, we need to take a little trip back in time to 1988 when the first issue of The Sandman comic book began. Back then, Neil Gaiman, the author and co-creator of the series was trying to revive a series about a character called The Sandman which was created by Joe Simon and Jack Kirby. Neil pitched the idea to his editor Karen Berger but she had one change to it. She wanted the series to be about a brand new character. This decision proved pivotal, allowing Gaiman to take a ton of creative license with how he handled his series.
It’s important to remember that this series, at the beginning especially, was tied to DC comics. While it was printed under a line meant for mature readers called Vertigo, DC characters do walk in these pages. I mention this because in the show, there are some things that absolutely had to be changed from the comics due to licensing issues and copyright problems.
While I may point out adaptive changes in the series, I don’t necessarily think one version is superior to the other. They were made in different times and much like the character Morpheus himself, the world has changed since the comics came out. Each telling of the story is what it needs to be. There are definitely things that would be changed in the comic if it were made now (there truly was not enough diverse representation in the comics) and if the show was made at the time of the comics it would be much different than what we have (and probably not a very good adaptation as Neil Gaiman himself would likely tell you). I’m absolutely not going to dwell on casting choices that certain portions of the internet have raged about. Gender swapping or casting actors who are a different race than what they were in the comics makes absolutely no difference in how well the story is told. And both the comics and the show tell a great story.
Okay, stepping off my soapbox now. After all that setup, let’s talk about the episode itself.
Much like the comic, this first episode is what you might consider the closest to conventional horror. It deals with old men in creepy old houses doing magic to gain power for themselves. If that was all this series was, I could recommend any number of shows exactly like it. It will take some time but both the show and the comic transcend the horror theme eventually.
The episode starts off with a bit of exposition from Morpheus, who declares himself, “the king of dreams” and we see a raven fly over a car and into the world of the dreaming. This is where Morpheus lives and it’s as fantastic as the real world is mundane. This immediately sets up Morpheus as other than ourselves and he seems to know something we don’t as he dismisses our notion as mortals that dreams make no difference in the choices we make.
We really only get the briefest of glimpses into this world of the dreaming but we are introduced to some key characters and the villain of the season is immediately established. The librarian of the dreaming, Lucienne, has a conversation with Dream, while Dream is looking at a stained glass representation of a nightmare of his own creation. This is a character called The Corinthian. In the comics we don’t even get a hint of him for quite a long time. I do think this change was smart because it shows Morpheus will have an adversary. Lucienne also tells Morpheus she has a feeling Morpheus won’t be coming back because in the real world, dreams don’t survive long, but nightmares seem to thrive.
I’d say that’s a rather pessimistic worldview but of course, it might not be wrong either. The story gets going with a group of people who seem to run a cult of some sort and their goal is to trap the angel of death. The time period is 1916 and the location is Wychcross England. In other words, war is breaking out and the world does indeed look bleak at this time. At this point in the show the timeline matches what we see in the comics but it won’t stay that way for long.
In the comic series we don’t find out much about this cult. But in the show we get a little window into what is going on. There’s a man who calls himself the Magus (meaning sorcerer) who will go to any length to bring his eldest son back from the dead. We also see his second born son, Alex, who seems to have a kinder heart than his father.
As Dream is about to confront the Corinthian and bring him back to the dreaming, a spell is performed by the cult. Instead of trapping Death like the Magus hoped, he has Morpheus, also known as Dream. But the Magus really has no idea what it is he’s captured.
There is another interesting change here. In the comics we essentially see the Magus flail about trying to figure out who he has. But in the show, the Corinthian shows up almost immediately to tell the Magus what he has and how to keep Dream from escaping. This gives the Corinthian a whole lot more power and reason to be there than the comic does.
One consequence of Morpheus being locked up is a “sleepy sickness” breaks out. There are a bunch of people who can’t sleep, always sleepwalk, or simply will no longer wake up. One of the most interesting things about this is this incident actually reflects a real illness that did break out at the time. If you ever wonder if Neil Gaiman did his homework for this story, that’s all you need to know.
We are also very briefly introduced to a character suffering from this sleepy sickness named, Unity. She’s an incredibly important character but we won’t know more about her until future episodes.
While the Magus may not have captured who he wanted, he does take what are called Morpheus’ vestments. A ruby, a bag of sand, and what amounts to a gas mask but is referred to as a “helm.” These items are exceedingly powerful so you know there will be trouble with them down the line.
One bit of kudos to the show runners here is the way they make Tom Sturridge look as Morpheus while he is trapped. He’s thin and weakened but also looks otherworldly. I’m guessing there was a good amount of CGI and a lot of messing around with lighting to get the look just right but they nailed it.
Dream is more than a god. He’s one of “The Endless” so Morpheus is able to play the long game against his captors. This allows us to move the story past the Magus and a simple revenge plot. While there are hints of Alex being kind and even potentially letting Morpheus out, he never does, either from fear of his father, or fear of what Dream might do.
Before the Magus dies, a woman named Ethel Cripps who is pregnant with his child absconds with Dream’s vestments and a small fortune in cash. This event is probably the most significant event in this first season. It leaves Morpheus with no knowledge of where his tools are. Ethel does escape the Magus and has the baby. This baby will also be a huge part of the series in episodes to come.
There’s also a moment where it almost seems Dream will escape with the help of his raven but the bird is shot by Alex. This gives Morpheus a strong reason to distrust Alex once the Magus is dead. And Morpheus still has all the time in the world to wait. All he needs is for someone to fall asleep near him.
Things were probably not easy for Alex as an out gay man in the 1920’s but that’s no excuse for keeping someone locked up in your basement. Ultimately, once Alex is old and no longer mobile, it’s his partner Paul who allows for Morpheus to escape. He pushes Alex’s wheelchair across the magic circle which traps Dream. This is all the opportunity one of the Endless needs to escape.
Morpheus is soon able to walk through the guards dreams and right out of his magic cage. Dream confronts Alex and as punishment grants him the gift of, “eternal sleep.” Presumably he’s given Alex the Sleepy Sickness.
If there was a single thing I could change from this episode it would be this adaptive change. In the comics Morpheus also gives Ales a gift. But this gift is the gift of eternal waking. Have you ever had a nightmare and when the worst thing you can imagine is about to strike you wake up and then you feel relief but then another nightmare comes and you realize you haven’t actually woken up? Take that feeling and imagine having it forever. Always a brief moment of relief before being once more terrified in an endless loop. That’s severe punishment.
While I understand why they made the change, I still think the original idea from the comic would have been better. They changed it because as the viewer we do get to know Alex a little bit and understand he has some kindness to him. He really does sympathize with Morpheus, even though he doesn’t allow Morpheus to escape.
My problem with the change is it humanizes Morpheus too much. Morpheus is Endless and in the comic series he certainly does have a character arc but his change is slow. Centuries spanning slow. To have Morpheus show any bit of kindness to his captors shows him identifying with humans too much at this point in the series.
Here is also where the timeline diverges between the comics and the show. In the show we advance all the way to our time. The comic advanced to its present time of 1989. I think there are a lot of reasons for this change, not the least of which would be having to film a period piece with only stuff from the 1980’s and 1990’s would bring the cost up on the whole production and it’s already an expensive show.
The episode ends with a very murder-y Corinthian realizing Morpheus is out of his cage. Morpheus goes back to the Dreaming where Lucienne finds him. But the realm of the king of dreams has changed. It’s a mere shadow of what it had been at the beginning of the episode and it’s clear Morpheus is going to need his stuff back in order to fix anything. Apparently, this disarray and decay is what happens when Morpheus is away for too long. There’s also a very small hint of something having happened to another one of the Endless in the past. If we find out what all that is about, it won’t be until later seasons.
Oddly, the end of the episode is a preview for what’s going to happen this season on The Sandman. It really feels out of place and I’m not exactly sure why they put it there but you can skip it if you’re watching the show because, well, you’re already watching the show.
All in all, this episode is probably the weakest of the series but it’s essential to have it so we can really get into the story. I think it was well told, superbly acted, and brought us into a world full of a lot of complex things going on rather seemlessly.
My biggest regret for the episode is this is the only episode we get to see Charles Dance who plays Roger Buress, aka, the Magus. You’ll likely recognize him as Tywin Lannister from Game of Thrones. And just like in that show, every minute he is on screen, he is fascinating to watch. But we’ll have lots of other star power and phenomenal performances in future episodes so I can’t complain too much.
Well, that’s my take on the first episode. I’ll have plenty more to say about future episodes (and hopefully future seasons). Until then, did you watch this show or read the comics? If so, let me know what you thought about it in the comments below. If you could change anything about the adaptation what would it be? Or do you think it is perfect as is?
Hello internet, it’s Slick Dungeon here. I’m going to give my initial impressions of the screen adaptation of the comic book series The Sandman. This review will be for what I think of the series overall but in future posts I will do an in-depth review of each individual episode and talk about how the show relates to the comic book series.
I have to be honest to start here. This was a review I dreaded doing. A lot of people who are into comic books had the experience I did with Sandman. When I was a kid I absolutely loved comic books, especially super heroes. But when I went to high school these books dropped off my radar for the most part. Until I started to hear about a series called The Sandman by Neil Gaiman. It had a horror feel to it with some amazing art, a bit of a connection to the DC heroes, but still stood all on its own as a story. And, upon reading the series, it felt like this was one of the series that would help the medium of comics to grow up and be taken seriously. In a phrase, I loved The Sandman and I probably wouldn’t still be reading comic books now without it.
In my mind, the only thing worse than having no adaptation of the series would be to have a bad adaptation of it. It’s the one series I’ve always wanted to see but been much too afraid it would get screwed up. If that happened, I knew people would come to dislike the comic series and we’d never get another good Neil Gaiman story adapted. So, with all that in mind, I was very hesitant to watch this series. I would not be able to take it if it was done poorly.
I’m beyond happy to report this series turned out to be utterly phenomenal. That’s not to say there are no things I would change if I could, but there are so few that this is a nearly perfect series. And there is one episode which I think is maybe the best episode of television I have ever seen.
What’s more, this series is not only grand for those of us who love the comics, but also works exceedingly well for those not at all versed in the lore of The Sandman comics. I think the show will makes comics readers out of a good portion of the audience.
For this review, I really don’t want to get into spoilers in case anyone is wanting to watch but has not. The basic premise is that Dream, played by Tom Sturridge, is captured by mortal man and, let’s just say he is not happy about it. To say much more in this review would either be confusing or lead to spoilers.
The series is by turns dramatic, horrifying, fantastical, and brilliant. The acting performances here are knocked completely out of the park by everyone involved and I just felt like I was living in the world of Dream and his siblings the whole time I was watching it. Some episodes are more terrifying than others and some are slower paced than others but never did I feel bored while watching. There’s too much story here for there to be down time and I guarantee this is a series which will live in your mind long after you have finished watching.
What I want you to take away here is that the series is extremely watchable and a much better adaptation of a brilliant work than I could have hoped for. If you have not yet watched this show, put it at the top of your queue because it’s going to be better than anything else out there.
Next time I will get into the first episode with a deeper review, full of spoilers, but for now, if you watch the show, enjoy the ride because you are in for a fantastic time.
Just wanted to give you an update on the progress of my book. Right now you can read the first four chapters of it on Chapterbuzz. I’d love for you to take a look and let me know what you think! To read it you should be able to just click the new badge I earned below.
Jimmy Chartron and the Lost Keystone by J.T. Michaels
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SUMMARY
The Great War ended a century ago. Peace reigns across the eight countries. Epic tales of heroic men and women of those times are recounted in song and story. Yet, history seems to have forgotten a young battlefield healer, Tessa Marlise…
Sixteen-year-old Jimmy Chartron has just enrolled at the Navale Academy of Eagleon, his mind set on becoming an electrician. A chance magical encounter binds him to the trapped soul of Tessa Marlise. As Jimmy struggles to deal with this shocking development, murder and mystery unravel in the academy. Caught in the middle of everything, Jimmy realizes that a larger evil is afoot and that only two things can stop it: himself and the ghost in his head…
REVIEW
⭐⭐⭐⭐
Rating: 4 out of 5.
Jimmy Chartron is a hard working, sixteen year old, boy. He’s been accepted to the Navale Academy where he wants to learn to be an electrician. He also works on the docs. But a chance encounter with a bit of magic pairs him with a ghost named Tessa. Tessa is stuck in Jimmy’s mind and the two of them have to find a way to work together to keep Jimmy safe, unravel a mystery, and quite possibly save the world.
The book is a bit of a mix of Harry Potter and futuristic technology. At the same time, it’s got a unique feel to it and manages to tell an original story. While the relationship between Jimmy and Tessa is the main narrative there is a wide cast of supporting characters and J.T. Michaels does a good job of balancing the action with the characters.
Parts of the story do feel like something you may have read before but there is enough of an original spin here to keep the reader interested. It would have been nice to have just a little more of the background of the war which ended a century ago. But I believe this could easily be expanded upon in future installments of the series.
There is also a well thought out magic system in use here that feels like a good blend of traditional ideas of magic with a bit of technology thrown in for good measure. And there are some unique creatures populating the landscape as well.
This definitely feels like a book with good series potential where the stakes and action can rise in the future.
If you like fast paced adventure books starring adolescents such as Harry Potter, Septimus Heap or Rick Riordan books you will enjoy Jimmy Chartron and the Lost Keystone.
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SUMMARY
Kill the treasure-hoarding monster, find the ancient artifact, and deliver it to the wizard. Every adventurer knows the drill. But what if that adventurer is a troll?
The wizard has run out of heroes to send after the Scepter of Amon, so he picks Kevrin, a troll who desires to be human. He is powerful, resilient, and just a little bit scared of fire. A simple magical disguise allows Kevrin to interact with other humans, but can Kevrin fit in? He can’t read. He doesn’t understand sarcasm. And he has no idea what a scepter even looks like. But since the wizard promised to turn him into a human if he is successful, he has all the motivation in the world.
Can Kevrin trust his new friends if they find out what he really is? Can he trust the wizard? Will he find what he is really looking for? Or will he eat his horse the next time he gets too hungry?
The Scepter of Amon is told in a classic fantasy setting and is the first book in the Hero’s Path trilogy.
REVIEW
⭐⭐⭐
Rating: 3 out of 5.
Most adventuring stories, and most adventurers have something in common. They go on a quest to kill a monster, get some treasure and come back for a reward. Kevrin has set out to do these things as well. But he’s no common adventurer. He may look human but he’s actually a troll, more comfortable eating raw meat from a fresh kill than dining on cooked steak, stronger than most men, and unsure of what a scepter looks like even though he knows he is supposed to bring one back. Kevrin never fit in with the other trolls and he wants more than anything to be human. If he can complete his quest he may just get his wish.
The Scepter of Amon is a fantasy adventure with pretty intriguing twist. What if the adventurer was a monster? The story puts a lot of the standard fantasy tropes on their heads and makes for a fun read. The adventure has a fair amount of action, a smattering of romance, and a bit of a murder mystery in it as well. Kevrin is most certainly a memorable character who lives in the readers heart long after the story has been read.
While the story itself is well written and full of adventure it would have been nice to see more female characters in the story. The woman who is in the story is well developed and doesn’t just belong in the background, it just would have been better if there were more female characters at all here.
This is the first book in a trilogy and it comes to a nice conclusion while still leaving the reader eager for the next installment.
If you play Dungeons & Dragons you will especially relate to this book. Even if you don’t but like fantasy adventure books like Lord of the Rings, The Crystal Shard or even the Discworld series you’re going to find something here you like. It’s definitely worth reading.
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SUMMARY
After witnessing the tragic death of her closest friends and family, Dawn travels across the country with a weathered vagabond in search of her aunt. On the way, she discovers that the world is a much scarier place than she had initially imagined, and that she might have some darkness lingering within herself as well.
REVIEW
⭐⭐⭐
Rating: 3 out of 5.
Dawn lives a quiet, happy life in a small village. She has a family who loves her and close friends to keep her company. She hasn’t traveled outside of her village but she hasn’t minded because she’s happy. Everything changes when her little village and family are attacked and left for dead. Dawn is now on her own and will need to make friends and allies in order to navigate her way through a world she has yet to truly experience.
She meets up with Cain and Ragnar who are what is known as Reavers. These are people who uphold justice and protect the land. Dawn sets off on an adventure with the two of them as she tries to connect with her only remaining relative, her aunt who lives in a far away city. On the way she will have to face danger, enemies, and most of all, herself.
Reflection is a high fantasy adventure full of magic, interesting creatures, and compelling action. What is most interesting is that the characters in the story don’t automatically resort to violence to solve their troubles and there are some characters who really think about what it means to take a life. That’s refreshing to see in a fantasy book as oftentimes there is action without consequences in these kinds of stories.
There was room for a bit more character growth for some of the characters and there were times when the world didn’t feel as fully built as it could have been. But the story is satisfying to the reader and there is a lot of potential for this as a series. The characters are enjoyable to read about and there is a sense of fun in this world.
If you like fantasy books with lots of magic in it like Lord of the Rings or The Wheel of Time series, you’ll find this an enjoyable book worth reading.
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A disgraced warrior seeks an honorable death on the battlefield, but an eldritch god has other plans for her.
REVIEW
⭐⭐⭐⭐⭐
Rating: 5 out of 5.
You may be wondering why the summary for this book is so short. Just to put this in context, this is a free novella that is a sort of prequel for the Gunmetal Gods series and having a much longer summary would likely give away spoilers of not only Death Rider but also other books in the series. Like the rest of Gunmetal Gods, this is fantasy combined with cosmic horror. If you like that style of story, the whole series is a must read. It’s inventive and interesting and full of epic battles, heartbreaking emotion, and unimaginably horrible gods.
Zamil Akhtar proves with this novella that he can make an impact with a shorter form of story just as well as he can with full length novels. I’ll not go too much into the plot here because I do not want to spoil the story for any new readers. This novella is a good place to start if you have not read any of the Gunmetal Gods series and for those of us who are already fans of the books, this is a wonderful supplement to the main story.
Darya is what is known as a Death Rider. She has made a mistake and is at death’s door because of her actions. She has one last chance to survive. One last hope at living, for even one more day. With the horrors she will encounter, she may well wish she had chosen death instead.
The novella has a relatable main character, an enjoyable amount of action, and one hell of an ending that needs to be read to be believed. If you are a fan at all of cosmic horror or epic fantasy and you have not read Gunmetal Gods, I can’t recommend it enough. You can purchase Death Rider in paperback at the link above, or you can get a free digital copy by joining Zamil Akhtar’s mailing list at ZamilAkhtar.com. He’s also working on a new progression fantasy series and I’m excited to see where that leads.
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